Three by Nayyirah Waheed

‘no’
might make them angry
but
it will make you free.
— if no one has ever told you, your freedom is more important than their anger.

*

and i said to my body. softly. ‘i want to be your friend.’ it took a long breath. and replied ‘i have been waiting my whole life for this.’

*

If
the ocean
can calm itself,
so can you.
We
are both
salt water
mixed with
air.

*

Visit Nayyirah Waheed on Twitter, Instagram, or her website nayyirahwaheed.com. And be sure to check out her books: salt, and nejma.

“The Day I Die” by Krista Lukas

will be a Saturday or a Tuesday, maybe.
A day with a weather forecast,
a high and a low. There will be news:
a scandal, a disaster, some good
deed. The mail will come. People
will walk their dogs.

The day I die will be a certain
day, a square on a calendar page
to be flipped up and pinned
at the end of the month. It may be August
or November; school will be out or in;
somebody will have to catch a plane.

There will be messages, bills to pay,
things left undone. It will be a day
like today, or tomorrow—a date
I might note with a reminder, an appointment,
or nothing at all.

“The Day I Die” by Krista Lukas, from Fans of My Unconscious. © Black Rock Press, 2013.

“The Truth the Dead Know” by Anne Sexton

For my mother, born March 1902, died March 1959
and my father, born February 1900, died June 1959

Gone, I say and walk from church,
refusing the stiff procession to the grave,
letting the dead ride alone in the hearse.
It is June. I am tired of being brave.

We drive to the Cape. I cultivate
myself where the sun gutters from the sky,
where the sea swings in like an iron gate
and we touch. In another country people die.

My darling, the wind falls in like stones
from the whitehearted water and when we touch
we enter touch entirely. No one’s alone.
Men kill for this, or for as much.

And what of the dead? They lie without shoes
in their stone boats. They are more like stone
than the sea would be if it stopped. They refuse
to be blessed, throat, eye and knucklebone.
 

Anne Sexton, “The Truth the Dead Know” from The Complete Poems of Anne Sexton (Boston: Houghton Mifflin, 1981). Copyright © 1981 by Linda Gray Sexton and Loring Conant, Jr.

“A Good Bad Day” by Tony Gloeggler

John walks slowly up the stairs
to my office every day. Between
four and four-thirty, after the bus
brings him home from day program
and after he uses the bathroom,
he says, “Oh, hello Tony,” as if
he’s surprised to find me
sitting at my desk. He says
he had a good day, stands
by a chair and after six years
of living at the residence,
his home, he still hesitates,
wonders if he needs permission
to sit down. I don’t give it,
wait until he sits on his own.
He tells me if he read or colored,
exercised or sang today and I ask
questions as if I was his mother.
Maybe he went to a park, a store,
the library. All along he wears
this pleasant, half-smiling,
perfectly balanced, Zen-like gaze
across his Fred Flintstone face
and I don’t know if I’m stressed
or bored, mean or just a smart-ass
acting like we are friends;
but when he asks me about my day
sometimes I tell him the truth.

Uselessly endless meetings, piles
of paperwork, asshole administrators.
Not enough sleep. Girlfriend trouble.
Yesterday, I told him that a woman
I loved is getting married on a boat
in September and I wished
I owned a torpedo. He didn’t say
anything, just sat there smiling
and I’m sorry, but I couldn’t help it,
I had to ask him if he ever
had a bad day. When he said no,
none that he could remember,
I said are you sure. He said
I don’t think so and looked like
he was thinking hard. I leaned
forward, said that I felt very sad
when my father died and I wondered
how he felt when his mom and dad
passed away. John jutted out his chin,
looked beyond me and said yeah
that was a bad day. When I asked
if he missed them, he chewed
on his lips, said sometimes,
and I said I know what you mean.

 

Tony Gloeggler, from Rattle #31, Summer 2009

 

“Lamium” by Louise Glück

This is how you live when you have a cold heart.
As I do: in shadows, trailing over cool rock,
under the great maple trees.

The sun hardly touches me.
Sometimes I see it in early spring, rising very far away.
Then leaves grow over it, completely hiding it. I feel it
glinting through the leaves, erratic,
like someone hitting the side of a glass with a metal spoon.

Living things don’t all require
light in the same degree. Some of us
make our own light: a silver leaf
like a path no one can use, a shallow
lake of silver in the darkness under the great maples.

But you know this already.
You and the others who think
you live for truth and, by extension, love
all that is cold.

 

“Cold Cold Heart” covered by Norah Jones