“Warbler” by Jim Harrison

This year we have two gorgeous
yellow warblers nesting in the honeysuckle bush.
The other day I stuck my head in the bush.
The nestlings weigh one-twentieth of an ounce,
about the size of a honeybee. We stared at
each other, startled by our existence.
In a month or so, when they reach the size
of bumblebees they’ll fly to Costa Rica without a map.

“Warbler” by Jim Harrison from Dead Man’s Float. © Copper Canyon Press, 2016.

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* With a wave to kind reader Usha who, during the Spring, offered this as one of her favorite poems, shortly after Jim Harrison passed away (March 26, 2016). 

Usha’s suggestion led me to learn more about Harrison. Reading more, I learned that Linda King Harrison, his wife of 55 years, had passed away less than six months earlier (October 2, 2015) and that Mr. Harrison had “died a poet’s death, literally with a pen in his hand, while writing a new poem,” (from “Jim Harrison and the Art of Friendship” by Doug Peacock via thedailybeast.com.) And although Harrison (author of many novels as well, including Legends of the Fall) said in a 1980 interview-“I’m always having a man in desperate straits trying to help somebody else out with no apparent success,” Mr. Harrison said, “because nobody can be helped by anybody.”–he did indeed help and champion many during his life, according to Peacock:

Jim Harrison was one of the most generous men I ever knew. He lent countless thousands to dozens of less fortunate friends who needed help; he seldom if ever got paid back and that didn’t stop him. Jim would invent jobs for me when he thought I was broke. He lent money to my ex-wife that I never knew about. When traveling he kept his single good eye out for a paucity of tip, the dangerous baldness of tires, or the looming mortgage payment. He took care of working writers like Chuck Bowden and Jack Turner. That generosity extended to sharing his time with younger and beginning writers who he encouraged and sometimes mentored throughout his life. At my wife Andrea’s bookstore, Jim was always up for signing books by the box-load. One night in 2011, when Jim was sicker than shit and Linda was in the hospital with a coma, he crawled up on the stage at a benefit and read with Peter Matthiessen—Livingston, Montana’s greatest literary night.

Thank you, Usha, for the suggestion and for the gentle nudge to learn more about Harrison. Click here to read another piece by Harrison, “Bridge,” which includes the beautiful line: What beauty in this the darkest music / over which you can hear the lightest music of human / behavior, the tender connection between men and galaxies.

“Advice from the Experts” by Bill Knott

I lay down in the empty street and parked
My feet against the gutter’s curb while from
The building above a bunch of gawkers perched
Along its ledges urged me don’t, don’t jump.

Bill Knott, found on-line via the Poetry 180 project

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A special wave of thanks to Arne who suggested this poem for us via our Contact page while I was on hiatus. Feel free to submit your own favorite. 

“Gate C22” by Ellen Bass

At gate C22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after
the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like he’d just staggered off the boat at Ellis Island,
like she’d been released at last from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.

Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
her saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning,
the way it gathers and swells, sucking
each rock under, swallowing it
again and again. We were all watching–
passengers waiting for the delayed flight
to San Jose, the stewardesses, the pilots,
the aproned woman icing Cinnabons, the man selling
sunglasses. We couldn’t look away. We could
taste the kisses crushed in our mouths.

But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still open from giving birth,
as your mother must have looked at you, no matter
what happened after–if she beat you or left you or
you’re lonely now–you once lay there, the vernix
not yet wiped off, and someone gazed at you
as if you were the first sunrise seen from the Earth.
The whole wing of the airport hushed,
all of us trying to slip into that woman’s middle-aged body,
her plaid Bermuda shorts, sleeveless blouse, glasses,
little gold hoop earrings, tilting our heads up.

 

Ellen Bass, from The Human Line

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The poet reads her poem:

(both poem and video are available on her website.)

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A wave of thanks and gratitude to James R. who suggested this poem for us (along with some other great pieces that I may set up as a week at the end of July). Feel free to submit your own favorite poem via our Contact page. Thanks again James. 

“Vespers (End of August)” by Louise Glück

End of August. Heat
like a tent over
John’s garden. And some things
have the nerve to be getting started,
clusters of tomatoes, stands
of late lilies—optimism
of the great stalks—imperial
gold and silver: but why
start anything
so close to the end?
Tomatoes that will never ripen, lilies
winter will kill, that won’t
come back in spring. Or
are you thinking
I spend too much time
looking ahead, like
an old woman wearing
sweaters in summer;
are you saying I can
flourish, having
no hope
of enduring? Blaze of the red cheek, glory
of the open throat, white,
spotted with crimson.

 

from The Wild Iris
Copyright 1992 by Ecco Press

 

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This week of Words is being hosted by poet Brian Dean Powers. We hope you enjoy his selections. Brian shares his poetry at The Body’s Heated Speech. I hope you will stop by to say hello. Thank you, Brian, for your support and for the beautiful Words. ~ Christy

 

“When they come back” by Emily Dickinson

When they come back — if Blossoms do —
I always feel a doubt
If Blossoms can be born again
When once the Art is out —

When they begin, if Robins may,
I always had a fear
I did not tell, it was their last Experiment
Last Year,

When it is May, if May return,
Had nobody a pang
Lest in a Face so beautiful
He might not look again?

If I am there — One does not know
What Party — One may be
Tomorrow, but if I am there
I take back all I say —

from The Complete Poems of Emily Dickinson
Copyright 1976 by Little, Brown and Company

Video: Song setting by Aaron Copland, sung by Sanford Sylvan with David Kreitman on piano.

Copland wrote this song before the publication of the Thomas H. Johnson edition, the first to offer Emily Dickinson’s poems with correct texts. Copland’s version therefore is somewhat different from what Dickinson actually wrote.

 

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This week of Words is being hosted by poet Brian Dean Powers. We hope you enjoy his selections. Brian shares his poetry at The Body’s Heated Speech. I hope you will stop by to say hello. Thank you, Brian, for your support and for the beautiful Words. ~ Christy