“nobody but you” by Charles Bukowski

nobody can save you but
yourself.
you will be put again and again
into nearly impossible
situations.
they will attempt again and again
through subterfuge, guise and
force
to make you submit, quit and /or die quietly
inside.

nobody can save you but
yourself
and it will be easy enough to fail
so very easily
but don’t, don’t, don’t.
just watch them.
listen to them.
do you want to be like that?
a faceless, mindless, heartless
being?
do you want to experience
death before death?

nobody can save you but
yourself
and you’re worth saving.
it’s a war not easily won
but if anything is worth winning then
this is it.

think about it.
think about saving your self.
your spiritual self.
your gut self.
your singing magical self and
your beautiful self.
save it.
don’t join the dead-in-spirit.

maintain your self
with humor and grace
and finally
if necessary
wager your self as you struggle,
damn the odds, damn
the price.

only you can save your
self.

do it! do it!

then you’ll know exactly what
I am talking about.

“nobody but you” by Charles Bukowski from Sifting Through the Madness for the Word, the Line, the Way, 2002

“The Sun” by Mary Oliver

Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?

~ Mary Oliver, (New and Selected Poems)

“Learning Italian Slowly” by David Shumate

I learn three words each day. It’s been seven months now and
perhaps I could carry on a conversation with a Sicilian child. If she
spoke slowly. In present tense. And only about pencils and dogs
and cheese. Sometimes I feel my new Italian self growing inside
me. He’s a little man who gesticulates as he speaks. He rides his
bicycle to the market to buy eggplant, anise, and porcini. Then
delivers them to his elderly mother. In the afternoon he plays
bocce with the older men. The children mimic the way he
whispers to himself. The grimaces he makes with his face. When
the moon comes out he slicks back his hair and sings beneath the
window of the woman he loves. What a sight he is. Down on one
knee. His arms outstretched. So willing to make a fool of himself.
Over and over again.

“Learning Italian Slowly” by David Shumate, from The Floating Bridge. © University of Pittsburgh Press, 2008

“What Do Women Want?” by Kim Addonizio

I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I’m the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I’ll pull that garment
from its hanger like I’m choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I’ll wear it like bones, like skin,
it’ll be the goddamned
dress they bury me in.

“What Do Women Want?” by Kim Addonizio from Tell Me

“SONNET: DAFFODILS” by Gavin Ewart

Wordsworth really loved daffodils. He said they were flashers.
Certainly they must be the most exhibitionistic flowers
there are.
trumpeting their presence in yellow—by far the most
visible colour.
I grant that after a long hard winter
it’s warming to see snow-drops and crocuses in that iron earth
and the very first daffodils (what a cliché) seem a
resurrection,
something it even seems appropriate to make a fuss about.
They look so perfect, though a bit self-conscious.

After a week or two, however, when Spring is established,
and everywhere you look there are oceans of daffodils
as arrogant as pop stars, they begin to seem ordinary.
You take them for granted. Like a love affair fading
they shrivel and go crinkly, papery and tired.
The Spring too (teenagers witness) has its own kind of
boredom.

“Sonnet: Daffodils” by Gavin Ewart, from Or Where a Young Penguin Lies Screaming. © Little Hampton books, 1978.