“The Poet’s Testament” by George Santayana

 

I give back to the earth what the earth gave,
All to the furrow, none to the grave,
The candle’s out, the spirit’s vigil spent;
Sight may not follow where the vision went.

I leave you but the sound of many a word
In mocking echoes haply overheard,
I sang to heaven. My exile made me free,
from world to world, from all worlds carried me.

Spared by the furies, for the Fates were kind,
I paced the pillared cloisters of the mind;
All times my present, everywhere my place,
Nor fear, nor hope, nor envy saw my face.

Blow what winds would, the ancient truth was mine,
And friendship mellowed in the flush of wine,
And heavenly laughter, shaking from its wings
Atoms of light and tears for mortal things.

To trembling harmonies of field and cloud,
Of flesh and spirit was my worship vowed.
Let form, let music, let all quickening air
Fulfil in beauty my imperfect prayer.

~George Santayana

“I don’t think I could love you so much… (Pasternak)

“I don’t think I could love you so much if you had nothing to complain of and nothing to regret. I don’t like people who have never fallen or stumbled. Their virtue is lifeless and of little value. Life hasn’t revealed its beauty to them.”

Boris Pasternak, Doctor Zhivago

The Starry Night, Vincent van Gogh

The Starry Night, Vincent van Gogh, 1889. (public domain)
The Starry Night, Vincent van Gogh, 1889. (public domain)

“At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.”
Vincent van Gogh (30 March 1853 – 29 July 1890)

Starry, starry night.
Flaming flowers that brightly blaze, Swirling clouds in violet haze,
Reflect in Vincent’s eyes of china blue.
Colors changing hue, morning field of amber grain,
Weathered faces lined in pain,
Are soothed beneath the artist’s loving hand.

“Vincent” by Don McLean; see more at vanGoghgallery.com

“To Sleep” by Ronald Wallace

The poet Donald Hall, once
a teacher of mine, has said
the best way to write a poem is
to go to sleep. But when I try
it, I find it’s difficult to concentrate,
or even hold a pen, and I remember
very little when I’m finished.
Sleep is a good companion but
if all great art is collaboration
sleep is not to be trusted not to
keep all the good stuff for itself
and, just when things look up,
send you packing alone into
the prosaic light of day.

It’s dangerous to lie down
mid-day, late March and dark,
a heavy, wet snow falling from the sky
or rising from the ground, it’s hard
to say, the day a blur
as you drift off toward sleep
rather than keeping your eye on
the great world around you
where it should be if you are
to earn the right to be
called a poet, attentive to
the details of everyday life—
the quality of light, the specific
gravity of the snow, the exact
weight of birdsong and wing.
On a day like today I should sing!

Ah, but poetry’s hard, and sleep
comes so easy, and what does the day
care if I just ignore it, and go
my easy way to oblivion, which is,
now that I think on it, such a
beautiful word.

~ Ronald Wallace, via Construction Lit Mag

“Wild Geese: after Mary Oliver” by Cristin O’Keefe Aptowicz

Wild Geese

after Mary Oliver

by Cristin O’Keefe Aptowicz

You don’t have to be crushed
under the spokes of your own desire
to be proven worthy enough.

The trophies of your hard work don’t
have to appear so freshly on your body.
Your clothes need not be torn.

Every night, you worry a new bird’s nest
from your hair. Every night, your dreams
grind you under her boot heel.

Your pendulum heart doesn’t need
to swing so hard in either direction.
Nails don’t have to be bitten to the nub.

You have to believe that the ground will
materialize under your feet the moment
you step forward. No one can tell you

if it will be rock gravel, or slick with pain.
No one can travel this road before you do.
It is yours, and it is beautiful because of it.

 

“Wild Geese: after Mary Oliver” by Cristin O’Keefe Aptowicz, via The Bakery.