“Scars” by William Stafford

They tell how it was, and how time
came along, and how it happened
again and again. They tell
the slant life takes when it turns
and slashes your face as a friend.

Any wound is real. In church
a woman lets the sun find
her cheek, and we see the lesson:
there are years in that book; there are sorrows
a choir can’t reach when they sing.

Rows of children lift their faces of promise,
places where the scars will be.

William Stafford, Americans’ Favorite Poems: edited by  Maggie Dietz and Robert Pinsky

 

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“Scars” (Acoustic) by James Bay

We grow apart
I watch you on the red horizon
Your lion’s heart
Will protect you under stormy skies
And I will always be listening for your laughter and your tears
And as soon as I can hold you once again
I won’t let go of you, I swear
We live through scars this time
But I’ve made up my mind
We can’t leave us behind anymore
We’ll have to hurt for now
But next time there’s no doubt
‘Cause I can’t go without you anymore

“First Poem for You” by Kim Addonizio

I like to touch your tattoos in complete
darkness, when I can’t see them. I’m sure of
where they are, know by heart the neat
lines of lightning pulsing just above
your nipple, can find, as if by instinct, the blue
swirls of water on your shoulder where a serpent
twists, facing a dragon. When I pull you

to me, taking you until we’re spent
and quiet on the sheets, I love to kiss
the pictures in your skin. They’ll last until
you’re seared to ashes; whatever persists
or turns to pain between us, they will still
be there. Such permanence is terrifying.
So I touch them in the dark; but touch them, trying.

Kim Addonizio, “First Poem For You” from The Philosopher’s Club. Copyright © 1994 by Kim Addonizio.

“After Twelve Days of Rain” by Dorianne Laux

I couldn’t name it, the sweet
sadness welling up in me for weeks.
So I cleaned, found myself standing
in a room with a rag in my hand,
the birds calling time-to-go, time-to-go.
And like an old woman near the end
of her life I could hear it, the voice
of a man I never loved who pressed
my breasts to his hips and whispered
“My little doves, my white, white lilies.”
I could almost cry when I remember it.

I don’t remember when I began
to call everyone “sweetie,”
as if they were my daughters,
my darlings, my little birds.
I have always loved too much,
or not enough. Last night
I read a poem about God and almost
believed it—God sipping coffee,
smoking cherry tobacco. I’ve arrived
at a time in my life when I could believe
almost anything.

Today, pumping gas into my old car, I stood
hatless in the rain and the whole world
went silent—cars on the wet street
sliding past without sound, the attendant’s
mouth opening and closing on air
as he walked from pump to pump, his footsteps
erased in the rain—nothing
but the tiny numbers in their square windows
rolling by my shoulder, the unstoppable seconds
gliding by as I stood at the Chevron,
balancing evenly on my two feet, a gas nozzle
gripped in my hand, my hair gathering rain.

And I saw it didn’t matter
who had loved me or who I loved. I was alone.
The black oily asphalt, the slick beauty
of the Iranian attendant, the thickening
clouds—nothing was mine. And I understood
finally, after a semester of philosophy,
a thousand books of poetry, after death
and childbirth and the startled cries of men
who called out my name as they entered me,
I finally believed I was alone, felt it
in my actual, visceral heart, heard it echo
like a thin bell. And the sounds
came back, the slish of tires
and footsteps, all the delicate cargo
they carried saying thank you
and yes. So I paid and climbed into my car
as if nothing had happened—
as if everything mattered — What else could I do?

I drove to the grocery store
and bought wheat bread and milk,
a candy bar wrapped in gold foil,
smiled at the teenaged cashier
with the pimpled face and the plastic
name plate pinned above her small breast,
and knew her secret, her sweet fear—
Little bird. Little darling. She handed me
my change, my brown bag, a torn receipt,
pushed the cash drawer in with her hip
and smiled back.

Dorianne Laux, What We Carry

“This Day, and Probably Tomorrow Also” by Mary Oliver

Full of thought, regret, hope dashed or not dashed yet,
full of memory, pride, and more than enough
of spilled, personal grief,

I begin another page, another poem.

So many notions fill the day! I give them
gowns of words, sometimes I give them
little shoes that rhyme.

What an elite life!

While somewhere someone is kissing a face that is crying.
While somewhere women are walking out, at two in the morning –
many miles to find water.
While somewhere a bomb is getting ready to explode.

 

“This Day, and Probably Tomorrow Also” by Mary Oliver, via Red Bird: Poems, Beacon Press.

 

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Today marks Day One of National Poetry Month. I have some great pieces lined up for the month (and beyond) including some of your own suggestions (thank you, more please!); I think you’ll like them. Thank you everyone for your patience. It’s nice to be back. ~Christy

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“Planting A Sequoia” by Dana Gioia

All afternoon my brothers and I have worked in the
        orchard,

Digging this hole, laying you into it, carefully packing
        the soil.

Rain blackened the horizon, but cold winds kept it
        over the Pacific,
And the sky above us stayed the dull gray
Of an old year coming to an end.

In Sicily a father plants a tree to celebrate his first
        son’s birth –
An olive or a fig tree – a sign that the earth has once
        more life to bear.
I would have done the same, proudly laying new
        stock into my father’s orchard.
A green sapling rising among the twisted apple
        boughs,
A promise of new fruit in other autumns.

But today we kneel in the cold planting you, our
        native giant,
Defying the practical custom of our fathers,
Wrapping in your roots a lock of hair, a piece of an
        infant’s birth cord,
All that remains above earth of a first-born son,
A few stray atoms brought back to the elements.

We will give you what we can – our labour and our
        soil,
Water drawn from the earth when the skies fail,
Nights scented with the ocean fog, days softened by
        the circuit of bees.
We plant you in the corner of the grove, bathed in
        western light,
A slender shoot against the sunset.

And when our family is no more, all of his unborn
        brothers dead,
Every niece and nephew scattered, the house torn
        down,
His mother’s beauty ashes in the air,
I want you to stand among strangers, all young and
        ephemeral to you,
Silently keeping the secret of your birth.

by Dana Gioia, from The Gods of Winter, 1991