“Tennessee June” by Jorie Graham

This is the heat that seeks the flaw in everything
and loves the flaw.
Nothing is heavier than its spirit,
nothing more landlocked than the body within it.
Its daylilies grow overnight, our lawns
bare, then falsely gay, then bare again. Imagine
your mind wandering without its logic,
your body the sides of a riverbed giving in . . .
In it, no world can survive
having more than its neighbors;
in it, the pressure to become forever less is the pressure
to take forevermore
to get there. Oh

let it touch you . . .
The porch is sharply lit — little box of the body —
and the hammock swings out easily over its edge.
Beyond, the hot ferns bed, and fireflies gauze
the fat tobacco slums,
the crickets boring holes into the heat the crickets fill.
Rock out into that dark and back to where
the blind moths circle, circle,
back and forth from the bone-white house to the creepers unbraiding.
Nothing will catch you.
Nothing will let you go.
We call it blossoming —
the spirit breaks from you and you remain.

Jorie Graham, from Hybrids of Plants and of Ghosts (Princeton Series of Contemporary Poets)


Many thanks to my curious cat who seemed particularly taken with Jorie’s work, shared today on my Zen page-a-day calendar.

“One Boy Told Me” by Naomi Shihab Nye

Music lives inside my legs.
It’s coming out when I talk.

I’m going to send my valentines
to people you don’t even know.

Oatmeal cookies make my throat gallop.

Grown-ups keep their feet on the ground
when they swing. I hate that.

Look at those 2 o’s with a smash in the middle—
that spells good-bye.

Don’t ever say “purpose” again,
let’s throw the word out.

Don’t talk big to me.
I’m carrying my box of faces.
If I want to change faces I will.

Yesterday faded
but tomorrow’s in BOLDFACE.

When I grow up my old names
will live in the house
where we live now.
I’ll come and visit them.

Only one of my eyes is tired.
The other eye and my body aren’t.

Is it true all metal was liquid first?
Does that mean if we bought our car earlier
they could have served it
in a cup?

There’s a stopper in my arm
that’s not going to let me grow any bigger.
I’ll be like this always, small.

And I will be deep water too.
Wait. Just wait. How deep is the river?
Would it cover the tallest man with his hands in the air?

Your head is a souvenir.

When you were in New York I could see you
in real life walking in my mind.

I’ll invite a bee to live in your shoe.
What if you found your shoe
full of honey?

What if the clock said 6:92
instead of 6:30? Would you be scared?

My tongue is the car wash
for the spoon.

Can noodles swim?

My toes are dictionaries.
Do you need any words?

From now on I’ll only drink white milk
on January 26.

What does minus mean?
I never want to minus you.

Just think—no one has ever seen
inside this peanut before!

It is hard being a person.

I do and don’t love you—
isn’t that happiness?

Naomi Shihab Nye, “One Boy Told Me” from Fuel. Copyright © 1998 by Naomi  Shihab Nye. (BOA Editions, Ltd., 1998).


 

“There Will Be Things You Do” by Kim Dower

you won’t know why.
Maybe waiting to tie
your shoelaces

until everything else
is in place.
Could be you’ll slide

your egg yolks aside
eat every bit of bacon,
toast, whites while the forsaken

yellow orbs stare at you
from the side pocket
of your empty plate.

People will ask
why do you save
your yolks for last

and you won’t know—
won’t recall
the cousin from the south

came to visit one summer
ate his eggs so odd
your family said

stuck with you
like the way
you love to be kissed

on the back of your neck
can vaguely recollect
your mother’s kisses

after your bath
too gentle for memory.
There will be things you do

you won’t know why
like the way you look
up at the sky

when anxious or blue
it’s what your father
used to do

every family trip
when nothing else
was right

except those clouds
moving north by northwest
through the night

he showed you
what pilots knew:
factors for safe flying

are visibility
and how low
and mean the clouds are.

“There Will Be Things You Do” by Kim Dower from Last Train to the Missing Planet. © Red Hen Press, 2016.

* Thank you, Michelle T., for the recommendation. ❤


 

“The Five Stages of Grief” by Linda Pastan

The night I lost you
someone pointed me towards
the Five Stages of Grief
Go that way, they said,
it’s easy, like learning to climb
stairs after the amputation.
And so I climbed.
Denial was first.
I sat down at breakfast
carefully setting the table
for two. I passed you the toast—
you sat there. I passed
you the paper—you hid
behind it.
Anger seemed more familiar.
I burned the toast, snatched
the paper and read the headlines myself.
But they mentioned your departure,
and so I moved on to
Bargaining. What could I exchange
for you? The silence
after storms? My typing fingers?
Before I could decide, Depression
came puffing up, a poor relation
its suitcase tied together
with string. In the suitcase
were bandages for the eyes
and bottles of sleep. I slid
all the way down the stairs
feeling nothing.
And all the time Hope
flashed on and off
in defective neon.
Hope was a signpost pointing
straight in the air.
Hope was my uncle’s middle name,
he died of it.
After a year I am still climbing, though my feet slip
on your stone face.
The treeline
has long since disappeared;
green is a color
I have forgotten.
But now I see what I am climbing
towards: Acceptance
written in capital letters,
a special headline:
Acceptance
its name is in lights.
I struggle on,
waving and shouting.
Below, my whole life spreads its surf,
all the landscapes I’ve ever known
or dreamed of. Below
a fish jumps: the pulse
in your neck.
Acceptance. I finally
reach it.
But something is wrong.
Grief is a circular staircase.
I have lost you.

Linda Pastan, “The Five Stages of Grief” from The Five Stages of Grief: Poems, published by W.W. Norton & Company. Copyright ©1978 by Linda Pastan.

* For my friend Michele. Thinking of you today. ❤️ Christy

“Places I Have Heard the Ocean” by Faith Shearin

In a cat’s throat, in a shell I hold
to my ear — though I’m told
this is the sound of my own
blood. I have heard the ocean
in the city: cars against
the beach of our street. Or in
the subway, waiting for a train
that carries me like a current.
In my bed: place of high and low
tide or in my daughter’s skates,
rolling over the sidewalk.
Ocean in the trees when they
fill their heads with wind.
Ocean in the rise and fall:
lungs of everyone I love.

“Places I Have Heard the Ocean” by Faith Shearin, from Moving the Piano. © Stephen F. Austin University Press, 2011.