“Reading History a Year at a Time” by Joan McIntosh

Lord Byron died the very year
that sperm were proved,
beyond all doubt, to be
essential to fertilization.
No more virgin births. That year
Beethoven’s Choral Symphony
astounded the air. He was guided
gently to face the audience
that rose in an ovation
he couldn’t hear. Tears
were everywhere. Who remembers
J.L. Prevost or J.B. Dumas
or knows how they unraveled
the mystery of sperm? That same year
workers finished the Erie Canal
and Simon Bolivar was proclaimed
Emperor of Peru. The canal workers
didn’t know or care about Peru
nor did they hear the “Ode to Joy.”
My great-great grandmother was born
that year, to later travel the length
of the canal. Three hundred million
sperm swim up the birth canal.
A few thousand reach the oviduct.
The ovum chooses one (on rare
occasions more). Then, as usual,
life went on. Joseph Aspdin developed
Portland Cement while the U.S.
House elected John Quincy Adams when
The voters couldn’t make up their minds.

 

“Reading History a Year at a Time” by Joan McIntosh from Greatest Hits: 1975-2000. © Pudding House Publications.

“I’m Really Very Fond” by Alice Walker

I’m really very fond of you,
he said.

I don’t like fond.
It sounds like something
you would tell a dog.

Give me love,
or nothing.

Throw your fond in a pond,
I said.

But what I felt for him
was also warm, frisky,
moist-mouthed,
eager,
and could swim away

if forced to do so.

 

Source: Walker, Alice 1986, Horses Make a Landscape Look More Beautiful, Mariner Books.

“exactly right” by Charles Bukowski

the strays keep arriving: now we have 5
cats and they are smart, spontaneous, self-
absorbed, naturally poised and awesomely
beautiful.

one of the finest things about cats is
that when you’re feeling down, very down,
if you just look at the cat at rest,
at the way they sit or lie and wait,
it’s a grand lesson in persevering
and
if you watch 5 cats at once that’s 5
times better.

no matter the extra demands they make
no matter the heavy sacks of food
no matter the dozens of cans of tuna
from the supermarket: it’s all just fuel for their
amazing dignity and their
affirmation of a vital
life
we humans can
only envy and
admire from
afar.

“exactly right” by Charles Bukowski, from The Night Torn with Mad Footsteps: New Poems. © Black Sparrow Press, 2001.

“Being Happy” by Dana Gioia

Of course it was doomed. I know that now,
but it ended so quickly, and I was young.
I hardly remember that summer in Seattle—
except for her. The city seems just a rainy backdrop.
From the moment I first saw her at the office
I was hooked. I started visiting her floor.

I couldn’t work unless I caught a glimpse of her.
Once we exchanged glances, but we never spoke.
Then at a party we found ourselves alone.
We started kissing and ended up in bed.
We talked all night. She claimed she had liked me
secretly for months. I wonder now if that was true.

Two weeks later her father had a heart attack.
While she was in Chicago, they shut down our division.
I was never one for writing letters.
On the phone we had less to say each time.
And that was it—just those two breathless weeks,
then years of mild regret and intermittent speculation.

Being happy is mostly like that. You don’t see it up close.
You recognize it later from the ache of memory.
And you can’t recapture it. You only get to choose
whether to remember or forget, whether to feel remorse
or nothing at all. Maybe it wasn’t really love.
But who can tell when nothing deeper ever came along?

“Being Happy” by Dana Gioia from 99 Poems. © Graywolf Press, 2016.

“Mowing” by Ada Limón

The man across the street is mowing 40 acres on a small lawn mower.
It’s so small, it must take him days, so I imagine that he likes it. He
must. He goes around each tree carefully. He has 10,000 trees; it’s
a tree farm, so there are so many trees. One circle here. One circle
there. My dog and I’ve been watching. The light’s escaping the sky,
and there’s this place I like to stand, it’s before the rise, so I’m invis-
ible. I’m standing there, and I’ve got the dog, and the man is mow-
ing in his circles. So many circles. There are no birds or anything, or
none that I can see. I imagine what it must be like to stay hidden,
disappear in the dusky nothing and stay still in the night. It’s not
sadness, though it may sound like it. I’m thinking about people
and trees and how I wish I could be silent more, be more tree than
anything else, less clumsy and loud, less crow, more cool white pine,
and how it’s hard not to always want something else, not just to let
the savage grass grow.

“Mowing” by Ada Limón, from Bright Dead Things by Ada Limón (Minneapolis: Milkweed Editions, 2015). Copyright © 2015 by Ada Limón.

Visit Poets & Writers to listen to (and to read) this and three more pieces by Limón.