Yet her poetry from beginning to end is concerned with prisons,
vaults, cages, bars, curbs, bits, bolts, fetters,
locked windows, narrow frames, aching walls.
“Why all the fuss?” asks one critic.
“She wanted liberty. Well didn’t she have it?
A reasonably satisfactory homelife,
a most satisfactory dreamlife—why all this beating of wings?
What was this cage, invisible to us,
which she felt herself to be confined in?”
Well there are many ways of being held prisoner,
I am thinking as I stride over the moor.
As a rule after lunch mother has a nap
and I go out to walk.
The bare blue trees and bleached wooden sky of April
carve into me with knives of light.
Something inside it reminds me of childhood—
it is the light of the stalled time after lunch
when clocks tick
and hearts shut
and fathers leave to go back to work
and mothers stand at the kitchen sink pondering
something they never tell.
You remember too much,
my mother said to me recently.
Why hold onto all that? And I said,
Where can I put it down?
She shifted to a question about airports.
Crops of ice are changing to mud all around me
as I push on across the moor
warmed by drifts from the pale blue sun.
On the edge of the moor our pines
dip and coast in breezes
from somewhere else.
Perhaps the hardest thing about losing a lover is
to watch the year repeat its days.
It is as if I could dip my hand down
into time and scoop up
blue and green lozenges of April heat
a year ago in another country.
Anne Carson, “The Glass Essay” (excerpt) from Glass, Irony, and God. Copyright © 1994 by Anne Carson.
Via Poetryfoundation.org (visit site to read full poem)