“A Brief For The Defense” by Jack Gilbert (repost)

Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that’s what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.

Jack Gilbert, from Refusing Heaven

* originally posted February 18, 2016.

“Poem to My Child, If Ever You Shall Be” by Ross Gay

—after Steve Scafidi

The way the universe sat waiting to become,
quietly, in the nether of space and time,

you too remain some cellular snuggle
dangling between my legs, curled in the warm

swim of my mostly quietest self. If you come to be—
And who knows?—I wonder, little bubble

of unbudded capillaries, little one ever aswirl
in my vascular galaxies, what would you think

of this world which turns itself steadily
into an oblivion that hurts, and hurts bad?

Would you curse me my careless caressing you
into this world or would you rise up

and, mustering all your strength into that tiny throat
which one day, no doubt, would grow big and strong,

scream and scream and scream until you break the back of one injustice,
or at least get to your knees to kiss back to life

some roadkill? I have so many questions for you,
for you are closer to me than anyone

has ever been, tumbling, as you are, this second,
through my heart’s every chamber, your teeny mouth

singing along with the half-broke workhorse’s steady boom and gasp.
And since we’re talking today I should tell you,

though I know you sneak a peek sometimes
through your father’s eyes, it’s a glorious day,

and there are millions of leaves collecting against the curbs,
and they’re the most delicate shade of gold

we’ve ever seen and must favor the transparent
wings of the angels you’re swimming with, little angel.

And as to your mother—well, I don’t know—
but my guess is that lilac bursts from her throat

and she is both honeybee and wasp and some kind of moan to boot
and probably she dances in the morning—

but who knows? You’ll swim beneath that bridge if it comes.
For now let me tell you about the bush called honeysuckle

that the sad call a weed, and how you could push your little
sun-licked face into the throngs and breathe and breathe.

Sweetness would be your name, and you would wonder why
four of your teeth are so sharp, and the tiny mountain range

of your knuckles so hard. And you would throw back your head
and open your mouth at the cows lowing their human songs

in the field, and the pigs swimming in shit and clover,
and everything on this earth, little dreamer, little dreamer

of the new world, holy, every rain drop and sand grain and blade
of grass worthy of gasp and joy and love, tiny shaman,

tiny blood thrust, tiny trillion cells trilling and trilling,
little dreamer, little hard hat, little heartbeat,

little best of me.

Ross Gay, “Poem to My Child, If Ever You Shall Be” from Bringing the Shovel Down.  Copyright © 2011 by Ross Gay.

“Utopia” by Louise Glück (repost)

When the train stops, the woman said, you must get on it. But how will I
know, the child asked, it is the right train? It will be the right train, said the
woman, because it is the right time. A train approached the station; clouds
of grayish smoke streamed from the chimney. How terrified I am, the child
thinks, clutching the yellow tulips she will give to her grandmother. Her hair
has been tightly braided to withstand the journey. Then, without a word,
she gets on the train, from which a strange sound comes, not in a language
like the one she speaks, something more like a moan or a cry.

“Utopia” by Louise Glück, from Faithful and Virtuous Night. © Farrar, Straus and Giroux, 2014.

 

(originally posted December 11, 2016)

“February 14” by Kim Addonizio

This is a valentine for the surgeons
ligating the portal veins and hepatic artery,
placing vascular clamps on the vena cava
as my brother receives a new liver.

And a valentine for each nurse;
though I don’t know how many there are
leaning over him in their gauze masks,
I’m sure I have enough—as many hearts

as it takes, as much embarrassing sentiment
as anyone needs. One heart
for the sutures, one for the instruments
I don’t know the names of,

and the monitors and lights,
and the gloves slippery with his blood
as the long hours pass,
as a T-tube is placed to drain the bile.

And one heart for the donor,
who never met my brother
but who understood the body as gift
and did not want to bury or burn that gift.

For that man, I can’t imagine how
one heart could suffice. But I offer it.
While my brother lies sedated,
opened from sternum to groin,

I think of a dead man, being remembered
by others in their sorrow, and I offer him
these words of praise and gratitude,
oh beloved whom we did not know.

Kim Addonizio, from What Is This Thing Called Love. © W.W. Norton, 2004.

“Start Here” by Caitlyn Siehl (repost)

Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.
Pretend to understand why that isn’t good enough.

– “Start Here” by Caitlyn Siehl

Caitlyn Siehl is the author of What We Buried
Her Tumblr page is: alonesomes

*originally posted on July 25, 2014.