“Good Bones” by Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

 

“Good Bones” by Maggie Smith (Website, Twitter, Books). “Good Bones” first appeared in Waxwing IX (Summer 2016) and is contained in Maggie Smith’s forthcoming book, Weep Up, Tupelo Press, 2018.

 

***

 

I rarely offer commentary, but this poem … yeah … this poem. I think it sums up so many of our lives, dear readers, don’t you? We are each trying to make this place beautiful though “the darkness around us is deep.” So I was beyond thrilled when multi-award winning poet Maggie Smith offered her blessing for me to share her poem with you all.

 

If you love “Good Bones” as much as I do, but can’t wait until 2018 to purchase Weep Up, check out this beautiful broadside print by designer Josef Beery:
"Good Bones" by Maggie Smith. Designed by Josef Beery. Click photo or HERE to purchase.
“Good Bones” by Maggie Smith. Designed by Josef Beery. Click photo or HERE to purchase. A portion of the proceeds will be donated to the Orlando Youth Alliance, a nonprofit organization whose mission is to provide a safe space for GLBTQ youth in Central Florida.
“This place could be beautiful, / right? You could make this place beautiful.”

Thank you again, Maggie. You and your poetry make this place beautiful indeed.

 

“Otherwise” by Jane Kenyon

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

—Jane Kenyon, from Otherwise: New and Selected Poems. Copyright 1996 by the Estate of Jane Kenyon.

“Ending the Estrangement” by Ross Gay

from my mother’s sadness, which was,
to me, unbearable, until,
it felt to me
not like what I thought it felt like
to her, and so felt inside myself—like death,
like dying, which I would almost
have rather done, though adding to her sadness
would rather die than do—
but, by sitting still, like what, in fact, it was—
a form of gratitude
which when last it came
drifted like a meadow lit by torches
of cardinal flower, one of whose crimson blooms,
when a hummingbird hovered nearby,
I slipped into my mouth
thereby coaxing the bird
to scrawl on my tongue
its heart’s frenzy, its fleet
nectar-questing song,
with whom, with you, dear mother,
I now sing along.

Ross Gay, “Ending the Estrangement” from Catalog of Unabashed Gratitude. Copyright © 2015 by Ross Gay.

“Bottled Water” by Kim Dower

I go to the corner liquor store
for a bottle of water, middle
of a hectic day, must get out
of the office, stop making decisions,
quit obsessing does my blue skirt clash
with my hot pink flats; should I get
my mother a caregiver or just put her
in a home, and I pull open the glass
refrigerator door, am confronted
by brands—Arrowhead, Glitter Geyser,
Deer Park, spring, summer, winter water,
and clearly the bosses of bottled water:
Real Water and Smart Water—how different
will they taste? If I drink Smart Water
will I raise my IQ but be less authentic?
If I choose Real Water will I no longer
deny the truth, but will I attract confused,
needy people who’ll take advantage
of my realness by dumping their problems
on me, and will I be too stupid to help them
sort through their murky dilemmas?
I take no chances, buy them both,
sparkling smart, purified real, drain both bottles,
look around to see is anyone watching?
I’m now brilliantly hydrated.
Both real and smart my insides bubble
with compassion and intelligence
as I walk the streets with a new swagger,
knowing the world is mine.

“Bottled Water” by Kim Dower, from Slice of Moon. © Red Hen Press, 2013.

“The Cossacks” by Linda Pastan

For Jews, the Cossacks are always coming.
Therefore I think the sun spot on my arm
is melanoma. Therefore I celebrate
New Year’s Eve by counting
my annual dead.

My mother, when she was dying,
spoke to her visitors of books
and travel, displaying serenity
as a form of manners, though
I could tell the difference.

But when I watched you planning
for a life you knew
you’d never have, I couldn’t explain
your genuine smile in the face
of disaster. Was it denial

laced with acceptance? Or was it
generations of being English—
Brontë’s Lucy in Villette
living as if no fire raged
beneath her dun-colored dress.

I want to live the way you did,
preparing for next year’s famine with wine
and music as if it were a ten-course banquet.
But listen: those are hoofbeats
on the frosty autumn air.

“The Cossacks” by Linda Pastan from The Last Uncle. © Norton, 2003.