“Challenges to Young Poets” by Lawrence Ferlinghetti

Invent a new language anyone can understand.

Climb the Statue of Liberty.

Reach for the unattainable.

Kiss the mirror and write what you see and hear.

Dance with wolves and count the stars,
including the unseen.

Be naive, innocent, non-cynical, as if you had
just landed on earth (as indeed you have, as
indeed we all have), astonished by what you
have fallen upon.

Write living newspapers. Be a reporter
from outer space, filing dispatches to some
supreme managing editor who believes in full
disclosure and has a low tolerance level for hot air.

Write an endless poem about your life on
earth or elsewhere.

Read between the lines of human discourse.

Avoid the provincial, go for the universal.

Think subjectively, write objectively.

Think long thoughts in short sentences.

Don’t attend poetry workshops, but if you do,
don’t go to learn ‘how to” but to learn
“what” (What’s important to write about).

Don’t bow down to critics who have not
themselves written great masterpieces.

Resist much, obey less.

Secretly liberate any being you see in a cage.

Write short poems in the voice of birds.
Make your lyrics truly lyrical. Birdsong is not
made by machines. Give your poems wings
to fly to the treetops.

The much-quoted dictum from William Carlos
Williams, “No ideas but in things,” is OK for
prose, but it lays a dead hand on lyricism,
since “things” are dead.

Don’t contemplate your navel in poetry and
think the rest of the world is going to think
it’s important.

Remember everything, forget nothing.

Work on a frontier, if you can find one.

Go to sea, or work near water, and paddle
your own boat.

Associate with thinking poets. They’re hard
to find.

Cultivate dissidence and critical thinking.
“First thought, best thought” may not make
for the greatest poetry. First thought may be
worst thought.

What’s on your mind? What do you have
in mind? Open your mouth and stop mumbling.

Don’t be so open-minded that your brains fall
out.

Question everything and everyone. Be subversive,
constantly questioning reality and
the status quo.

Be a poet, not a huckster. Don’t cater, don’t
pander, especially not to possible audiences,
readers, editors, or publishers.

Come out of your closet. It’s dark in there.

Raise the blinds, throw open your shuttered
windows, raise the roof, unscrew the locks
from the doors, but don’t throw away the
screws.

Be committed to something outside yourself.
Be militant about it. Or ecstatic.

To be a poet at sixteen is to be sixteen, to be
a poet at 40 is to be a poet. Be both.

Wake up and pee, the world’s on fire.

Have a nice day.


– Lawrence Ferlinghetti, “Challenges to Young Poets”

“Mountain Dew Commercial Disguised as a Love Poem” by Matthew Olzmann

Here’s what I’ve got, the reasons why our marriage
might work: Because you wear pink but write poems
about bullets and gravestones. Because you yell
at your keys when you lose them, and laugh,
loudly, at your own jokes. Because you can hold a pistol,
gut a pig. Because you memorize songs, even commercials
from thirty years back and sing them when vacuuming.
You have soft hands. Because when we moved, the contents
of what you packed were written inside the boxes.
Because you think swans are overrated.
Because you drove me to the train station. You drove me
to Minneapolis. You drove me to Providence.
Because you underline everything you read, and circle
the things you think are important, and put stars next
to the things you think I should think are important,
and write notes in the margins about all the people
you’re mad at and my name almost never appears there.
Because you make that pork recipe you found
in the Frida Khalo Cookbook. Because when you read
that essay about Rilke, you underlined the whole thing
except the part where Rilke says love means to deny the self
and to be consumed in flames. Because when the lights
are off, the curtains drawn, and an additional sheet is nailed
over the windows, you still believe someone outside
can see you. And one day five summers ago,
when you couldn’t put gas in your car, when your fridge
was so empty—not even leftovers or condiments—
there was a single twenty-ounce bottle of Mountain Dew,
which you paid for with your last damn dime
because you once overheard me say that I liked it.

 

-Matthew Olzmann, via Rattle.com

 

 
 

“34 Excuses For Why We Failed at Love” by Warsan Shire

1. I’m lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. You’re a ghost town I’m too patriotic to leave.
6. I stay because you’re the beginning of the dream I want to remember.
7. I didn’t call him back because he likes his girls voiceless.
8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
9. I couldn’t love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didn’t want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. I’m not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, I’m insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didn’t work out.
21. My dad walked out one afternoon and never came back.
22. I can’t sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didn’t want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. You’re the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said “I love you so bad.”
29. His heart wasn’t as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love. 
31. Forgive me, I was lonely so I chose you. 
32. I’m a lover without a lover. 
33. I’m lovely and lonely. 
34. I belong deeply to myself .

by Warsan Shire, On Twitter @warsan_shire

“A Sad Child” by Margaret Atwood

You’re sad because you’re sad.
It’s psychic. It’s the age. It’s chemical.
Go see a shrink or take a pill,
or hug your sadness like an eyeless doll
you need to sleep.

Well, all children are sad
but some get over it.
Count your blessings. Better than that,
buy a hat. Buy a coat or pet.
Take up dancing to forget.

Forget what?
Your sadness, your shadow,
whatever it was that was done to you
the day of the lawn party
when you came inside flushed with the sun,
your mouth sulky with sugar,
in your new dress with the ribbon
and the ice-cream smear,
and said to yourself in the bathroom,
I am not the favorite child.

My darling, when it comes
right down to it
and the light fails and the fog rolls in
and you’re trapped in your overturned body
under a blanket or burning car,

and the red flame is seeping out of you
and igniting the tarmac beside you head
or else the floor, or else the pillow,
none of us is;
or else we all are.

Margaret Atwood, “A Sad Child”

“if only you could see yourself now” by Brandon Speck

if only you could see yourself now,
you’re settling back into a quiet autumn
and you’ve missed the smell of must, rain, and tobacco
kissed into the corners and couches
of the same house you share with seven others.

you miss the girl who used to sleep on your couch
who had the skull of the bird she is named after
tattooed across her arm.
you are glad you stopped drinking.

it’s 2am and you’re staying up far too late.
you have an interview for a job in the morning
that you will come to hate in 2 months.
you’re not in love the way you expected.

some memories turned into broken drawers
that you chose to store all your knives in,
every time you open them, they always come spilling out towards you.
you miss having sex with people you also love.

precariousness is now the pillow you sleep upon,
and you no longer have such structured repeating romance.
you no longer have such a structured repeating life,
and I know it killed you that you knew it wasn’t forever.

i know i can’t stop you from panicking,
but it will all make sense.
you repeat repeat repeat repeat repeat repeat
until you realized it was too early to build such a life based on repetition.

you’re settling back into a quiet autumn,
and you’re stone sober at 4am after a Friday night
while the world starts to make a strange kind of sense,
the same way words become meaningless when repeated enough times.

all of this
is to say,
you made it this far,
and i’m proud of you.

— Brandon Speck, “A Letter to Myself, A Year Ago

* Gratefully 3 years sober, today. Thank you, friends, for reading. -Christy