“Sheltered Garden” by Hilda Doolittle

I have had enough.
I gasp for breath.

Every way ends, every road,
every foot-path leads at last
to the hill-crest—
then you retrace your steps,
or find the same slope on the other side,
precipitate.

I have had enough—
border-pinks, clove-pinks, wax-lilies,
herbs, sweet-cress.

O for some sharp swish of a branch—
there is no scent of resin
in this place,
no taste of bark, of coarse weeds,
aromatic, astringent—
only border on border of scented pinks.

Have you seen fruit under cover
that wanted light—
pears wadded in cloth,
protected from the frost,
melons, almost ripe,
smothered in straw?

Why not let the pears cling
to the empty branch?
All your coaxing will only make
a bitter fruit—
let them cling, ripen of themselves,
test their own worth,
nipped, shrivelled by the frost,
to fall at last but fair
With a russet coat.

Or the melon—
let it bleach yellow
in the winter light,
even tart to the taste—
it is better to taste of frost—
the exquisite frost—
than of wadding and of dead grass.

For this beauty,
beauty without strength,
chokes out life.
I want wind to break,
scatter these pink-stalks,
snap off their spiced heads,
fling them about with dead leaves—
spread the paths with twigs,
limbs broken off,
trail great pine branches,
hurled from some far wood
right across the melon-patch,
break pear and quince—
leave half-trees, torn, twisted
but showing the fight was valiant.

O to blot out this garden
to forget, to find a new beauty
in some terrible
wind-tortured place.

~Hilda Doolittle

“You are tired” by e.e. cummings

You are tired
(I think)
Of the always puzzle of living and doing;
And so am I.
Come with me then
And we’ll leave it far and far away-
(Only you and I understand!)You have played
(I think)
And broke the toys you were fondest of
And are a little tired now;
Tired of things that break and-
Just tired.
So am I.

But I come with a dream in my eyes tonight
And knock with a rose at the hopeless gate of your heart-
Open to me!
For I will show you the places Nobody knows
And if you like
The perfect places of Sleep.

Ah come with me!
I’ll blow you that wonderful bubble the moon
That floats forever and a day;
I’ll sing you the jacinth song
Of the probable stars;
I will attempt the unstartled steppes of dream
Until I find the Only Flower
Which shall keep (I think) your little heart
While the moon comes out of the sea.

~e.e. cummings

“Sunday Poetry: Ballade of Lost Objects” by Phyllis McGinley

Where are the ribbons I tie my hair with?
Where is my lipstick? Where are my hose –
The sheer ones hoarded these weeks to wear with
Frocks the closets do not disclose?
Perfumes, petticoats, sports chapeaus,
The blouse Parisian, the earrings Spanish –
Everything suddenly up and goes.
And where in the world did the children vanish?

This is the house I used to share with
Girls in pinafores, shier than does.
I can recall how they climbed my stairs with
Gales of giggles on their tiptoes.
Last seen wearing both braids and bows
(And looking rather Raggedy-Annish),
When they departed nobody knows –
Where in the world did the children vanish?

Two tall strangers, now I must bear with,
Decked in my personal furbelows,
Raiding the larder, rending the air with
Gossip and terrible radios.
Neither my friends nor quite my foes,
Alien, beautiful, stern and clannish,
Here they dwell, while the wonder grows:
Where in the world did the children vanish?

Prince, I warn you, under the rose,
Time is the thief you cannot banish.
These are my daughters, I suppose.
But where in the world did the children vanish?

~Phyllis McGinley

“Burnt Norton (I)” by T.S. Eliot

I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction 
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                     But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses 
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

T.S. Eliot, The Four Quartets

*Editors note: Read all five parts of the poem, Burnt Norton here 

“Tattoos”by Robert Funge

I have a friend who has tattoos
of a skull and crossbones on her arms,
and sandpaper scars, and down her spine

multicolored butterflies; a tender lady
who talks of redemption, and often
washes my pain away.

.

Sometimes, I am my father,
who thought a laugh worth any price
if paid by someone else,

or my mother,
weeping the morning long
for no reason she could think of.

.

All my tattoos are inside my skin,
of Mom and Dad, and caterpillars
down my back. My scars

don’t show, but when I speak
you hear my father, and my mother
when I can’t. Sometimes it seems

that tender only enters me
when paper words escape
the silence of my pen.

~Robert Funge