“I Was Always Leaving” by Jean Nordhaus

I was always leaving, I was
about to get up and go, I was
on my way, not sure where.
Somewhere else. Not here.
Nothing here was good enough.
It would be better there, where I
was going. Not sure how or why.
The dome I cowered under
would be raised, and I would be released
into my true life. I would meet there
the ones I was destined to meet.
They would make an opening for me
among the flutes and boulders,
and I would be taken up. That this
might be a form of death
did not occur to me. I only know
that something held me back,
a doubt, a debt, a face I could not
leave behind. When the door
fell open, I did not go through.

Jean Nordhaus, via Poetry Magazine. Originally published in The Gettysburg Review, Vol. 21, no. 4, Winter, 2008

“Ashes, Ashes, We All Fall Down” by Chris Bursk

If I’m going to be ashes in a decade or so,
why stay up past midnight staring at the television
as if it might have a change of heart
and put a third-party candidate in office for once
or end the war, and, while it was at it, clear up my grandson’s acne?
Maybe I should just enjoy the dog’s howling next door.
All night it’s been tugging at its chain
as if the links might finally get bored with being metal and snap.

If I’m going to be incinerated — burnt to a crisp —
in roughly 3,650 days, why am I sulking
because this morning of all mornings my car tired of doing
the same thing it had done the morning before,
and because half my class chose not to show up for a lecture that
I, their professor, a year from retirement, had hoped
would change their entire outlook
on comma splices? Once I’m ashes drifting away on the water,

what will it matter that years ago I threw up on my senior-prom date,
or last week forgot my wife’s sixty-first birthday,
or this morning embarrassed my grandson in front of his friends?
How do any of us prepare for the future
when we’re so busy making a mess
of the present? Perhaps this is time’s truest revenge:
to make us aware of its passing, every minute
of every day. Approximately 5,256,000 minutes

from now — give or take a month or year or two —
my son is going to stand on a bridge
with his children and do something he never thought
he’d have to do: let his quirky,
annoying, yet lovable (I’d hoped!) father slip through his fingers.
That’s my only comfort: I will be ashes
so fine they won’t even question the rocks
they fall on, the creek that sweeps them away.

For once I’ll not embarrass anyone.
For once I’ll not have to worry
about whether I’m doing something right.
I’ll perform the one miracle of my life.

by CHRIS BURSK, via The Sun Magazine. (Read more of Chris’s work; and Learn more about Chris.)

***

* Many thanks to Ruby Pipes who recommended this poem for us. ❤

“Every Morning” by Mary Oliver

I read the papers,
I unfold them and examine them in the sunlight.
The way the red mortars, in photographs,
arc down into the neighborhoods
like stars, the way death
combs everything into a gray rubble before
the camera moves on. What
dark part of my soul
shivers: you don’t want to know more
about this. And then: you don’t know anything
unless you do. How the sleepers
wake and run to the cellars,
how the children scream, their tongues
trying to swim away–
how the morning itself appears
like a slow white rose
while the figures climb over the bubbled thresholds,
move among the smashed cars, the streets
where the clanging ambulances won’t
stop all day–death and death, messy death–
death as history, death as a habit–
how sometimes the camera pauses while a family
counts itself, and all of them are alive,
their mouths dry caves of wordlessness
in the smudged moons of their faces,
a craziness we have so far no name for–
all this I read in the papers,
in the sunlight,
I read with my cold, sharp eyes.

~Mary Oliver, via Poetry Magazine (March 1986)

“Listening to Paul Simon” by Dorianne Laux

Such a brave generation.
We marched onto the streets
in our T-shirts and jeans, holding
the hand of the stranger next to us
with a trust I can’t summon now,
our voices raised in song.
Our rooms were lit by candlelight,
wax dripping onto the table, then
onto the floor, leaving dusty
starbursts we would pop off
with the edge of a butter knife
when it was time to move.
But before we packed and drove
into the middle of our lives
we watched the leaves outside
the window shift in the wind
and listened to Paul Simon,
his cindery voice, then fell back
into our solitude, leveled our eyes
on the American horizon
that promised us everything
and knew it was never true:
smoke and blinders, insubstantial
as fingerprints on glass.
It isn’t easy to give up hope,
to escape a dream. We shed
our clothes and cut our hair,
our former beauty piled at our feet.
And still the music lived inside us,
whole worlds unmaking us
in the dark, so that sleeping and waking
we heard the train’s distant whistle,
steel trestles shivering
across the land that was still ours
in our bones and hearts, its lone headlamp
searching the weedy stockyards,
the damp, gray rags of fog.

-Dorianne Laux, via Serving House Journal. Originally published in Two Weeks: A Digital Anthology of Contemporary Poetry.

 

“Peace Like a River” by Paul Simon

“On Seeing the 100% Perfect Girl One Beautiful April Morning” by Haruki Murakami

. . . Oh, well. It would have started “Once upon a time” and ended “A sad story, don’t you think?”

Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.

One day the two came upon each other on the corner of a street.

“This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”

“And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”

They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.

As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?

And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves – just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”

“Yes,” she said, “that is exactly what we should do.”

And so they parted, she to the east, and he to the west.

The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.

One winter, both the boy and the girl came down with the season’s terrible influenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.

They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.

Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.

One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:

She is the 100% perfect girl for me.

He is the 100% perfect boy for me.

But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fourteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.

A sad story, don’t you think?

Yes, that’s it, that is what I should have said to her.

 

–Haruki Murakami, from The Elephant Vanishes

 

Listen to the full story read on This American Life. Read the full story here.