“The Sweetness of Dogs” by Mary Oliver

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. It’s full tonight.
So we go

and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit, myself

thinking how grateful I am for the moon’s
perfect beauty and also, oh! how rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up
into my face. As though I were just as wonderful
as the perfect moon.

“The Sweetness of Dogs” by Mary Oliver from Dog Songs

Cold Poem by Mary Oliver

Cold now.
Close to the edge. Almost
unbearable. Clouds
bunch up and boil down
from the north of the white bear.
This tree-splitting morning
I dream of his fat tracks,
the lifesaving suet.

I think of summer with its luminous fruit,
blossoms rounding to berries, leaves,
handsful of grain.

Maybe what cold is, is the time
we measure the love we have always had, secretly
for our own bones, the hard knife-edged love
for the warm river of the I, beyond all else; maybe

that is what it means, the beauty
of the blue shark cruising toward the tumbling seals.

In the season of snow,
in the immeasurable cold,
we grow cruel but honest; we keep
ourselves alive,
if we can, taking one after another
the necessary bodies of others, the many
crushed red flowers.

“Cold Poem,” by Mary Oliver, from American Primitive (Little, Brown and Company).

For Michelle.

The Beatles

I never really understood why The Beatles
broke up, the whole
Yoko Ono thing seemed an excuse
for something deeper.
Sure, she was an irritation
with her helium screech, her skimpy
leatherette skirts, those tinted ovoid glasses
eclipsing half her face.

                                                                But come on, Hey Jude
was putting caviar on the table, not to mention
those glittering lines of cocaine. Beatle music
was playing for moats dug out with a fleet
of backhoes circling the stadium-sized perimeters
of four manicured estates. Why Don’t We
Do It In the Road
was backing up traffic
around the amphitheaters of the industrial world.
Yoko’s avant-garde art projects and op-art
outfits were nothing against the shiploads of lucre
I’m Fixing a Hole and Here Comes the Sun
were bringing in.
                                                               So why did they do it?
They had wives, kids, ex-wives, mortgages,
thoroughbreds and waist-coated butlers, lithe
young assistants power-lunching with publicists
in Paris, Rome. And they must have loved
one another almost as much as John
loved Yoko, brothers from the ghetto,
their shaggy heads touching
above the grand piano, their voices
straining toward perfect harmony.

                                                              Maybe they arrived
at a place where nothing seemed real. A field
bigger than love or greed or jealousy.
An open space
where nothing is enough.

 

“The Beatles” by Dorianne Laux, from The Book of Men. © W. W. Norton & Company, 2011.

Love in the Time of Zombies by Guante

“Love in the Time of Zombies” by Guante. Follow Guante on Twitter @elGuante or visit his site: Guante.info

Posted in parallel with today’s Words for the Weekend: The Day the World Went Away -Vol.16

The Madness Vase (The Nutritionist)

The nutritionist said I should eat root vegetables.
Said if I could get down thirteen turnips a day
I would be grounded, rooted.
Said my head would not keep flying away
to where the darkness lives.

The psychic told me my heart carries too much weight.
Said for twenty dollars she’d tell me what to do.
I handed her the twenty. She said, “Stop worrying, darling.
You will find a good man soon.”

The first psycho therapist told me to spend
three hours each day sitting in a dark closet
with my eyes closed and ears plugged.
I tried it once but couldn’t stop thinking
about how gay it was to be sitting in the closet.

The yogi told me to stretch everything but the truth.
Said to focus on the out breath. Said everyone finds happiness
when they care more about what they give
than what they get.

The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.”

The doctor said an anti-psychotic might help me
forget what the trauma said.

The trauma said, “Don’t write these poems.
Nobody wants to hear you cry
about the grief inside your bones.”

But my bones said, “Tyler Clementi jumped
from the George Washington Bridge
into the Hudson River convinced
he was entirely alone.”

My bones said, “Write the poems.”

The Madness Vase” by Andrea Gibson, from The Madness Vase; Follow Andrea on Twitter @AndreaGibson or visit her site: andreagibson.org