“The Trouble with Poetry” by Billy Collins

The trouble with poetry, I realized
as I walked along a beach one night —
cold Florida sand under my bare feet,
a show of stars in the sky —

the trouble with poetry is
that it encourages the writing of more poetry,
more guppies crowding the fish tank,
more baby rabbits
hopping out of their mothers into the dewy grass.

And how will it ever end?
unless the day finally arrives
when we have compared everything in the world
to everything else in the world,

and there is nothing left to do
but quietly close our notebooks
and sit with our hands folded on our desks.

Poetry fills me with joy
and I rise like a feather in the wind.
Poetry fills me with sorrow
and I sink like a chain flung from a bridge.

But mostly poetry fills me
with the urge to write poetry,
to sit in the dark and wait for a little flame
to appear at the tip of my pencil.

And along with that, the longing to steal,
to break into the poems of others
with a flashlight and a ski mask.

And what an unmerry band of thieves we are,
cut-purses, common shoplifters,
I thought to myself
as a cold wave swirled around my feet
and the lighthouse moved its megaphone over the sea,
which is an image I stole directly
from Lawrence Ferlinghetti —
to be perfectly honest for a moment —

the bicycling poet of San Francisco
whose little amusement park of a book
I carried in a side pocket of my uniform
up and down the treacherous halls of high school.

– Billy Collins from The Trouble With Poetry

In parallel with Words for the Weekend: “Forget everything you ever read about poetry” – Vol. 28

“Creatures” by Billy Collins

Hamlet noticed them in the shapes of clouds,
but I saw them in the furniture of childhood,
creatures trapped under surfaces of wood,

one submerged in a polished sideboard,
one frowning from a chair-back,
another howling from my mother’s silent bureau,
locked in the grain of maple, frozen in oak.

I would see these presences, too,
in a swirling pattern of wallpaper
or in the various greens of a porcelain lamp,
each looking so melancholy, so damned,
some peering out at me as if they knew
all the secrets of a secretive boy.

Many times I would be daydreaming
on the carpet and one would appear next to me,
the oversize nose, the hollow look.

So you will understand my reaction
this morning at the beach
when you opened your hand to show me
a stone you had picked up from the shoreline.

“Do you see the face?” you asked
as the cold surf circled our bare ankles.
“There’s the eye and the line of the mouth,
like it’s grimacing, like it’s in pain.”

“Well, maybe that’s because it has a fissure
running down the length of its forehead
not to mention a kind of twisted beak,” I said,

taking the thing from you and flinging it out
over the sparkle of blue waves
so it could live out its freakish existence
on the dark bottom of the sea

and stop bothering innocent beachgoers like us,
stop ruining everyone’s summer.

~Billy Collins

“Introduction to Poetry” by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem’s room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

“Introduction to Poetry” by Billy Collins, from The Apple That Astonished Paris. © University of Arkansas Press, 1996.

“Breathless” by Billy Collins

"Cemetary City" by Mary Pierce from her post Jux Mary blogs
Cemetary City by Mary Pierce from her post “Juxtaposition.”
The multi-talented Mary blogs at A Wilderness of Words.

Some like the mountains, some like the seashore,
Jean-Paul Belmondo says
to the camera in the opening scene.

Some like to sleep face up,
some like to sleep on their stomachs,
I am thinking here in bed–

some take the shape of murder victims
flat on their backs all night,
others float face down on the dark waters.

Then there are those like me
who prefer to sleep on their sides,
knees brought up to the chest,

head resting on a crooked arm
and a soft fist touching the chin,
which is the way I would like to be buried,

curled up in a coffin
in a fresh pair of cotton pajamas,
a down pillow under my weighty head.

After a lifetime of watchfulness
and nervous vigilance,
I will be more than ready for sleep,

so never mind the dark suit,
the ridiculous tie
and the pale limp hands crossed on the chest.

Lower me down in my slumber,
tucked into myself
like the oldest fetus on earth,

and while the cows look over the stone wall
of the cemetery, let me rest here
in my earthy little bedroom,

my lashes glazed with ice,
the roots of trees inching nearer,
and no dreams to frighten me anymore.

“Breathless” by Billy Collins from The Trouble With Poetry and Other Poems (Random House, 2005)

* For Mary who takes my breath away, in the very best of ways. Thank you for the inspiration Mary!