“After the Movie” by Marie Howe

My friend Michael and I are walking home arguing about the movie.
He says that he believes a person can love someone
and still be able to murder that person.

I say, No, that’s not love. That’s attachment.
Michael says, No, that’s love. You can love someone, then come to a day

when you’re forced to think “it’s him or me”
think “me” and kill him.

I say, Then it’s not love anymore.
Michael says, It was love up to then though.

I say, Maybe we mean different things by the same word.
Michael says, Humans are complicated: love can exist even in the
murderous heart.

I say that what he might mean by love is desire.
Love is not a feeling, I say. And Michael says, Then what is it?

We’re walking along West 16th Street—a clear unclouded night—and I hear my voice
repeating what I used to say to my husband: Love is action, I used to say
to him.

Simone Weil says that when you really love you are able to look at
someone you want to eat and not eat them.

Janis Joplin says, take another little piece of my heart now baby.

Meister Eckhardt says that as long as we love images we are doomed to
live in purgatory.

Michael and I stand on the corner of 6th Avenue saying goodnight.
I can’t drink enough of the tangerine spritzer I’ve just bought—

again and again I bring the cold can to my mouth and suck the stuff from
the hole the flip top made.

What are you doing tomorrow? Michael says.
But what I think he’s saying is “You are too strict. You are
a nun.”

Then I think, Do I love Michael enough to allow him to think these things
of me even if he’s not thinking them?

Above Manhattan, the moon wanes, and the sky turns clearer and colder.
Although the days, after the solstice, have started to lengthen,

we both know the winter has only begun.

 

From The Kingdom of Ordinary Time by Marie Howe. Copyright © 2008 by Marie Howe. W. W. Norton.

“Walking Home” by Marie Howe

Everything dies, I said. How had that started?
A tree? The winter? Not me, she said.

And I said, Oh yeah? And she said, I’m reincarnating.
Ha, she said, See you in a few thousand years!

Why years, I wondered, why not minutes? Days?
She found that so funny—Ha Ha—doubled over—

Years, she said, confidently.
I think you and I have known each other a few lifetimes, I said.

She said, I have never before been a soul on this earth.
(It was cold. We were hungry.) Next time, you be the mother, I said.

No way, Jose, she said, as we turned the last windy corner.

“Walking Home” from Magdalene by Marie Howe. Copyright © 2017 by Marie Howe.

“The Affliction” by Marie Howe

When I walked across a room I saw myself walking

as if I were someone else,

when I picked up a fork, when I pulled off a dress,

as if I were in a movie.

                                    It’s what I thought you saw when you looked at me.

So when I looked at you, I didn’t see you

I saw the me I thought you saw, as if I were someone else.

 

I called that outside–watching. Well I didn’t call it anything

when it happened all the time.

 

But one morning after I stopped the pills–standing in the kitchen

for one second I was inside looking out.

 

Then I popped back outside. And saw myself looking.

Would it happen again? It did, a few days later.

 

My friend Wendy was pulling on her winter coat, standing by the kitchen door

and suddenly I was inside and I saw her.

I looked out from my own eyes

and I saw: her eyes: blue gray    transparent

and inside them: Wendy herself!

 

Then I was outside again,

 

and Wendy was saying, Bye-bye, see you soon,

as if Nothing Had Happened.

She hadn’t noticed. She hadn’t known that I’d Been There

for Maybe 40 Seconds,

and that then I was Gone.

 

She hadn’t noticed that I Hadn’t Been There for Months,

years, the entire time she’d known me.

I needn’t have been embarrassed to have been there for those seconds;

she had not Noticed The Difference.

 

This happened on and off for weeks,

 

and then I was looking at my old friend John:

: suddenly I was in: and I saw him,

and he: (and this was almost unbearable)

he saw me see him,

and I saw him see me.

 

He said something like, You’re going to be ok now,

or, It’s been difficult hasn’t it,

 

but what he said mattered only a little.

We met–in our mutual gaze–in between

a third place I’d not yet been.

 

 

Copyright © 2017 by Marie Howe. From Magdalene​ (W. W. Norton, 2017).

***

“Is This” by Oingo Boingo

“What I Did Wrong” by Marie Howe

Slapped the man’s face, then slapped it again,

broke the plate, broke the glass, pushed the cat

from the couch with my feet. Let the baby

cry too long, then shook him,

let the man walk, let the girl down,

wouldn’t talk, then talked too long,

lied when there was no need

and stole what others had, and never

told the secret that kept me apart from them.

Years holding on to a rope

that wasn’t there, always sorry

righteous and wrong. Who would

follow that young woman down the narrow hallway?

Who would call her name until she turns?

 

Copyright © 2017 by Marie Howe. From Magdalene​ (W. W. Norton, 2017).

“What the Living Do” by Marie Howe

Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called. This is the everyday we spoke of.
It’s winter again: the sky’s a deep, headstrong blue, and the sunlight pours through

the open living-room windows because the heat’s on too high in here and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking: This is what the living do. And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush: This is it.
Parking. Slamming the car door shut in the cold. What you called that yearning.

What you finally gave up. We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss — we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I’m gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living. I remember you.

~ Marie Howe, “What the Living Do” from What the Living Do (interview with NPR.org)