“Escape” by Linda Whittenberg

Every once in a while one of the neighbors
comes by, rope in hand, looking for horses
that got out. Predictably, ours go for the hay
in Lisa’s barn.
There are few hazards nearby, so, mostly,
no harm is done, but I did have to replace
a cranky lady’s birdfeeder after Doc
went after the millet.
No halter, no bit, no restraints, unfenced
space to explore, smorgasbord of green delights
to cruise—sometimes we hate to round them up
from enjoying the sweet taste of freedom.
The thing is, we can imagine such freedom
for ourselves—no bank account to keep filled,
no day-timer, no obligations—only an open gate,
time and space waiting for us.
Who knows, we might go around the world
or at least to Africa or India or take
a coast-to-coast road trip, or go live
on the Cook Islands for a while.
But, I suspect, we’d miss the familiar,
behave like our mule, who,
after he’s shown he can outsmart us if he wants,
enters the open barn door on his own.

 

Linda Whittenbergfrom Rattle #45, Fall 2014
Tribute to Poets of Faith

 

“Afraid So” by Jeanne Marie Beaumont

Is it starting to rain?
Did the check bounce?
Are we out of coffee?
Is this going to hurt?
Could you lose your job?
Did the glass break?
Was the baggage misrouted?
Will this go on my record?
Are you missing much money?
Was anyone injured?
Is the traffic heavy?
Do I have to remove my clothes?
Will it leave a scar?
Must you go?
Will this be in the papers?
Is my time up already?
Are we seeing the understudy?
Will it affect my eyesight?
Did all the books burn?
Are you still smoking?
Is the bone broken?
Will I have to put him to sleep?
Was the car totaled?
Am I responsible for these charges?
Are you contagious?
Will we have to wait long?
Is the runway icy?
Was the gun loaded?
Could this cause side effects?
Do you know who betrayed you?
Is the wound infected?
Are we lost?
Will it get any worse?

“Afraid So” by Jeanne Marie Beaumont from Curious Conduct. © BOA Editions, Ltd., 2004.

“Learning to Read” by Franz Wright

If I had to look up every fifth or sixth word
so what. I looked them up.
I had nowhere important to be.

My father was unavailable, and my mother
looked like she was about to break,
and not into blossom, each time I spoke.

My favorite was The Iliad. True,
I had trouble pronouncing the names;
but when was I going to pronounce them, and

to whom?
My stepfather maybe?
Number one, he could barely speak English –

two, he had sufficient cause
to smirk or attack
without prompting from me.

Loneliness boredom and fear
my motivation
fiercely fueled.

I get down on my knees and thank God for them.

Du Fu, the Psalms, Whitman, Rilke.
Life has taught me
to understand books.

 

“Learning to Read” by Franz Wright via The New Yorker

 

“Everyday I Write the Book” by Elvis Costello

“Love Sorrow” by Mary Oliver

Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,

what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so

utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment

by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,

as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.

Mary Oliver, from Red Bird

“Because of Libraries We Can Say These Things” by Naomi Shihab Nye

She is holding the book close to her body,
carrying it home on the cracked sidewalk,
down the tangled hill.
If a dog runs at her again, she will use the book as a shield.

She looked hard among the long lines
of books to find this one.
When they start talking about money,
when the day contains such long and hot places,
she will go inside.
An orange bed is waiting.
Story without corners.
She will have two families.
They will eat at different hours.

She is carrying a book past the fire station
and the five and dime.

What this town has not given her
the book will provide; a sheep,
a wilderness of new solutions.
The book has already lived through its troubles.
The book has a calm cover, a straight spine.

When the step returns to itself,
as the best place for sitting,
and the old men up and down the street
are latching their clippers,

she will not be alone.
She will have a book to open
and open and open.
Her life starts here.

Naomi Shihab Nye, via Borderlands: Texas Poetry Review