“The Gauze of Flowers, A Love Poem” by Olena Kalytiak Davis

Remember when we couldn’t name it
because it was a meadow
wild with tulips, both bright
as snow and dull as fire?
Driving in circles to find
the right spot for our love, then
using a chair? My heart was still
an artichoke, layered and prickly
But you kept making me nest my face
in that one thick bouquet.

And just this morning my love
was briefly stuck in my throat
as I remember all the soil
and sadness, remembered seeing you
on certain streets and corners, remembered
all the rubble and clang. Remember

how it is and isn’t fragile?
How it speaks in ears and fingers
takes days and hours still
it wants nothing and it wants more?

And just this morning
the flowers you brought home drank
in the sunrise, they fleshed themselves out
the way people do, shaking
the cold from their collars
as they move toward the fire,
rubbing together their hands, kindling
it back. Some days

we want our love to be fleshy.
But some days it’s transparent.
It’s like gauze.
It is and isn’t fragile.

I dare you to name it.
I dare you to remember
the rubble and clang.

— Olena Kalytiak Davis, “The Gauze of Flowers, A Love Poem”, in
And Her Soul Out of Nothing (The University of Wisconsin Press, 1997)

 

*

 

“The Flowers” by Regina Spektor
“Things I have loved, I’m allowed to keep . . .”

 

“Breath” by Kabir

Are you looking for me? I am in the next seat.
My shoulder is against yours.
You will not find me in stupas, not in Indian shrine rooms,
nor in synagogues, nor in cathedrals:
not in masses, nor in kirtans, not in legs winding around your
own neck, nor in eating nothing but vegetables.
When you really look for me, you will see me instantly—
you will find me in the tiniest house of time.
Kabir says: Student, tell me what is God?
He is the breath inside the breath.

(as translated by Robert Bly, Kabir: Ecstatic Poems)

“Sweetness” by Stephen Dunn

Just when it has seemed I couldn’t bear
one more friend
waking with a tumor, one more maniac

with a perfect reason, often a sweetness
has come
and changed nothing in the world

except the way I stumbled through it,
for a while lost
in the ignorance of loving

someone or something, the world shrunk
to mouth-size,
hand-size, and never seeming small.

I acknowledge there is no sweetness
that doesn’t leave a stain,
no sweetness that’s ever sufficiently sweet.

Tonight a friend called to say his lover
was killed in a car
he was driving. His voice was low

and guttural, he repeated what he needed
to repeat, and I repeated
the one or two words we have for such grief

until we were speaking only in tones.
Often a sweetness comes
as if on loan, stays just long enough

to make sense of what it means to be alive,
then returns to its dark
source. As for me, I don’t care

where it’s been, or what bitter road
it’s traveled
to come so far, to taste so good.

“Sweetness” by Stephen Dunn from New and Selected Poems. © Norton, 1994.

“The Good News” by Thich Nhat Hanh

They don’t publish
the good news.
The good news is published
by us.
We have a special edition every moment,
and we need you to read it.
The good news is that you are alive,
and the linden tree is still there,
standing firm in the harsh Winter.
The good news is that you have wonderful eyes
to touch the blue sky.
The good news is that your child is there before you,
and your arms are available:
hugging is possible.
They only print what is wrong.
Look at each of our special editions.
We always offer the things that are not wrong.
We want you to benefit from them
and help protect them.
The dandelion is there by the sidewalk,
smiling its wondrous smile,
singing the song of eternity.
Listen! You have ears that can hear it.
Bow your head.
Listen to it.
Leave behind the world of sorrow
and preoccupation
and get free.
The latest good news
is that you can do it.

Thich Nhat Hanh

“The Death of Santa Claus” by Charles Webb

He’s had the chest pains for weeks,
but doctors don’t make house
calls to the North Pole,

he’s let his Blue Cross lapse,
blood tests make him faint,
hospital gown always flap

open, waiting rooms upset
his stomach, and it’s only
indigestion anyway, he thinks,

until, feeding the reindeer,
he feels as if a monster fist
has grabbed his heart and won’t

stop squeezing. He can’t
breathe, and the beautiful white
world he loves goes black,

and he drops on his jelly belly
in the snow and Mrs. Claus
tears out of the toy factory

wailing, and the elves wring
their little hands, and Rudolph’s
nose blinks like a sad ambulance

light, and in a tract house
in Houston, Texas, I’m 8,
telling my mom that stupid

kids at school say Santa’s a big
fake, and she sits with me
on our purple-flowered couch,

and takes my hand, tears
in her throat, the terrible
news rising in her eyes.

 

from Reading The Water, 2001
Northeastern University Press

Copyright 2001 by Charles Webb