“Another Feeling” by Ruth Stone

Once you saw a drove of young pigs
crossing the highway. One of them
pulling his body by the front feet,
the hind legs dragging flat.
Without thinking,
you called the Humane Society.
They came with a net and went for him.
They were matter of fact, uniformed;
there were two of them,
their truck ominous, with a cage.
He was hiding in the weeds. It was then
you saw his eyes. He understood.
He was trembling.
After they took him, you began to suffer regret.
Years later, you remember his misfit body
scrambling to reach the others.
Even at this moment, your heart
is going too fast; your hands sweat.

Ruth Stone from In the Dark, Copper Canyon Press, 2004

“What the Living Do” by Marie Howe

Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called. This is the everyday we spoke of.
It’s winter again: the sky’s a deep, headstrong blue, and the sunlight pours through

the open living-room windows because the heat’s on too high in here and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking: This is what the living do. And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush: This is it.
Parking. Slamming the car door shut in the cold. What you called that yearning.

What you finally gave up. We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss — we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I’m gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living. I remember you.

~ Marie Howe, “What the Living Do” from What the Living Do (interview with NPR.org)

“Mother’s Day” by Dorianne Laux

I passed through the narrow hills
of my mother’s hips one cold morning
and never looked back, until now, clipping
her tough toenails, sitting on the bed’s edge
combing out the tuft of hair at the crown
where it ratted up while she slept, her thumbs
locked into her fists, a gesture as old
as she is, her blanched knees fallen together
beneath a blue nightgown. The stroke

took whole pages of words, random years
torn from the calendar, the names of roses
leaning over her driveway: Cadenza,
Great Western, American Beauty. She can’t
think, can’t drink her morning tea, do her
crossword puzzle in ink. She’s afraid
of everything, the sound of the front door
opening, light falling through the blinds—
pulls her legs up so the bright bars
won’t touch her feet. I help her
with the buttons on her sweater. She looks
hard at me and says the word sleeve.
Exactly, I tell her and her face relaxes
for the first time in days. I lie down

next to her on the flowered sheets and tell her
a story about the day she was born, head
first into a hard world: the Great Depression,
shanties, Hoovervilles, railroads and unions.
I tell her about Amelia Earhart and she asks

Air? and points to the ceiling. Asks Heart?
and points to her chest. Yes, I say. I sing
Cole Porter songs. Brother, Can You Spare
a Dime? When I recite lines from Gone
with the Wind she sits up and says Potatoes!
and I say, Right again. I read her Sandburg,
some Frost, and she closes her eyes. I say yes,
yes, and tuck her in. It’s summer. She’s tired.
No one knows where she’s been.

Dorianne Laux, “Mother’s Day” from The Book of Men. (W. W. Norton and Company Inc., 2011) Copyright © 2011 by Dorianne Laux.

***

“Night and Day” written by Cole Porter and performed above by Ella Fitzgerald.

 

“All Trains Are Going Local” by Timothy Liu

Slowing down your body enough to feel.

 

Thought you were at a standstill
but you were only slowing down enough

 

to feel the pain. There are worse things

 

than running to catch the train, twisting
your ankle, the afternoon fucked.

 

Running to get to or away from?

 

the stranger who helps you up
wants to know, you who are so used to

 

anything scribbled on a prescription blank.

 

Just want the pain to go away, you say,
surprised to find yourself

 

reaching for someone else’s hand.

 

Timothy Liu, “All Trains Are Going Local” from Don’t Go Back to Sleep. Copyright © 2014 by Timothy Liu.

“won’t you celebrate with me” by Lucille Clifton

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

 

Lucille Clifton, “won’t you celebrate with me” from Book of Light. Copyright © 1993 by Lucille Clifton.

Gratefully five years sober today. won’t you celebrate with me? 🙂 ~ Christy