Category: Poetry

“The Cure” by Ginger Andrews

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Lying around all day
with some strange new deep blue
weekend funk, I’m not really asleep
when my sister calls
to say she’s just hung up
from talking with Aunt Bertha
who is 89 and ill but managing
to take care of Uncle Frank
who is completely bed ridden.
Aunt Bert says
it’s snowing there in Arkansas,
on Catfish Lane, and she hasn’t been
able to walk out to their mailbox.
She’s been suffering
from a bad case of the mulleygrubs.
The cure for the mulleygrubs,
she tells my sister,
is to get up and bake a cake.
If that doesn’t do it, put on a red dress.

“The Cure,” by Ginger Andrews, from Hurricane Sisters, Story Line Press.

“Raspberries in my Driveway” by Erica Jong

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Nature will bear the closest inspection. She
Invites us to lay our eyes level with her
Smallest leaf, and take an insect view of its
Plain.

—Thoreau

The raspberries
in my driveway
have always
been here
(for the whole eleven years
I have owned
but have not owned
this house),
yet
I have never
tasted them
before.

Always on a plane.
Always in the arms
of man, not God,
always too busy,
too fretful,
too worried
to see
that all along
my
driveway
are red, red raspberries
for me to taste.

Shiny and red,
without hairs—
unlike the berries
from the market.
Little jewels—
I share them
with the birds!

On one perches
a tiny green insect.
I blow her off.
She flies!
I burst the raspberry
upon my tongue.

In my solitude
I commune
with raspberries,
with grasses,
with the world.

The world was always
there before,
but where
was I?

Ah raspberry—
if you are so beautiful
upon my ready tongue,
imagine
what wonders
lie in store
for me!

“Raspberries in my Driveway” by Erica Jong from Becoming Light. © Harper Perennial, 1991.

“Candles” by Carl Dennis

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If on your grandmother’s birthday you burn a candle
To honor her memory, you might think of burning an extra
To honor the memory of someone who never met her,
A man who may have come to the town she lived in
Looking for work and never found it.
Picture him taking a stroll one morning,
After a month of grief with the want ads,
To refresh himself in the park before moving on.
Suppose he notices on the gravel path the shards
Of a green glass bottle that your grandmother,
Then still a girl, will be destined to step on
When she wanders barefoot away from her school picnic
If he doesn’t stoop down and scoop the mess up
With the want-ad section and carry it to a trash can.
For you to burn a candle for him
You needn’t suppose the cut would be a deep one,
Just deep enough to keep her at home
The night of the hay ride when she meets Helen,
Who is soon to become her dearest friend,
Whose brother George, thirty years later,
Helps your grandfather with a loan so his shoe store
Doesn’t go under in the Great Depression
And his son, your father, is able to stay in school
Where his love of learning is fanned into flames,
A love he labors, later, to kindle in you.
How grateful you are for your father’s efforts
Is shown by the candles you’ve burned for him.
But today, for a change, why not a candle
For the man whose name is unknown to you?
Take a moment to wonder whether he died at home
With friends and family or alone on the road,
On the look-out for no one to sit at his bedside
And hold his hand, the very hand
It’s time for you to imagine holding.

“Candles” by Carl Dennis, from New and Selected Poems 1974-2004. © Penguin Books, 2007.

“Instruction” by Linda Pastan

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You must rock your pain in your arms
until it’s asleep, then leave it

in a darkened room
and tiptoe out.

For a moment you will feel
the emptiness of peace.

But in the next room
your pain is already stirring.

Soon it will be
calling your name.

“Instruction” by Linda Pastan, from the Paris Review (Issue 227, Winter 2018)

“Messenger” by Mary Oliver

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My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

~ “Messenger” by Mary Oliver, from Thirst