“Raspberries in my Driveway” by Erica Jong

Nature will bear the closest inspection. She
Invites us to lay our eyes level with her
Smallest leaf, and take an insect view of its


The raspberries
in my driveway
have always
been here
(for the whole eleven years
I have owned
but have not owned
this house),
I have never
tasted them

Always on a plane.
Always in the arms
of man, not God,
always too busy,
too fretful,
too worried
to see
that all along
are red, red raspberries
for me to taste.

Shiny and red,
without hairs—
unlike the berries
from the market.
Little jewels—
I share them
with the birds!

On one perches
a tiny green insect.
I blow her off.
She flies!
I burst the raspberry
upon my tongue.

In my solitude
I commune
with raspberries,
with grasses,
with the world.

The world was always
there before,
but where
was I?

Ah raspberry—
if you are so beautiful
upon my ready tongue,
what wonders
lie in store
for me!

“Raspberries in my Driveway” by Erica Jong from Becoming Light. © Harper Perennial, 1991.

“Sometimes she seemed like a woman without skin… (Jong)

“Sometimes she seemed like a woman without skin. She felt everything so intensely, had so little capacity to filter out pain that everyday events often seemed unbearable to her. Paradoxically it is also that skinlessness which makes a poet. One must have the gift of language, of course, but even a great gift is useless without the other curse: the eyes that see so sharply they often want to close. Her eyes were astoundingly blue and astoundingly sharp. Nothing escaped her. She saw everything, and since most of what there is to see in the world is painful, she often lived in pain. . . . Words spared her for a while. With the process of writing the poem, there is a kind of connection which sustains one. Then the poem is done and one is alone again. Other people may enjoy the poem later, but the poet can hardly relate to it. The poet is happy only while writing the poem.”

– Erica Jong, Remembering Anne SextonAnne Sexton (November 9, 1928 – October 4, 1974).

“Testament (Homage to Walt Whitman)” by Erica Jong

loveroot, silkthread, crotch and vine…

I trust all joy.

I, Erica Jong, in the midst of my life,
having had two parents, two sisters,
two husbands, two books of poems
& three decades of pain,

having cried for those who did not love me
& those who loved me – but not enough
& those whom I did not love –
declare myself now for joy.

There is pain enough to nourish us everywhere
it is joy that is scarce.

There are corpses piled up to the mountains,
& tears to drown in,
& bile eough to swallow all day long.

Rage is a common weed.
Anger is cheap.

Righteous indignation
is the religion of the dead
in the house of the dead
where the dead speak to each other
in creaking voices,
each arguing a more unhappy childhood
than the other.

Unhappiness is cheap.
Childhood is a universal affliction.
I say to hell with the analysts of minus & plus,
the life-shrinkers, the diminishers of joy.

I say to hell with anyone
who would suck on misery
like a pacifier
in a toothless mouth.
I say to hell with gloom.

Gloom is cheap.
Every night the earth resolves for darkness
& then breaks its resolve
in the morning.

Every night the demon lovers
come with their black penises like tongues,
with their double faces,
& their cheating mouths
& their glum religions of doom.

Doom is cheap.
If the apocalypse is coming,
let us wait for it in joy.

Let us not gnash our teeth
on the molars of corpses –
though the molars of corpses
are plentiful enough.

Let us not scorn laughter
though scorn is plentiful enough.

Let us laugh & bring plenty to the scorners –
for they scorn themselves.

I myself have been a scorner
& have chosen scornful men,
men to echo all that was narrow in myself,
men to hurt me as I hurt myself.

In my stinginess,
my friends have been stingy.
In my narrowness,
my men have been mean.

I resolve now for joy.

If that resolve means I must live alone,
I accept aloneness.

If the joy house I inhabit must be
a house of my own making,
I accept that making.

No doom-saying, death-dealing, fucker of cunts
can undo me now.

No joy-denyer can deny me now.
For what I have is undeniable.
I inhabit my own house,
the house of my joy.


“Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!”


Dear Walt Whitman,
horny old nurse to pain,
speaker of “passwords primeval,”
merit-refuser,poet of body & soul –
I scorned you at twenty
but turn to you now
in the fourth decade of my life,
having grown straight enough
to praise your straightness,
& plain enough
to speak to you plain
& simple enough
to praise your simplicity.

The doors open.
The metaphors themselves swing open wide!

Papers fall from my desk,
my desk teeters on the edge of the cosmos,
& I commit each word to fire.

I burn!
All night I write in suns across the page.
I fuel the “body electric” with midnight oil.
I write in neon sperm across the air.


You were “hankering, gross, mystical, nude.”
You astonished with the odor of your armpits.
You cocked your hat as you chose;
you cocked your cock –
but you knew “the Me myself.”

You believed in your soul
& believing, you made others
believe in theirs.

The soul is contagious.
One man catches another’s
like the plague;
& we are all patient spiders
to each other.

If we can spin the joythread
& also catch it-

if we can be sufficient to ourselves,
we need fear no entangling webs.

The loveroot will germinate.
The crotch will be a trellis for the vine,
& our threads will all be intermingled silk.

How to spin joy out of an empty heart?
The joy-egg germinates even in despair.

Orgasms of gloom convulse the world;
& the joy-seekers huddle together.

We meet on the pages of books & by beachwood fires.
We meet scrawled blackly in many-folded letters.
We know each other by free & generous hands.
We swing like spiders on each other’s souls.

~~~~~~ Erica Jong, from Loveroot

(thanks to Sarra Cannon)