“Alternate Endings” by Richard Jackson

There are times when they gather at the edge of your life,
Shadows slipping over the far hills, daffodils
blooming too early, the dark matter of the universe
that threads its way through the few thousand blackbirds
that have invaded the trees out back. Every ending

sloughs off our dreams like snakeskin. This is the kind of
black ice the mind skids across. The candlelight burning down
into the sand. The night leaving its ashes in our eyes.

There are times when your voice turns over in my sleep.
It is no longer blind. The sky is no longer deaf.

There are times when it seems the stars practice
all night just to become fireflies, when it seems there is
no end to what our hearts scribble on corridor walls.
Only when we look at each other do we cease to be ourselves.
Only at a certain height does the smoke blend into air.
There are times when your words seem welded to that sky.

There are times when love is so complicated it circles
like chimney swifts unable to decide where to land.
There are endings so sad their shadows scuff the dirt.
Their sky is as inconsolable as the two year old, Zahra,
torn from her mother and beaten to death in the Sudan.

There are endings so sad I want the morning light
to scourge the fields. Endings that are only what the river
dreams when it dries up. Endings that are constant echoes.

There are times when I think we are satellites collecting
dust from one of the earlier births of the universe Don’t give up.

Each ending is an hourglass filled with doors. There are times
when I feel you might be searching for me, when I can read
what is written on the far sides of stars. I’m nearly out of time.
My heart is a dragonfly. I’ll have to settle for this, standing under
a waterfall of words you never said. There are times like this
when no ending appears, times when I am so inconsolably happy.

Richard Jackson, “Alternate Endings” (via Superstition Review)

“Thirst” by Mary Oliver

Another morning and I wake with thirst
for the goodness I do not have. I walk
out to the pond and all the way God has
given us such beautiful lessons. Oh Lord,
I was never a quick scholar but sulked
and hunched over my books past the hour
and the bell; grant me, in your mercy,
a little more time. Love for the earth
and love for you are having such a long
conversation in my heart. Who knows what
will finally happen or where I will be sent,
yet already I have given a great many things
away, expecting to be told to pack nothing,
except the prayers which, with this thirst,
I am slowy learning.

— Mary Oliver, Thirst

“Imaginary Paintings” by Lisel Mueller

1. How I would Paint the Future

A strip of horizon and a figure,
seen from the back, forever approaching.

2. How I would Paint Happiness

Something sudden, a windfall,
a meteor shower. No –
a flowering tree releasing
all its blossoms at once,
and the one standing beneath it
unexpectedly robed in bloom,
transformed into a stranger
to beautiful to touch.

3. How I would Paint Death

White on white or black on black.
No ground, no figure. An immense canvas,
which I will never finish.

4. How I would Paint Love

I would not paint love.

5. How I would Paint the Leap of Faith

A black cat jumping up three feet
to reach a three-inch shelf.

6. How I would Paint the Big Lie

Smooth, and deceptively small
so that it can be swallowed
like something we take for a cold.
An elongated capsule,
an elegant cylinder,
sweet and glossy,
that pleases the tongue
and goes down easy,
never mind
the poison inside.

7.  How I would Paint Nostalgia

An old-fashioned painting, a genre piece.
People in bright and dark clothing.
A radiant bride in white
standing above a waterfall,
watching the water rush
away, away, away.
– Lisel Mueller, Alive Together

“Nightclub” by Billy Collins

You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing
I am so beautiful
and you are a fool to be in love with me,
even though this notion has surely
crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool
is another one you don’t hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.

For no particular reason this afternoon
I am listening to Johnny Hartman
whose dark voice can curl around
the concepts of love, beauty, and foolishness
like no one else’s can.
It feels like smoke curling up from a cigarette
someone left burning on a baby grand piano
around three o’clock in the morning;
smoke that billows up into the bright lights
while out there in the darkness
some of the beautiful fools have gathered
around little tables to listen,
some with their eyes closed,
others leaning forward into the music
as if it were holding them up,
or twirling the loose ice in a glass,
slipping by degrees into a rhythmic dream.
Yes, there is all this foolish beauty,
borne beyond midnight,
that has no desire to go home,
especially now when everyone in the room
is watching the large man with the tenor sax
that hangs from his neck like a golden fish.
He moves forward to the edge of the stage
and hands the instrument down to me
and nods that I should play.
So I put the mouthpiece to my lips
and blow into it with all my living breath.
We are all so foolish,
my long bebop solo begins by saying,
so damn foolish
we have become beautiful without even knowing it.

~ Billy Collins, from The Art of Drowning (The University of Pittsburgh Press).

“The Masochist” by Maxine Kumin

The Masochist

My black-eyed lover broke my back,
that hinge I swung on in and out
and never once thought twice about,

expecting a lifetime guarantee.
He snapped that simple hinge for me.
My black-eyed lover broke my back.

All delicate with touch and praise
he one by one undid the screws
that held the pin inside its cup

and when I toppled like a door
–his bitch, his bountiful, his whore–
he did not stay to lift me up.

Beware of black-eyed lovers. Some
who tease to see you all undone,
who taste and take you in the game

will later trample on your spine
as if they never called you mine,
mine, mine.

~ Maxine Kumin