“Double Exposure” by May Swenson

Taking a photo of you taking a photo of me, I see
the black snout of the camera framed by hair, where

your face should be. I see your arms and one hand
on the shutter button, the hedge behind you and

beyond, below, overexposed water and sky wiped white.
Some flecks out of focus are supposed to be boats.

Your back toward what light is left, you’re not
recognizable except by those cutoff jeans that I

gave you by shooting from above, forgetting your
legs. So, if I didn’t know, I wouldn’t know who

you are, you know. I do know who, but you, you know,
could be anybody. My mistake. It was because I

wanted to trip the shutter at the exact moment you
did. I did when you did, and you did when I did.

I can’t wait to see yours of me. It’s got to be
even more awful. A face, facing the light, pulled up

into a squint behind the lens, which must reflect
the muggy setting sun. Some sort of fright mask

or Mardi Gras monster, a big glass Cyclopean eye
superimposed on a flattened nose, that print,

the one you took of me as I took one of you. Who,
or what, will it be—will I  be, I wonder? Can’t wait.

 

May Swenson. From May Swenson: Collected Poems (Library of America, 2013).

“Token Loss” by Kay Ryan

To the dragon
any loss is
total. His rest
is disrupted
if a single
jewel encrusted
goblet has
been stolen.
The circle
of himself
in the nest
of his gold
has been
broken. No
loss is token.

 

Copyright © 2014 by Kay Ryan. This poem appeared in Poem-A-Day on January 10, 2014.

“Reading a Book of Poems by a Friend Newly Dead” by Philip Dacey

I think these words are still warm.
Bend close—there is a breath
coming from them. See
how the lines rise and fall, pulse,

how he is slow to leave these poems,
in which he has lived for many years.
In time he will turn them completely
over to us for safekeeping, but not yet.

I face this book as I often faced him.
He could be hiding behind it, wearing it
like a mask before he slips from the words
into the spaces between the lines

and then into the margins. Now this book
has a new life as a handshake, a long one,
so long it becomes instead a handclasp,
though the flesh is papery, dry.

And lines keep revealing themselves
to be a goodbye wave, each a rehearsal
more for our sake than his. It is not
his fault that we missed the gesture.

I am afraid to put this book down,
afraid to close it. I did not know
a book could be raw, skinned, as it were.
Afraid to touch it. Afraid not to.

–Philip Dacey
In Stoneboat, 5.1, fall 2014
 

***
 

Listen to the voice
of each dead poet
as if it were yours.
It is.
        –Philip Dacey
        From Mosquito Operas, 2010

 

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Both poems found via Best American Poetry’s blog post: “Day 5: In Praise of Philip Dacey” by Lisa Vihos

 

“Ever” by Meghan O’Rourke

Never, never, never, never, never.
—King Lear

Even now I can’t grasp “nothing” or “never.”
They’re unholdable, unglobable, no map to nothing.
Never? Never ever again to see you?
An error, I aver. You’re never nothing,
because nothing’s not a thing.
I know death is absolute, forever,
the guillotine—gutting—never to which we never say goodbye.
But even as I think “forever” it goes “ever”
and “ever” and “ever.” Ever after.
I’m a thing that keeps on thinking. So I never see you
is not a thing or think my mouth can ever. Aver:
You’re not “nothing.” But neither are you something.
Will I ever really get never?
You’re gone. Nothing, never—ever.

 

Copyright © 2015 by Meghan O’Rourke. Originally published in Poem-a-Day on July 13, 2015, by the Academy of American Poets.

“Dear One Absent This Long While” by Lisa Olstein

It has been so wet stones glaze in moss;
everything blooms coldly.

I expect you. I thought one night it was you
at the base of the drive, you at the foot of the stairs,

you in a shiver of light, but each time
leaves in wind revealed themselves,

the retreating shadow of a fox, daybreak.
We expect you, cat and I, bluebirds and I, the stove.

In May we dreamed of wreaths burning on bonfires
over which young men and women leapt.

June efforts quietly.
I’ve planted vegetables along each garden wall

so even if spring continues to disappoint
we can say at least the lettuce loved the rain.

I have new gloves and a new hoe.
I practice eulogies. He was a hawk

with white feathered legs. She had the quiet ribs
of a salamander crossing the old pony post road.

Yours is the name the leaves chatter
at the edge of the unrabbited woods.

Lisa Olstein, “Dear One Absent This Long While” from Radio Crackling, Radio Gone. Copper Canyon Press. Copyright 2006 by Lisa Olstein.

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“Dear Friend” by Eleni Mandell