“Somewhere in the World” by Linda Pastan

Somewhere in the world
something is happening
which will make its slow way here.

A cold front will come to destroy
the camellias, or perhaps it will be
a heat wave to scorch them.

A virus will move without passport
or papers to find me as I shake
a hand or kiss a cheek.

Somewhere a small quarrel
has begun, a few overheated words
ignite a conflagration,

and the smell of smoke
is on its way;
the smell of war.

Wherever I go I knock on wood—
on tabletops or tree trunks.
I rinse my hands over and over again.

I scan the newspapers
and invent alarm codes which are not
my husband’s birth date or my own.

But somewhere something is happening
against which there is no planning, only
those two aging conspirators, Hope and Luck.

“Somewhere in the World,” by Linda Pastan, appeared in the Fall 2007 issue of MQR.

“Picking Pears” by Gary J. Whitehead

I stand on the top rung and the step ladder
shakes; above me the winter pears just out
of reach, clean and strung heavy along limbs
and swaying like my grandmother’s aprons
hung on the line to dry. I drop one into
the bag she holds open below me. She grins,
and I’m drawn into the embrace of her gaze—
down into handfuls of earth, seasons, the empty
cup of a lost daughter, a lost breast.
I’m stitched into miles of quilts, curtains,
tablecloths, hems of pants, skirts.
I’m held to her like a button on a shirt pocket,
and I smell soap, tomatoes, chicken soup,
Portuguese sweet bread, goat cheese, pears…
and I lower myself out and around the gnarl
of branch, down the ladder to take the full
bag of the fruit I love, warm from
the sun and spotted like her hands.

“Picking Pears” by Gary J. Whitehead, from The Velocity of Dust (Salmon Poetry).

“At the River Clarion” by Mary Oliver

1.

I don’t know who God is exactly.
But I’ll tell you this.
I was sitting in the river named Clarion, on a water splashed stone
and all afternoon I listened to the voices of the river talking.
Whenever the water struck a stone it had something to say,
and the water itself, and even the mosses trailing under the water.
And slowly, very slowly, it became clear to me what they were saying.
Said the river I am part of holiness.
And I too, said the stone. And I too, whispered the moss beneath the water.

I’d been to the river before, a few times.
Don’t blame the river that nothing happened quickly.
You don’t hear such voices in an hour or a day.
You don’t hear them at all if selfhood has stuffed your ears.
And it’s difficult to hear anything anyway, through all the traffic, the ambition.

2.

If God exists he isn’t just butter and good luck.
He’s also the tick that killed my wonderful dog Luke.
Said the river: imagine everything you can imagine, then keep on going.

Imagine how the lily (who may also be a part of God) would sing to you if it could sing,
if you would pause to hear it.
And how are you so certain anyway that it doesn’t sing?

If God exists he isn’t just churches and mathematics.
He’s the forest, He’s the desert.
He’s the ice caps, that are dying.
He’s the ghetto and the Museum of Fine Arts.

He’s van Gogh and Allen Ginsberg and Robert Motherwell.
He’s the many desperate hands, cleaning and preparing their weapons.
He’s every one of us, potentially.
The leaf of grass, the genius, the politician, the poet.
And if this is true, isn’t it something very important?

Yes, it could be that I am a tiny piece of God, and each of you too, or at least
of his intention and his hope.
Which is a delight beyond measure.
I don’t know how you get to suspect such an idea.
I only know that the river kept singing.
It wasn’t a persuasion, it was all the river’s own constant joy
which was better by far than a lecture, which was comfortable, exciting, unforgettable.

3.

Of course for each of us, there is the daily life.
Let us live it, gesture by gesture.
When we cut the ripe melon, should we not give it thanks?
And should we not thank the knife also?
We do not live in a simple world.

4.

There was someone I loved who grew old and ill
One by one I watched the fires go out.
There was nothing I could do

except to remember
that we receive
then we give back.

5.

My dog Luke lies in a grave in the forest, she is given back.
But the river Clarion still flows from wherever it comes from
to where it has been told to go.
I pray for the desperate earth.
I pray for the desperate world.
I do the little each person can do, it isn’t much.
Sometimes the river murmurs, sometimes it raves.

6.

Along its shores were, may I say, very intense cardinal flowers.
And trees, and birds that have wings to uphold them, for heaven’s sakes–
the lucky ones: they have such deep natures,
they are so happily obedient.
While I sit here in a house filled with books,
ideas, doubts, hesitations.

7.

And still, pressed deep into my mind, the river
keeps coming, touching me, passing by on its
long journey, its pale, infallible voice
singing.

 

 

“At the River Clarion” by Mary Oliver, from Evidence: Poems, Beacon Press.

 

“I pray for the desperate earth. I pray for the desperate world.”


“River” by Leon Bridges

“You Are Tired (I Think)” by E. E. Cummings

You are tired,
(I think)
Of the always puzzle of living and doing;
And so am I.

Come with me, then,
And we’ll leave it far and far away —
(Only you and I, understand!)

You have played,
(I think)
And broke the toys you were fondest of,
And are a little tired now;
Tired of things that break, and —
Just tired.
So am I.

But I come with a dream in my eyes tonight,
And knock with a rose at the hopeless gate of your heart —
Open to me!
For I will show you the places Nobody knows,
And, if you like,
The perfect places of Sleep.

Ah, come with me!
I’ll blow you that wonderful bubble, the moon,
That floats forever and a day;
I’ll sing you the jacinth song
Of the probable stars;
I will attempt the unstartled steppes of dream,
Until I find the Only Flower,
Which shall keep (I think) your little heart
While the moon comes out of the sea.

“You Are Tired” by E. E. Cummings. E. E. Cummings: Complete Poems 1904-1962. Liveright (July 12, 2016).

“Shelter” by Kim Addonizio

It’s noisy here. The kids run around, screaming, their mothers slap them and
they cry. I have the bottom bunk, I hang a blanket from the bed above me for
privacy. In the middle of the night it’s finally quiet. I lie awake and think
about goals. Sheryl, the worker, says I need some. She says What do you want
Rita? and I say peace and quiet, maybe someplace sunnier than here. I say I’d
like to have a dog. A big one, a retriever or shepherd with long soft fur. What
else? she says. I remember my dad’s garden, how I used to like sitting with
him while he weeded, putting my toes in the dirt. He grew tomatoes, corn, peas.
There was a rosebush, too, once he let me pick a big rose and there was a spider
in it, I got scared and shook it and the petals went all over me and he laughed.
He showed me how to put my thumb over the hoze nozzle so it sprayed. Sheryl
says I could garden. I think about the coleus Jimmy and I had, how I would take
cuttings, put them in water and they’d grow more flowers. But then they all
died. At night I listen to everybody sleep around me, some people snoring, some
starting to say something and then stopping. It’s pitch-dark behind the
blanket. I try to see it sunny, a yard with a dog lying down under a tree. I
try to smell warm tomatoes. Curl my toes in the sheets. Try to sleep.

“Shelter” by Kim Addonizio, from Jimmy & Rita. © BOA Editions, Ltd., 1997.