“Blessing of the Animals” by Faith Shearin

At my daughter’s Catholic school there is
a blessing of the animals at which
the children line up with their fat hamsters
and gauzy goldfish, their dogs so old

they can barely climb the hill. They bring
their cats with bald patches
and their lizards sleeping in cages
under a fake sun. In the line
to the priest there are snakes

with white eyes and birds without songs.
There are ant farms and worms and rats
with long, exposed tails. The children
wait hours for their animals
to be blessed: for the priest’s hand

to hover over the weight they carry.
They bring shoe boxes full of turtles,
hairy spiders, frogs with dry skin.
I like watching my daughter

among the other children: her dog
small in her arms, her gaze protective.
Children believe in the power
of animals, tucked into their feathers
and shells; they believe

in blessings: the sprinkle
of holy water, each tiny
unexplained life.

“Blessing of the Animals” by Faith Shearin from Telling the Bees. © Stephen Austin State University Press, 2015.

“Music at My Mother’s Funeral” by Faith Shearin

During the weeks when we all believed my mother
was likely to die she began to plan
her funeral and she wanted us, her children,
to consider the music we would play there. We remembered
the soundtrack of my mother’s life: the years when she swept
the floors to the tunes of an eight track cassette called Feelings,
the Christmas when she bought a Bing Crosby album
about a Bright Hawaiian Christmas Day. She got Stravinsky’s
Rite of Spring stuck in the tape deck of her car and for months
each errand was accompanied by some kind
of dramatic movement. After my brother was born,
there was a period during which she wore a muumuu
and devoted herself to King Sunny Ade and his
African beats. She ironed and wept to Evita, painted
to Italian opera. Then, older and heavier, she refused
to fasten her seatbelt and there was the music
of an automated bell going off every few minutes,
which annoyed the rest of us but did not seem to matter
to my mother who ignored its relentless disapproval,
its insistence that someone was unsafe.

 

“Music at My Mother’s Funeral” by Faith Shearin. Poem copyright ©2013 by the Alaska Quarterly Review. Poem via PoetryFoundation.org.


“La mamma morta” by Maria Callas (full translation)

A voice full of harmony says,
“Keep on living, I am life itself!
Your heaven is in my eyes!
You are not alone.
I collect all your tears
I walk with you and support you!
Smile and hope! I am Love! . . .”

“Suicides” by Faith Shearin

There was the one who walked into a river
with her pockets full of stones and the one
who started her car with the garage door closed,
determined to drive herself elsewhere.
The youngest went into the kitchen
and placed her head where she had
so often placed chickens or hams.
These were the women whose voices
I carried in my backpacks, whose books
moved with me from one city to another
and, one day, I realized I had outlived
all of them. I was sad that they could
not describe the other world,
that they offered no map to old age.
Was it dangerous to write? I began
to walk more carefully beside rivers,
to eat cold food, to let someone else
back the car out of the driveway.

 

“Suicides” by Faith Shearin from Telling the Bees. © Stephen F. Austin State University Press, 2015.

“Shackleton’s Decision” by Faith Shearin

Read by (an emotional) Christy. If the above doesn’t play for you, try clicking this link.


At a certain point he decided they could not afford
the dogs. It was someone’s job to take them one by one
behind a pile of ice and shoot them. I try to imagine
the arctic night which descended and would not lift,

a darkness that clung to their clothes. Some men objected
because the dogs were warmth and love, reminders
of their previous life where they slept in soft beds,
their bellies warm with supper. Dog tails were made

of joy, their bodies were wrapped in a fur of hope.
I had to put the book down when I read about the dogs
walking willingly into death, following orders,
one clutching an old toy between his teeth. They trusted

the men who led them into this white danger,
this barren cold. My God, they pulled the sleds
full of provisions and barked away the Sea Leopards.
Someone was told to kill the dogs because supplies

were running low and the dogs, gathered around
the fire, their tongues wet with kindness, knew
nothing of betrayal; they knew how to sit and come,
how to please, how to bow their heads, how to stay.

“Shackleton’s Decision” by Faith Shearin, from Moving the Piano. © Stephen F. Austin State University Press, 2011.

Related reading: Ernest Shackleton’s biography and Endurance: Shackleton’s Incredible Voyage by Alfred Lansing.

“What The Dead Don’t Need” by Faith Shearin

No need for shoes, of course, or closets full of empty
dresses. No need for the shade of trees or the approval
of parents and friends. They don’t care about the objects
of this world: a new computer, a house overlooking
the sea. The place they occupy may or may not contain
a window to all they’ve left behind. We, the living, think
of them without knowing who or what they have become.
Ghosts? Dust? Butterflies? Wind? Other mysteries —
puberty, sex, childbirth — are the business of life, and
anyone can tell their story. On the matter of death: only
a closed box and the silence of earth or ashes. When my
daughter was small, my disappearance behind a blanket
or curtain seemed permanent. How could I exist if
I was not visible? When I returned, she was grateful:
laughter and kisses, her hand on the roots of my hair.

“What The Dead Don’t Need” by Faith Shearin, published in The Sun magazine, March 2008.