“In Blackwater Woods” by Mary Oliver

Look, the trees
are turning
their own bodies
into pillars

of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,

the long tapers
of cattails
are bursting and floating away over
the blue shoulders

of the ponds,
and every pond,
no matter what its
name is, is

nameless now.
Every year
everything
I have ever learned

in my lifetime
leads back to this: the fires
and the black river of loss
whose other side

is salvation,
whose meaning
none of us will ever know.
To live in this world

you must be able
to do three things:
to love what is mortal;
to hold it

against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.

“In Blackwater Woods” by Mary Oliver, from American Primitive. © Back Bay Books, 1983.

“The Sweetness of Dogs” by Mary Oliver

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. It’s full tonight.
So we go

and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit, myself

thinking how grateful I am for the moon’s
perfect beauty and also, oh! how rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up
into my face. As though I were just as wonderful
as the perfect moon.

“The Sweetness of Dogs” by Mary Oliver from Dog Songs

Cold Poem by Mary Oliver

Cold now.
Close to the edge. Almost
unbearable. Clouds
bunch up and boil down
from the north of the white bear.
This tree-splitting morning
I dream of his fat tracks,
the lifesaving suet.

I think of summer with its luminous fruit,
blossoms rounding to berries, leaves,
handsful of grain.

Maybe what cold is, is the time
we measure the love we have always had, secretly
for our own bones, the hard knife-edged love
for the warm river of the I, beyond all else; maybe

that is what it means, the beauty
of the blue shark cruising toward the tumbling seals.

In the season of snow,
in the immeasurable cold,
we grow cruel but honest; we keep
ourselves alive,
if we can, taking one after another
the necessary bodies of others, the many
crushed red flowers.

“Cold Poem,” by Mary Oliver, from American Primitive (Little, Brown and Company).

For Michelle.

Heavy by Mary Oliver

That time
I thought I could not
go any closer to grief
without dying

I went closer,
and I did not die.
Surely God
had his hand in this,

as well as friends.
Still, I was bent,
and my laughter,
as the poet said,

was nowhere to be found.
Then said my friend Daniel,
(brave even among lions),
“It’s not the weight you carry

but how you carry it –
books, bricks, grief –
it’s all in the way
you embrace it, balance it, carry it

when you cannot, and would not,
put it down.”
So I went practicing.
Have you noticed?

Have you heard
the laughter
that comes, now and again,
out of my startled mouth?

How I linger
to admire, admire, admire
the things of this world
that are kind, and maybe

also troubled –
roses in the wind,
the sea geese on the steep waves,
a love
to which there is no reply?

— “Heavy” by Mary Oliver from Thirst.

Posted in parallel with today’s Words for the Weekend on BRAVERY.

The Poet with His Face in His Hands by Mary Oliver

You want to cry aloud for your
mistakes. But to tell the truth the world
doesn’t need anymore of that sound.

So if you’re going to do it and can’t
stop yourself, if your pretty mouth can’t
hold it in, at least go by yourself across

the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets

like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you

want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched

by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.

~ Mary Oliver (New and Selected Poems Volume Two)