“One thirty-six am” by Charles Bukowski

I laugh sometimes when I think about
say
Céline at a typewriter
or Dostoevsky…
or Hamsun…
ordinary men with feet, ears, eyes,
ordinary men with hair on their heads
sitting there typing words
while having difficulties with life
while being puzzled almost to madness.

Dostoevsky gets up
he leaves the machine to piss,
comes back
drinks a glass of milk and thinks about
the casino and
the roulette wheel.

Céline stops, gets up, walks to the
window, looks out, thinks, my last patient
died today, I won’t have to make any more
visits there.
when I saw him last
he paid his doctor bill;
it’s those who don’t pay their bills,
they live on and on.
Céline walks back, sits down at the
machine
is still for a good two minutes
then begins to type.

Hamsun stands over his machine thinking,
I wonder if they are going to believe
all these things I write?
he sits down, begins to type.
he doesn’t know what a writer’s block
is:
he’s a prolific son-of-a-bitch
damn near as magnificent as
the sun.
he types away.

and I laugh
not out loud
but all up and down these walls, these
dirty yellow and blue walls
my white cat asleep on the
table
hiding his eyes from the
light.

he’s not alone tonight
and neither am
I.

~Charles Bukowski

“Before the swallow, before the daffodil …

Before the swallow, before the daffodil, and not much later than the snowdrop, the common toad salutes the coming of spring after his own fashion, which is to emerge from a hole in the ground, where he has lain buried since the previous autumn, and crawl as rapidly as possible towards the nearest suitable patch of water. Something — some kind of shudder in the earth, or perhaps merely a rise of a few degrees in the temperature — has told him it is time to wake up … At this period, after his long fast, the toad has a very spiritual look, like a strict Anglo-Catholic towards the end of Lent. His movements are languid but purposeful, his body is shrunken, and by contrast his eyes look abnormally large. This allows one to notice, what one might not at any other time, that a toad has about the most beautiful eye of any living creature. It is like gold, or more exactly it is like the golden-coloured semi-precious stone which one sometimes sees in signet rings, and which I think is called a chrysoberyl.

-George Orwell, Some Thoughts on the Common Toad

“The Simple Art of Words”

come
take my hand
let’s delve inside the poets mind
travel highways, scale mountains
explore crevices of souls
perhaps you’ll be astounded
where the path may lead you
from another’s words

melancholy
they will find the deepest hole
darkness, doubt ~ no escape
blood, death, fear, pain
thunderbolts of agony
once their’s
now yours

happiness
you’ll read of sunlight
unbroken by the clouds
romance, they write
stars  ~ moons
oceans ~ love
tenderly to make you swoon
and sadness, tears will swell
you will feel their broken heart

this is what they do
the constant
describing feelings
as to put you in their head, their lives
to make you experience
the intricacies of life

you’re the witness to their spirit
the timbres in their write
if you could live inside them
you would understand
they paint, no structure
game or plan
their words non negotiable
this is who they are

it is from their interior
the senses they display
the ethos ~ the power
where they plant the seed
to love or hate
or merely read

©jmtacken 27/3/2014

We would like to thank Jen from Ramblings From a Mum for allowing us to share her work with you. Please be sure to check out her site for more of her fabulous words! This is being posted in parallel with Words for the Weekend: Forget Everything You Ever Read About Poetry– Vol. 28

“The Trouble with Poetry” by Billy Collins

The trouble with poetry, I realized
as I walked along a beach one night —
cold Florida sand under my bare feet,
a show of stars in the sky —

the trouble with poetry is
that it encourages the writing of more poetry,
more guppies crowding the fish tank,
more baby rabbits
hopping out of their mothers into the dewy grass.

And how will it ever end?
unless the day finally arrives
when we have compared everything in the world
to everything else in the world,

and there is nothing left to do
but quietly close our notebooks
and sit with our hands folded on our desks.

Poetry fills me with joy
and I rise like a feather in the wind.
Poetry fills me with sorrow
and I sink like a chain flung from a bridge.

But mostly poetry fills me
with the urge to write poetry,
to sit in the dark and wait for a little flame
to appear at the tip of my pencil.

And along with that, the longing to steal,
to break into the poems of others
with a flashlight and a ski mask.

And what an unmerry band of thieves we are,
cut-purses, common shoplifters,
I thought to myself
as a cold wave swirled around my feet
and the lighthouse moved its megaphone over the sea,
which is an image I stole directly
from Lawrence Ferlinghetti —
to be perfectly honest for a moment —

the bicycling poet of San Francisco
whose little amusement park of a book
I carried in a side pocket of my uniform
up and down the treacherous halls of high school.

– Billy Collins from The Trouble With Poetry

In parallel with Words for the Weekend: “Forget everything you ever read about poetry” – Vol. 28

“A Sepal, Petal, and a Thorn” by Emily Dickinson

A sepal, petal, and a thorn
Upon a common summer’s morn—
A flask of Dew—A Bee or two—
A Breeze—a caper in the trees—
And I’m a Rose!

~Emily Dickinson