“On Disappearing” by Major Jackson

I have not disappeared.
The boulevard is full of my steps. The sky is
full of my thinking. An archbishop
prays for my soul, even though
we met only once, and even then, he was
busy waving at a congregation.
The ticking clocks in Vermont sway

back and forth as though sweeping
up my eyes and my tattoos and my metaphors,
and what comes up are the great paragraphs
of dust, which also carry motes
of my existence. I have not disappeared.
My wife quivers inside a kiss.
My pulse was given to her many times,

in many countries. The chunks of bread we dip
in olive oil is communion with our ancestors,
who also have not disappeared. Their delicate songs
I wear on my eyelids. Their smiles have
given me freedom which is a crater
I keep falling in. When I bite into the two halves
of an orange whose cross-section resembles my lungs,

a delta of juices burst down my chin, and like magic,
makes me appear to those who think I’ve
disappeared. It’s too bad war makes people
disappear like chess pieces, and that prisons
turn prisoners into movie endings. When I fade
into the mountains on a forest trail,
I still have not disappeared, even though its green façade
turns my arms and legs into branches of oak.
It is then I belong to a southerly wind,
which by now you have mistaken as me nodding back
and forth like a Hasid in prayer or a mother who has just
lost her son to gunfire in Detroit. I have not disappeared.

In my children, I see my bulging face
pressing further into the mysteries.

In a library in Tucson, on a plane above
Buenos Aires, on a field where nearby burns
a controlled fire, I am held by a professor,
a general, and a photographer.
One burns a finely wrapped cigar, then sniffs
the scented pages of my books, scouring
for the bitter smell of control.
I hold him in my mind like a chalice.
I have not disappeared. I swish the amber
hue of lager on my tongue and ponder the drilling
rigs in the Gulf of Alaska and all the oil-painted plovers.

When we talk about limits, we disappear.
In Jasper, TX you can disappear on a strip of gravel.

I am a life in sacred language.
Termites toil over a grave,
and my mind is a ravine of yesterdays.
At a glance from across the room, I wear
September on my face,
which is eternal, and does not disappear
even if you close your eyes once and for all
simultaneously like two coffins.

 

Major Jackson, “On Disappearing” from Roll Deep. Copyright © 2015 by Major Jackson.

 

“Getting Older” by Kim Addonizio

Sometimes what you remember is their voices again,
coming on inside you like strung lights in your blood,
certain words they’d tongue differently
from anyone else, or your own name
and its surprisingly infinite nuances.
And sometimes you remember their hands,
not touching you but draped over a steering wheel
or cupped briefly around a cigarette,
anywhere you could watch them
in their life apart from you, knowing how
they’d find you later, blind but sure,
and come to rest where you needed them.
You remember the hardness of their bellies,
the soft line of hair that swirls down
toward the cock, the look of each one
that entered you and then withdrew, or lay
quietly inside awhile longer before slipping
away like a girl sneaking out in the middle
of the night, high heels dangling from one hand
as her stockinged feet drew sparks from the rug.
Sometimes you wander the house all day,
the fog outside stalled at the tops
of trees, refusing to rise higher and reveal
the world you hope is still there, the one
in which you’re still a woman
some beautiful man might helplessly
move toward. And you remember how one
looked at you the first time you undressed,
how another didn’t mind that you cried.
Sometimes it’s enough just to say
their names like a rosary, ordinary names
linked by nothing but the fact
that they belong to men who loved you. And finally
you depend on that, you pray it’s enough
to last, if it has to, the rest of your life.

“Getting Older” by Kim Addonizio, Tell MeBOA Editions Ltd.

“Advice from the Experts” by Bill Knott

I lay down in the empty street and parked
My feet against the gutter’s curb while from
The building above a bunch of gawkers perched
Along its ledges urged me don’t, don’t jump.

Bill Knott, found on-line via the Poetry 180 project

***

A special wave of thanks to Arne who suggested this poem for us via our Contact page while I was on hiatus. Feel free to submit your own favorite. 

“love is a place” by E.E. Cummings

love is a place
& through this place of
love move
(with brightness of peace)
all places

yes is a world
& in this world of
yes live
(skilfully curled)
all worlds

 

“love is a place” by E.E. Cummings from Complete Poems 1904-1962, edited by George James Firmage. Copyright © 1935, 1963, 1991 by the Trustees for the E.E. Cummings Trust. Copyright © 1978 by George James Firmage.

“Love Letter (Clouds)” by Sarah Manguso

for B. H.

I didn’t fall in love. I fell through it:
Came out the other side moments later, hands full of matter, waking up from the dream of a bullet tearing through the middle of my body.
I no longer understand anything for longer than a long moment, or the time it takes to receive the shot.
This kind of gravity is like falling through a cloud, forgetting it all, and then being told about it later. On the day you fell through a cloud . . .
It must be true. If it were not, then when did these strands of silver netting attach to my hair?
The problem was finding that you were real and not just a dream of clouds.
If you weren’t real, I would address this letter to one of two entities: myself, or everyone else. The effect would be equivalent.
The act of falling happens in time. That is, it takes long enough for the falling to shear away from the moments before and the moments after, long enough for one to have thought I am falling. I have been falling. I continue to fall.
Falling through a ring, in this case, would not mean falling through the center of the annulus—a planet floats there. Falling through the ring means falling through the spaces between the objects that together make the ring.
On the way through, clasp your fists around the universe:
Nothing but ice-gravel.
But open your hands when you reach the other side. Quickly, before it melts.
What did I leave you?

“Love Letter (Clouds)” from Siste Viator © 2006 by Sarah Manguso.

via poetryfoundation