“My Most Recent Position Paper” by Bob Hicok

A little bit of hammering
goes a long way toward making
the kind of noise I want my heart
to look up to—or have you ever
gone into a woods and applauded the light
that fights its way to the ground,
and the shadows, and the explosions
of feathers where blue jays
have been ripped into the bright
and hungry future of hawks—
and there’s this—writing an etude
by pushing pianos off a cliff
until one of them howls or whispers
just so—like a vagrant
slipping into a clean bed
or a man lifting a dying child
toward the sun and begging help,
rescue—if my eyes could speak,
they’d be mouths—the tongues
of my fingers ask to be words
against your skin—and when I
was a librarian, I lost my job
for exhorting patrons to sing
“Bye Bye Miss American Pie”—
it’s not what we do here, I was told—
yet I know this is a world
made by volcanoes, and don’t want
to keep this awareness of kaboom
to myself—so have picked up
my zither and begun walking
and strumming like an idiot
who thinks music is all
a body needs to feed itself—
and though I haven’t eaten
in years, I have been fed.

“My Most Recent Position Paper” by Bob Hicok. Copyright © 2016 by Bob Hicok. Originally published in Poem-a-Day on April 28, 2016, by the Academy of American Poets.


“American Pie” by Don McLean

 

“The Death of the Bee” by Linda Pastan

The biography of the bee
is written in honey
and is drawing
to a close.

Soon the buzzing
plainchant of summer
will be silenced
for good;

the flowers, unkindled
will blaze
one last time
and go out.

And the boy nursing
his stung ankle this morning
will look back
at his brief tears

with something
like regret,
remembering the amber
taste of honey.

Poem copyright ©2002 by Linda Pastan,“The Death of the Bee,” from If Bees Are Few: A Hive of Bee Poems, Ed., James P. Lenfestey, (Univ. of Minnesota Press, 2016).  Originally published in Last Uncle,(W. W. Norton & Co., 2002).

“The God Who Loves You” by Carl Dennis

It must be troubling for the god who loves you
To ponder how much happier you’d be today
Had you been able to glimpse your many futures.
It must be painful for him to watch you on Friday evenings
Driving home from the office, content with your week—
Three fine houses sold to deserving families—
Knowing as he does exactly what would have happened
Had you gone to your second choice for college,
Knowing the roommate you’d have been allotted
Whose ardent opinions on painting and music
Would have kindled in you a lifelong passion.
A life thirty points above the life you’re living
On any scale of satisfaction. And every point
A thorn in the side of the god who loves you.
You don’t want that, a large-souled man like you
Who tries to withhold from your wife the day’s disappointments
So she can save her empathy for the children.
And would you want this god to compare your wife
With the woman you were destined to meet on the other campus?
It hurts you to think of him ranking the conversation
You’d have enjoyed over there higher in insight
Than the conversation you’re used to.
And think how this loving god would feel
Knowing that the man next in line for your wife
Would have pleased her more than you ever will
Even on your best days, when you really try.
Can you sleep at night believing a god like that
Is pacing his cloudy bedroom, harassed by alternatives
You’re spared by ignorance? The difference between what is
And what could have been will remain alive for him
Even after you cease existing, after you catch a chill
Running out in the snow for the morning paper,
Losing eleven years that the god who loves you
Will feel compelled to imagine scene by scene
Unless you come to the rescue by imagining him
No wiser than you are, no god at all, only a friend
No closer than the actual friend you made at college,
The one you haven’t written in months. Sit down tonight
And write him about the life you can talk about
With a claim to authority, the life you’ve witnessed,
Which for all you know is the life you’ve chosen.

Carl Dennis, “The God Who Loves You” from Practical Gods. Penguin Books. Copyright © 2001 by Carl Dennis.


The Writer by Julia Swartz

“What You Missed That Day You Were Absent from Fourth Grade” by Brad Aaron Modlin

Mrs. Nelson explained how to stand still and listen
to the wind, how to find meaning in pumping gas,

how peeling potatoes can be a form of prayer. She took questions
on how not to feel lost in the dark.

After lunch she distributed worksheets
that covered ways to remember your grandfather’s

voice. Then the class discussed falling asleep
without feeling you had forgotten to do something else—

something important—and how to believe
the house you wake in is your home. This prompted

Mrs. Nelson to draw a chalkboard diagram detailing
how to chant the Psalms during cigarette breaks,

and how not to squirm for sound when your own thoughts
are all you hear; also, that you have enough.

The English lesson was that I am
is a complete sentence.

And just before the afternoon bell, she made the math equation look easy. The one that proves that hundreds of questions,

and feeling cold, and all those nights spent looking
for whatever it was you lost, and one person

add up to something.

Brad Aaron Modlin from Everyone at This Party Has Two Names(Read an interview Brad did with Pinch Journal about this poem that he wrote over ten years ago, but recently re-emerged this year.)

“Making Poetry” by Anne Stevenson

“You have to inhabit poetry
if you want to make it.”

And what’s “to inhabit?”

To be in the habit of, to wear
words, sitting in the plainest light,
in the silk of morning, in the shoe of night;
a feeling bare and frondish in surprising air;
familiar… rare.

And what’s “to make?”

To be and to become words’ passing
weather; to serve a girl on terrible terms,
embark on voyages over voices,
evade the ego-hill, the misery-well,
the siren hiss of publish, success, publish,
success, success, success.

And why inhabit, make, inherit poetry?

Oh, it’s the shared comedy of the worst
blessed; the sound leading the hand;
a wordlife running from mind to mind
through the washed rooms of the simple senses;
one of those haunted, undefendable, unpoetic
crosses we have to find.


Anne Stevenson, from Poems 1955 – 2005 (Bloodaxe, 2005), copyright © Anne Stevenson 2005. Found at The Poetry Archive.