A man walks into a bar. You think that’s some kind of joke?
Actually he runs in, to get out of the freezing weather.
Who cares, you say. Nobody you know.
You’ve got your own troubles, could use a drink yourself.
You get your coat, a long scarf. You trudge
to the corner over the scraped sidewalk, slip and fall down hard
on the ice. Actually a banana peel, but who’s looking?
Only a priest, a rabbi, and a lawyer you vaguely recognize—
didn’t she help with the divorce? Never mind, the marriage
is over, good riddance. You’re thinking now
you’d better have a double. You get up, holding your hip,
and limp towards the neon martini glass.
Anyway a man goes into a bar, just like you do.
He’s tired of life, tired of being alone. No one
takes him seriously; at work he’s the butt of jokes,
the foreman calls him Moron all day long. It’s true
he’s not too bright. He wants to kill himself,
but doesn’t know how to. He orders drink after drink,
cursing the angel who passed out brains.
You take the stool next to him. In half an hour
you’re pals—two losers getting shitfaced.
You start to tell each other riddles. What’s big and red
and eats rocks; what do you get when you cross a penis
with a potato? Why is there something rather than nothing?
If God is good, how is it that the weed of evil
takes root everywhere, and what is there to keep us
from murdering each other in despair? Why is pleasure always
a prelude to pain? The bartender takes your glasses, tells you
it’s time to get out. You stumble through the door,
and there you are in the cold and the wind and a little snow
that’s started to fall. Two losers stand on a corner.
One turns to the other and says, Why did our love end?
The other can’t answer. Why do they torment me? he says.
The snowstorm begins in earnest but still they stand there,
determined to stay put until they finally get it.
Category: Poetry
“Many Any Ones (Two a.m.)” by Jennie Hope Meres
How can it be that someone with so many any ones
can feel so isolated and abandoned
You know they can see you,
but more a ghost of you–
like something inside of you,
the essence of you,
is invisible to your many any ones
The deep down of you is misunderstood
or worse, simply unknown
and you’ve become nothing more than a phantom
of yourself and only exist as
what you’ve been deemed to be
by your many any ones
How can it be that someone with so many any ones
can feel like a ghost haunting their own life
An inanimate being drifting
in drafts
and between cracks of thoughts of how
you are seen through the eyes of your many any ones
And you wonder how it came to this,
how you became this ghost in the photograph
where you don’t recognize your own face
Yet it must be you because she wears your smile
and has your eyes but
somehow it is not you and you know it’s not
but they demand it is who you are
Yet your soul screams and your heart bleeds the truth
How can it be that someone with so many any ones
can feel so isolated, abandoned
with dusty dreams
that the many any ones don’t even know exist
And when you grow out of the ghost of
all you’re expected to be to become what you should
always have been–
how can it be the many any ones seem so shocked,
dismayed, that you’re not content within
your determined role in their life
And sometimes,
at two a.m.,
when you’re less alone then
when you’re surrounded by your many any ones
you have to wonder how you lost everything
you were. Where this hole in you came from
Sometimes at two a.m. you have to admit
you made yourself a ghost,
you thought it was best to shell yourself out
remove what may not be for the best of the many
any ones
And you have to question,
how you thought haunting your own life
could be best for any one
How can it be that I, with so many any ones
could isolate and abandon myself
and still claim I loved my many any ones
with everything I had,
gave everything I could
when the best parts were buried away
and a ghost took my place within
photographs and
memories
~ Jennie Hope Meres, via The Voices Project
“First Memory” by Louise Glück
Long ago, I was wounded. I lived
to revenge myself
against my father, not
for what he was—
for what I was: from the beginning of time,
in childhood, I thought
that pain meant
I was not loved.
It meant I loved.
“First Memory” from Ararat by Louise Glück. Copyright © 1990.
“This Is Not an Elegy” by Catherine Pierce
At sixteen, I was illegal and brilliant,
my fingernails chewed to half-moons.
I took off my clothes in a late March
field. I had secret car wrecks,
secret hysteria. I opened my mouth
to swallow stars. In backseats
I learned the alchemy of guilt, lust,
and distance. I was unformed and total.
I swore like a sailor. But slowly the cops
stopped coming around. The heat lifted
its palms. The radio lost some teeth.
Now I see the landscape behind me
as through a Claude glass—
tinted deeper, framed just so, bits
of gilt edging the best parts.
I see my unlined face, a thousand
film stars behind the eyes. I was
every murderess, every whip-
thin alcoholic, every heroine
with the silver tongue. Always young
Paul Newman’s best girl. Always
a lightning sky behind each kiss.
Some days I watch myself
in the third person, speak to her
in the second. I say: I will
meet you in sleep. I will know you
by your stillness and your shaking.
By your second-hand gown.
By your bruises left by mouths
since forgotten. This is not
an elegy because I cannot bear
for it to be. It is only a tree branch
against the window. It is only a cherry
tomato slowly reddening in the garden.
I will put it in my mouth. It will
be sweet, and you will swallow.
“This Is Not an Elegy” by Catherine Pierce (via Blackbird)
“Have You Ever Tried to Enter the Long Black Branches” by Mary Oliver
Have you ever tried to enter the long black branches of other lives —
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?
Do you think this world was only an entertainment for you?
Never to enter the sea and notice how the water divides
with perfect courtesy, to let you in!
Never to lie down on the grass, as though you were the grass!
Never to leap to the air as you open your wings over the dark acorn of your heart!
No wonder we hear, in your mournful voice, the complaint
that something is missing from your life!
Who can open the door who does not reach for the latch?
Who can travel the miles who does not put one foot
in front of the other, all attentive to what presents itself
continually?
Who will behold the inner chamber who has not observed
with admiration, even with rapture, the outer stone?
Well, there is time left —
fields everywhere invite you into them.
And who will care, who will chide you if you wander away
from wherever you are, to look for your soul?
Quickly, then, get up, put on your coat, leave your desk!
To put one’s foot into the door of the grass, which is
the mystery, which is death as well as life, and
not be afraid!
To set one’s foot in the door of death, and be overcome
with amazement!
To sit down in front of the weeds, and imagine
god the ten-fingered, sailing out of his house of straw,
nodding this way and that way, to the flowers of the
present hour,
to the song falling out of the mockingbird’s pink mouth,
to the tippets of the honeysuckle, that have opened
in the night
To sit down, like a weed among weeds, and rustle in the wind!
Listen, are you breathing just a little, and calling it a life?
While the soul, after all, is only a window,
and the opening of the window no more difficult
than the wakening from a little sleep.
Only last week I went out among the thorns and said
to the wild roses:
deny me not,
but suffer my devotion.
Then, all afternoon, I sat among them. Maybe
I even heard a curl or tow of music, damp and rouge red,
hurrying from their stubby buds, from their delicate watery bodies.
For how long will you continue to listen to those dark shouters,
caution and prudence?
Fall in! Fall in!
A woman standing in the weeds.
A small boat flounders in the deep waves, and what’s coming next
is coming with its own heave and grace.
Meanwhile, once in a while, I have chanced, among the quick things,
upon the immutable.
What more could one ask?
And I would touch the faces of the daises,
and I would bow down
to think about it.
That was then, which hasn’t ended yet.
Now the sun begins to swing down. Under the peach-light,
I cross the fields and the dunes, I follow the ocean’s edge.
I climb, I backtrack.
I float.
I ramble my way home.
“Have You Ever Tried to Enter the Long Black Branches” by Mary Oliver, West Wind: Poems and Prose Poems
Words ... for the Time Being 