“People cannot stand the saddest truth I know… (Bloom)

“People cannot stand the saddest truth I know about the very nature of reading and writing imaginative literature, which is that poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves.”

Harold Bloom

“I had no one to help me, but the T. S. Eliot helped me. So when people say that poetry is a luxury…

“I had no one to help me, but the T. S. Eliot helped me.

So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language – and that is what poetry is. That is what literature offers – a language powerful enough to say how it is.

It isn’t a hiding place. It is a finding place.”

― Jeanette Winterson, Why Be Happy When You Could Be Normal?

“Still, love is the impulse from which poetry springs. … (Mueller)

“Still, love is the impulse from which poetry springs. Even dark poems, Especially dark poems. To know the worst and write in spite of that, that must be love. To celebrate what’s on the other side of the darkness. Truly great poetry always sprung from love-in-spite-of, like love for a deeply flawed person.

And if it’s true as [William Carlos] WIlliams wrote, that people die from lack of what is found in poems, then poetry must not be trivial, peripheral, ivory-towerism as it is often accused of being; then we have a responsibility to speak to and for others. Certainly that means acknowledging suffering. But it also means to heal, to bring delight and hope; It implies consolation. How to console without being false, shallow or sentimental. I find that the hardest challenge.

– Lisel Mueller

“Introduction to Poetry” by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

“Introduction to Poetry” by Billy Collins, from The Apple That Astonished Paris. © University of Arkansas Press, 1996.

“I stopped going to therapy” by Clementine von Radics

I stopped going to therapy
because I knew my therapist was right
and I wanted to keep being wrong.
I wanted to keep my bad habits
like charms on a bracelet.
I did not want to be brave.
I think I like my brain best
in a bar fight with my heart.
I think I like myself a little broken.
I’m ok if that makes me less loved.
I like poetry better than therapy anyway.
The poems never judge me
for healing wrong.

Clementine von Radics