“Enough” by Suzanne Buffam

I am wearing dark glasses inside the house
To match my dark mood.

I have left all the sugar out of the pie.
My rage is a kind of domestic rage.

I learned it from my mother
Who learned it from her mother before her

And so on.
Surely the Greeks had a word for this.

Now surely the Germans do.
The more words a person knows

To describe her private sufferings
The more distantly she can perceive them.

I repeat the names of all the cities I’ve known
And watch an ant drag its crooked shadow home.

What does it mean to love the life we’ve been given?
To act well the part that’s been cast for us?

Wind. Light. Fire. Time.
A train whistles through the far hills.

One day I plan to be riding it.

Suzanne Buffam, “Enough” from The Irrationalist. Copyright © 2010 by Suzanne Buffam. Canarium Books.


“Saving Grace” by Tom Petty from Highway Companion

(Album version video.)

“Hope” by Lisel Mueller

“Hope on Board” by Tom Petty and The Heartbreakers from She’s the One


It hovers in dark corners
before the lights are turned on,
it shakes sleep from its eyes
and drops from mushroom gills,
it explodes in the starry heads
of dandelions turned sages,
it sticks to the wings of green angels
that sail from the tops of maples.

It sprouts in each occluded eye
of the many-eyed potato,
it lives in each earthworm segment
surviving cruelty,
it is the motion that runs
from the eyes to the tail of a dog,
it is the mouth that inflates the lungs
of the child that has just been born.

It is the singular gift
we cannot destroy in ourselves,
the argument that refutes death,
the genius that invents the future,
all we know of God.

It is the serum which makes us swear
not to betray one another;
it is in this poem, trying to speak.

 

“Hope” by Lisel Mueller from Alive Together. © Louisiana State University Press, 1996.

“Sadness” by Michael Blumenthal

Sooner or later it comes to everyone:
the beautiful prom queen who has lost a breast,
the Don Juan of the tenth grade who has
turned up impotent, the fleet chiropodist
who has developed a limp. Sooner or later it comes,
and you are never prepared for it quite yet,
you who had hoped to be spared through another epoch
of your rightful happiness, you who had always
given to charity. Like a gargantuan tackle
lumbering toward you, it comes and comes,
and—though you may double lateral all you wish,
though you may throw a perfect spiral
up the middle to some ecstatic receiver
and be blessed blue-green some night
by the ministrations of strangers—it will not
spare you. It comes and comes, inevitable
as sunrise, palpable as longing,
and we must go on
laughing it right in the face
until it learns to sing again.

“Sadness” by Michael Blumenthal, from No Hurry: Poems 2000-2012. © Etruscan Press, 2012.

“This Morning, I Wanted Four Legs” by Jane Hirshfield

Nothing on two legs weighs much,
or can.
An elephant, a donkey, even a cookstove—
those legs, a person could stand on.
Two legs pitch you forward.
Two legs tire.
They look for another two legs to be with,
to move one set forward to music
while letting the other move back.
They want to carve into a tree trunk:
2gether 4ever.
Nothing on two legs can bark,
can whinny or chuff.
Tonight, though, everything’s different.
Tonight I want wheels.

 

Published in The New Yorker, July 2, 2012

“Waiting for Rain” by Ellen Bass

Finally, morning. This loneliness
feels more ordinary in the light, more like my face
in the mirror. My daughter in the ER again.
Something she ate? Some freshener

someone spritzed in the air?
They’re trying to kill me, she says,
as though it’s a joke. Lucretius
got me through the night. He told me the world goes on

making and unmaking.  Maybe it’s wrong
to think of better and worse.
There’s no one who can carry my fear
for a child who walks out the door

not knowing what will stop her breath.
The rain they say is coming
sails now over the Pacific in purplish nimbus clouds.
But it isn’t enough. Last year I watched

elephants encircle their young, shuffling
their massive legs without hurry, flaring
their great dusty ears. Once they drank
from the snowmelt of Kilimanjaro.

Now the mountain is bald. Lucretius knows
we’re just atoms combining and recombining:
star dust, flesh, grass. All night
I plastered my body to Janet,

breathing when she breathed. But her skin,
warm as it is, does, after all, keep me out.
How tenuous it all is.
My daughter’s coming home next week.

She’ll bring the pink plaid suitcase we bought at Ross.
When she points it out to the escort
pushing her wheelchair, it will be easy
to spot on the carousel. I just want to touch her.

From Like a Beggar. Copyright ©2014 by Ellen Bass.