“Things I Didn’t Know I Loved: After Nazim Hikmet” by Linda Pastan

I always knew I loved the sky,
the way it seems solid and insubstantial at the same time;
the way it disappears above us
even as we pursue it in a climbing plane,
like wishes or answers to certain questions—always out of reach;
the way it embodies blue,
even when it is gray.

But I didn’t know I loved the clouds,
those shaggy eyebrows glowering
over the face of the sun.
Perhaps I only love the strange shapes clouds can take,
as if they are sketches by an artist
who keeps changing her mind.
Perhaps I love their deceptive softness,
like a bosom I’d like to rest my head against
but never can.

And I know I love the grass, even as I am cutting it as short
as the hair on my grandson’s newly barbered head.
I love the way the smell of grass can fill my nostrils
with intimations of youth and lust;
the way it stains my handkerchief with meanings
that never wash out.

Sometimes I love the rain, staccato on the roof,
and always the snow when I am inside looking out
at the blurring around the edges of parked cars
and trees. And I love trees,
in winter when their austere shapes
are like the cutout silhouettes artists sell at fairs
and in May when their branches
are fuzzy with growth, the leaves poking out
like new green horns on a young deer.

But how about the sound of trains,
those drawn-out whistles of longing in the night,
like coyotes made of steam and steel, no color at all,
reminding me of prisoners on chain gangs I’ve only seen
in movies, defeated men hammering spikes into rails,
the burly guards watching over them?

Those whistles give loneliness and departure a voice.
It is the kind of loneliness I can take in my arms, tasting
of tears that comfort even as they burn, dampening the pillows
and all the feathers of all the geese who were plucked to fill
them.

Perhaps I embrace the music of departure—song without lyrics,
so I can learn to love it, though I don’t love it now.
For at the end of the story, when sky and clouds and grass,
and even you my love of so many years,
have almost disappeared,
it will be all there is left to love.

“Things I Didn’t Know I Loved: After Nazim Hikmet” by Linda Pastan, from Queen of a Rainy Country. © W.W. Norton, 2006.

Related: “Things I Didn’t Know I Loved” by Nazim Hikmet

“The Promise” by Jane Hirshfield

Mysteriously they entered, those few minutes.
Mysteriously, they left.
As if the great dog of confusion guarding my heart,
who is always sleepless, suddenly slept.
It was not any awakening of the large, not so much as that,
only a stepping back from the petty.
I gazed at the range of blue mountains,
I drank for the stream. Tossed in a small stone from the bank.
Whatever direction the fates of my life might travel, I trusted.
Even the greedy direction, even the grieving, trusted.
There was nothing left to be saved from, bliss nor danger.
The dog’s tail wagged a little in his dream.

“The Promise” by Jane Hirshfield, from After: Poems. © HarperCollins Publishers, 2005.

“Dust” by Dorianne Laux

Someone spoke to me last night,
told me the truth. Just a few words,
but I recognized it.
I knew I should make myself get up,
write it down, but it was late,
and I was exhausted from working
all day in the garden, moving rocks.
Now, I remember only the flavor —
not like food, sweet or sharp.
More like a fine powder, like dust.
And I wasn’t elated or frightened,
but simply rapt, aware.
That’s how it is sometimes —
God comes to your window,
all bright light and black wings,
and you’re just too tired to open it.

 

Dorianne Laux, “Dust” from What We Carry. Copyright © 1994 by Dorianne Laux.

 

“A Hundred Years from Now” by David Shumate

I’m sorry I won’t be around a hundred years from now. I’d like to
see how it all turns out. What language most of you are speaking.
What country is swaggering across the globe. I’m curious to know
if your medicines cure what ails us now. And how intelligent your
children are as they parachute down through the womb. Have
you invented new vegetables? Have you trained spiders to do your
bidding?
Have baseball and opera merged into one melodic sport?
A hundred years….My grandfather lived almost that long. The
doctor who came to the farmhouse to deliver him arrived in a
horse-drawn carriage. Do you still have horses?

“A Hundred Years from Now” by David Shumate from Kimonos in the Closet. © University of Pittsburg Press, 2013.

“Terms and Conditions” by Alice Burdick

Remember your terms.
They are final. It’s good
to have a hook or teeth
to hold onto the ideas.

Reel em back with that
kite movement, brain floating
on its column. Spine shake,
snake bones through the day.

I will hold the endless count of
rooms in the real estate
of desire. Who knows where
the money leads. Compost
has a warm take on reason,
transforms it into a solid mass
to warm raccoon hindquarters.

Every day the accounts settle
themselves. No need to keep track
of the spikes shot into flesh.
My hope is more cowbell.
For life: more cowbell!

Alice Burdick

via LemonHound.com

 

with a wink to Mary 😉