“This is How You Lose Her” by Junot Diaz (repost)

This is how you lose her.

You lose her when you forget to remember the little things that mean the world to her: the sincerity in a stranger’s voice during a trip to the grocery, the delight of finding something lost or forgotten like a sticker from when she was five, the selflessness of a child giving a part of his meal to another, the scent of new books in the store, the surprise short but honest notes she tucks in her journal and others you could only see if you look closely.

You must remember when she forgets.

You lose her when you don’t notice that she notices everything about you: your use of the proper punctuation that tells her continuation rather than finality, your silence when you’re about to ask a question but you think anything you’re about to say to her would be silly, your mindless humming when it is too quiet, your handwriting when you sign your name in blank sheets of paper, your muted laughter when you are trying to be polite, and more and more of what you are, which you don’t even know about yourself, because she pays attention.

She remembers when you forget.

You lose her for every second you make her feel less and less of the beauty that she is. When you make her feel that she is replaceable. She wants to feel cherished. When you make her feel that you are fleeting. She wants you to stay. When you make her feel inadequate. She wants to know that she is enough and she does not need to change for you, nor for anyone else because she is she and she is beautiful, kind and good.

You must learn her.

You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to.

You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept.

And, this is how you keep her.

This Is How You Lose Her || Junot Diaz

 

originally posted: 11/11/14

“You want a physicist to speak at your funeral. … (Freeman) (repost)

You want a physicist to speak at your funeral. You want the physicist to talk to your grieving family about the conservation of energy, so they will understand that your energy has not died. You want the physicist to remind your sobbing mother about the first law of thermodynamics; that no energy gets created in the universe, and none is destroyed. You want your mother to know that all your energy, every vibration, every Btu of heat, every wave of every particle that was her beloved child remains with her in this world. You want the physicist to tell your weeping father that amid energies of the cosmos, you gave as good as you got.

And at one point you’d hope that the physicist would step down from the pulpit and walk to your brokenhearted spouse there in the pew and tell him that all the photons that ever bounced off your face, all the particles whose paths were interrupted by your smile, by the touch of your hair, hundreds of trillions of particles, have raced off like children, their ways forever changed by you. And as your widow rocks in the arms of a loving family, may the physicist let her know that all the photons that bounced from you were gathered in the particle detectors that are her eyes, that those photons created within her constellations of electromagnetically charged neurons whose energy will go on forever.

And the physicist will remind the congregation of how much of all our energy is given off as heat. There may be a few fanning themselves with their programs as he says it. And he will tell them that the warmth that flowed through you in life is still here, still part of all that we are, even as we who mourn continue the heat of our own lives.

And you’ll want the physicist to explain to those who loved you that they need not have faith; indeed, they should not have faith. Let them know that they can measure, that scientists have measured precisely the conservation of energy and found it accurate, verifiable and consistent across space and time. You can hope your family will examine the evidence and satisfy themselves that the science is sound and that they’ll be comforted to know your energy’s still around. According to the law of the conservation of energy, not a bit of you is gone; you’re just less orderly. Amen.

– Aaron Freeman, “You Want a Physicist to Speak at Your Funeral” (via NPR: Planning Ahead Can Make a Difference in the End)

originally posted: 3/11/14

 

(I will be on a digital hiatus/detox during October. I’ll be running a collection of previously posted material from 2014, the first year of Words. Hopefully it will be new or nearly new to most of you. I may be slow to reply to comments or emails that need response. Thanks for understanding, xo, Christy)

“Sometimes she seemed like a woman without skin… (Jong)

“Sometimes she seemed like a woman without skin. She felt everything so intensely, had so little capacity to filter out pain that everyday events often seemed unbearable to her. Paradoxically it is also that skinlessness which makes a poet. One must have the gift of language, of course, but even a great gift is useless without the other curse: the eyes that see so sharply they often want to close. Her eyes were astoundingly blue and astoundingly sharp. Nothing escaped her. She saw everything, and since most of what there is to see in the world is painful, she often lived in pain. . . . Words spared her for a while. With the process of writing the poem, there is a kind of connection which sustains one. Then the poem is done and one is alone again. Other people may enjoy the poem later, but the poet can hardly relate to it. The poet is happy only while writing the poem.”

– Erica Jong, Remembering Anne SextonAnne Sexton (November 9, 1928 – October 4, 1974).

“Read poetry every day of your life… (Bradbury)

“Read poetry every day of your life. Poetry is good because it flexes muscles you don’t use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand. And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.

What poetry? Any poetry that makes your hair stand up along your arms. Don’t force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don’t understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day.”

 

“In the act of writing the poem, I am obedient… (Oliver)

“In the act of writing the poem, I am obedient, and submissive. Insofar as one can, I put aside ego and vanity, and even intention. I listen. What I hear is almost a voice, almost a language. It is a second ocean, rising, singing into one’s ear, or deep inside the ears, whispering in the recesses where one is less oneself than a part of some single indivisible community. Blake spoke of taking diction. I am no Blake, yet I know the nature of what he meant. Every poet knows it. One learns the craft, and then casts off. One hopes for gifts. One hopes for direction. It is both physical, and spooky. It is intimate, and inapprehensible. Perhaps it is for this reason that the act of first-writing, for me, involves nothing more complicated than paper and pencil. The abilities of a typewriter or computer would not help in this act of slow and deep listening.”
~ Mary Oliver