“Her, Her, Her” by Caitlyn Siehl

She is a year ago.
She is the ache in the empty,
the first time you changed your mind
and the last time you were sorry about it.
She is a city sleeping beside you,
warm and vast and familiar, streetlights
yawning and stretching,
and you have never. You have never.
You have never loved someone like this.
She is your first stomach ache.
Your first panic attack and your
favorite cold shower.
A mountain is moving somewhere
inside of you, and her handprints are all over it.
Here. Here. Here, you love her.
In the fractured morning, full of
too tired and too sad, she is the first
foot that leaves the bed.
She is the fight in you, the winning
and the losing battle
floating like a shipwreck in your chest.
When they ask you what your favorite moment is,
You will say Her.
You will always say Her.

~ Caitlyn Siehl, “Her, Her, Her”

“Letter to a Lost Friend” by Barbara Hamby

There must be a Russian word to describe what has happened
              between us, like ostyt, which can be used
for a cup of  tea that is too hot, but after you walk to the next room,
              and return, it is too cool; or perekhotet,
which is to want something so much over months
              and even years that when you get it, you have lost
the desire. Pushkin said, when he saw his portrait by Kiprensky,
              “It is like looking into a mirror, but one that flatters me.”
What is the word for someone who looks into her friend’s face
              and sees once smooth skin gone like a train that has left
the station in Petersburg with its wide avenues and nights
              at the Stray Dog Cafe, sex with the wrong men,
who looked so right by candlelight, when everyone was young
              and smoked hand-rolled cigarettes, painted or wrote
all night but nothing good, drank too much vodka, and woke
              in the painful daylight with skin like fresh cream, books
everywhere, Lorca on Gogol, Tolstoy under Madame de Sévigné,
              so that now, on a train in the taiga of  Siberia,
I see what she sees — all my books alphabetized and on shelves,
              feet misshapen, hands ribbed with raised veins,
neck crumpled like last week’s newspaper, while her friends
              are young, their skin pimply and eyes bright as puppies’,
and who can blame her, for how lucky we are to be loved
              for even a moment, though I can’t help but feel like Pushkin,
a rough ball of  lead lodged in his gut, looking at his books
              and saying, “Goodbye, my dear friends,” as those volumes
close and turn back into oblong blocks, dust clouding
              the gold leaf that once shimmered on their spines.

Source: Poetry (January 2013).

*

Eleni Mandell – “Dear Friend”

“My Dead Friends” by Marie Howe

I have begun,
when I’m weary and can’t decide an answer to a bewildering question

to ask my dead friends for their opinion
and the answer is often immediate and clear.

Should I take the job? Move to the city? Should I try to conceive a child
in my middle age?

They stand in unison shaking their heads and smiling—whatever leads
to joy, they always answer,

to more life and less worry. I look into the vase where Billy’s ashes were —
it’s green in there, a green vase,

and I ask Billy if I should return the difficult phone call, and he says, yes.
Billy’s already gone through the frightening door,

whatever he says I’ll do.

“My Dead Friends” by Marie Howe, from What the Living Do. © W.W. Norton & Company, 1998.

“God Says Yes To Me” by Kaylin Haught

I asked God if it was okay to be melodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly
what you want to
Thanks God I said
And is it even okay if I don’t paragraph
my letters
Sweetcakes God said
who knows where she picked that up
what I’m telling you is
Yes Yes Yes

 

from The Palm of your Hand, 1995
Tilbury House Publishers

Copyright 1995 by Kaylin Haught

“The Journey” by David Whyte

Above the mountains
the geese turn into
the light again

Painting their
black silhouettes
on an open sky.

Sometimes everything
has to be
inscribed across
the heavens

so you can find
the one line
already written
inside you.

Sometimes it takes
a great sky
to find that

first, bright
and indescribable
wedge of freedom
in your own heart.

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes of your life.

You are not leaving.
Even as the light fades quickly now,
you are arriving.

from House of Belonging by David Whyte