And it was at that age … Poetry arrived
in search of me. I don’t know, I don’t know where
it came from, from winter or a river.
I don’t know how or when,
no they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.
I did not know what to say, my mouth
had no way
with names,
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire,
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating plantations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.
And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.
Angels are wonderful but they are so, well, aloof.
It’s what I sense in the mud and the roots of the
trees, or the well, or the barn, or the rock with
its citron map of lichen that halts my feet and
makes my eyes flare, feeling the presence of some
spirit, some small god, who abides there.
If I were a perfect person, I would be bowing
continuously.
I’m not, though I pause wherever I feel this
holiness, which is why I’m so often late coming
back from wherever I went.
Last night as I was sleeping,
I dreamt—marvelous error!—
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?
Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.
Last night as I was sleeping,
I dreamt—marvelous error!—
that a fiery sun was giving
light inside my heart.
It was fiery because I felt
warmth as from a hearth,
and sun because it gave light
and brought tears to my eyes.
Last night as I slept,
I dreamt—marvelous error!—
that it was God I had
here inside my heart.
I said to Poetry: “I’m finished
with you.”
Having to almost die
before some weird light
comes creeping through
is no fun.
“No thank you, Creation,
no muse need apply.
I’m out for good times –
at the very least,
some painless convention.”
Poetry laid back
and played dead
until this morning.
I wasn’t sad or anything,
only restless.
Poetry said: “You remember
the desert, and how glad you were
that you have an eye
to see it with?* You remember
that, if ever so slightly?”
I said: “I didn’t hear that.
Besides, it’s five o’clock in the a.m.
I’m not getting up
in the dark
to talk to you.”
Poetry said: “But think about the time
you saw the moon
over that small canyon
that you liked so much better
than the grand one – and how suprised you were
that the moonlight was green
and you still had
one good eye
to see it with
Think of that!”
“I’ll join the church!” I said,
huffily, turning my face to the wall.
“I’ll learn how to pray again!”
“Let me ask you,” said Poetry.
“When you pray, what do you think
you’ll see?”
Poetry had me.
“There’s no paper
in this room,” I said.
“And that new pen I bought
makes a funny noise.”
Poetry laid back and played dead until this morning. I wasn’t sad or anything, only restless. ~ Alice Walker
A funny thing happened during my hiatus at the beginning of the year. I began to question my need for written poetry–for words and writing in general–until I had convinced myself that I truly didn’t need it, that it was a luxury . . . a fluffy, cloud-chasing time-consumer that distracted me from living a three-dimensional life. Poetry was to be found in the natural world around me, I rationalized, in the act of living itself. I wanted to see if I could live without the words and, instead, focus on the experience.
I say it was funny, but in reality it was rather sad. What I found–and I see this now in retrospect–was that I grew flatter and more isolated; I was living in “3-D”, but without an outlet, I was left living in my own head, trying to process my own thoughts . . . I wasn’t reading poetry, so I wasn’t reminded that those feelings I had floating around were part of the human condition, and I wasn’t writing, so my feelings remained stuck and repressed, until, I’m convinced, they manifested themselves as illness. I grew ill–physically and mentally–and, ironically, I couldn’t even live the three-dimensional life I had so craved. I was the untethered elephant Stafford had warned us about. I had gotten “lost in the dark,” and I did not “recognize the fact” until much later.
For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break.
Poetry had laid back and played dead, I thought, but perhaps it was I who had betrayed it by shrugging away. So it was one evening in the midst of a sleepless slumber that I turned once again to poetry–not just any poetry, the very poetry I had shared here. I went back to the beginning, and I began reading, again. And perhaps here’s the funny thing . . . I began to feel better. Some things we can’t explain, they must be taken on faith, but I am convinced that some people simply need poetry–need words–to survive. Or maybe not to survive, but definitely to thrive. I shared with a friend this morning (regarding technical versus creative writing), “It’s like eating rice and beans every single day. It will sustain you, but it won’t fulfill you.” The things I had turned to in lieu of written poetry had kept me alive, but hadn’t kept me healthy. I was surviving, but I certainly wasn’t thriving. But as with anything, balance is key, and that’s what my life had been missing all along.
I know many of you found strength and solace here in these daily poetry and words posts. I know I led you to believe that I would be back sooner than now. I know many of you must have wondered what happened. I imagine one or two of you may have even felt let down by my unexplained absence. I apologize, I hope you can forgive me. I wasn’t well, but I have returned, and I am healing. I have missed poetry. I have missed you.
I may struggle to find that elusive balance for a bit. Posts may be intermittent and unpredictable, but perhaps that can be a good thing. A little spontaneity, a little surprise; I hear they can be chicken soup for the soul.
So what say you?
Shall we begin again?
Let’s.
And where exactly does one begin?
Well at the beginning, of course.
Of course.
And so it is that we return to the beginning. To the very first poem I posted here, to the very poem that first saved my life, to the very poem that saves it again.
*************
“Wild Geese” by Mary Oliver
You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.
Words ... for the Time Being 