“Be crumbled. …

“Be crumbled.
So wild flowers will come up where you are.
You have been stony for too many years.
Try something different. 
Surrender.”

– Rumi

“Her mind is an unquiet one, …

“Her mind is an unquiet one, words and thoughts and impulses constantly crashing into each other.”

– David Levithan

“I have flipped through books, reading hundreds of opening and closing lines …

“I have flipped through books, reading hundreds of opening and closing lines, across ages, across cultures, across aesthetic schools, and I have discovered that first lines are remarkably similar, even repeated, and that last lines are remarkably similar, even repeated. Of course in all cases they remain remarkably distinct, because the words belong to completely different poems. And I began to realize, reading these first and last lines, that they are not only the first and last lines of the lifelong sentence we each speak but also the first and last lines of the long piece of language delivered to us by others, by those we listen to. And in the best of all possible lives, that beginning and that end are the same: in poem after poem I encountered words that mark the first something made out of language that we hear as children repeated night after night, like a refrain:  I love you. I am here with you. Don’t be afraid. Go to sleep now. And I encountered words that mark the last something made out of language that we hope to hear on earth:  I love you. You are not alone. Don’t be afraid. Go to sleep now.

But it is growing damp and I must go in. Memory’s fog is rising. Among Emily Dickinson’s last words (in a letter). A woman whom everyone thought of as shut-in, homebound, cloistered, spoke as if she had been out, exploring the earth, her whole life, and it was finally time to go in. And it was.”

 – Mary Ruefle, Madness, Rack, and Honey

“Before the swallow, before the daffodil …

Before the swallow, before the daffodil, and not much later than the snowdrop, the common toad salutes the coming of spring after his own fashion, which is to emerge from a hole in the ground, where he has lain buried since the previous autumn, and crawl as rapidly as possible towards the nearest suitable patch of water. Something — some kind of shudder in the earth, or perhaps merely a rise of a few degrees in the temperature — has told him it is time to wake up … At this period, after his long fast, the toad has a very spiritual look, like a strict Anglo-Catholic towards the end of Lent. His movements are languid but purposeful, his body is shrunken, and by contrast his eyes look abnormally large. This allows one to notice, what one might not at any other time, that a toad has about the most beautiful eye of any living creature. It is like gold, or more exactly it is like the golden-coloured semi-precious stone which one sometimes sees in signet rings, and which I think is called a chrysoberyl.

-George Orwell, Some Thoughts on the Common Toad

“I went up in the ferris wheel for a last ride …

London Eye by Mary Pierce From Mary's flash fiction piece: "Until a tiny thing trips you up"
London Eye by Mary Pierce
From Mary’s flash fiction piece: “Until a tiny thing trips you up

 

“I went up in the ferris wheel for a last ride before being thrown into seventh grade. It went up into the stars and fell back to earth and rose again, and I had a magnificent vision, or think I did, though it’s hard to remember if it was that year with the chocolate cake or the next one with the pigs getting loose. The ferris wheel is the same year after year. it’s like all one ride to me: we go up and I think of people I knew who are dead and I smell fall in the air, manure, corn dogs, and we drop down into blazing light and blaring music. Every summer I’m a little bigger, but riding the ferris wheel, I feel the same as ever, I feel eternal. The combination of cotton candy, corn dogs, diesel smoke, and sawdust, in a hot dark summer night, it never changes, not an inch. The wheel carries us up high, high, high, and stops, and we sit swaying, creaking, in the dark, on the verge of death. You can see death from here. The wind blows from the northwest, from the farm school in Saint Anthony Park, a chilly wind with traces of pigs and sheep in it. This is my vision: little kids holding on to their daddy’s hand, and he is me. He looks down on them with love and buys them another corn dog. They are worried they will lose him, they hang on to his leg with one hand, eat with the other. This vision is unbearably wonderful. Then the wheel brings me down to the ground. We get off and other people get on. Thank you, dear God, for this good life and forgive us if we do not love it enough.”

~ Garrison Keillor, Leaving Home

Hi Mary! Thanks to your piece for inspiring today’s quote.