Locking Yourself Out, Then Trying to Get Back In

You simply go out and shut the door
without thinking. And when you look back
at what you’ve done
it’s too late. If this sounds
like the story of life, okay.

It was raining. The neighbors who had
a key were away. I tried and tried
the lower windows. Stared
inside at the sofa, plants, the table
and chairs, the stereo set-up.
My coffee cup and ashtray waited for me
on the glass-topped table, and my heart
went out to them. I said, Hello, friends,
or something like that. After all,
this wasn’t so bad.
Worst things had happened. This
was even a little funny. I found the ladder.
Took that and leaned it against the house.
Then climbed in the rain to the deck,
swung myself over the railing
and tried the door. Which was locked,
of course. But I looked in just the same
at my desk, some papers, and my chair.
This was the window on the other side
of the desk where I’d raise my eyes
and stare out when I sat at that desk.
This is not like downstairs, I thought.
This is something else.

And it was something to look in like that, unseen,
from the deck. To be there, inside, and not be there.
I don’t even think I can talk about it.
I brought my face close to the glass
and imagined myself inside,
sitting at the desk. Looking up
from my work now and again.
Thinking about some other place
and some other time.
The people I had loved then.

I stood there for a minute in the rain.
Considering myself to be the luckiest of men.
Even though a wave of grief passed through me.
Even though I felt violently ashamed
of the injury I’d done back then.
I bashed that beautiful window.
And stepped back in.

“Locking Yourself Out, Then Trying to Get Back In,” by Raymond Carver, from Where Water Comes Together With Other Water (Vintage Books).

“She says nothing at all …

“She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars.”

― Neil Gaiman, Stardust

Stardust  (Via Pinterest; source unknown, but appreciated!)
Stardust
(Via Pinterest; source unknown, but appreciated!)

Sidekicks

They were never handsome and often came
with a hormone imbalance manifested by corpulence,
a yodel of a voice or ears big as kidneys.

But each was brave. More than once a sidekick
has thrown himself in front of our hero in order
to receive the bullet or blow meant for that
perfect face and body.

Thankfully, heroes never die in movies and leave
the sidekick alone. He would not stand for it.
Gabby or Pat, Pancho or Andy remind us of a part
of ourselves,

the dependent part that can never grow up,
the part that is painfully eager to please,
always wants a hug and never gets enough.

Who could sit in a darkened theatre, listen
to the organ music and watch the best
of ourselves lowered into the ground while
the rest stood up there, tears pouring off
that enormous nose.

“Sidekicks” by Ronald Koertge from Life on the Edge of the Continent: Selected Poems, 1982
University of Arkansas Press. You may visit Ron’s website: RonKoertge.com.

Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid (1969)
Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid1969. (Via)

Wind from the Sea, Wyeth and The Wind, Yusuf

Painting: Wind from the Sea, Andrew Wyeth. 1947. (Learn more.)
Painting: Wind from the Sea, Andrew Wyeth. 1947. (Learn more.)

Painting pairs well with Yusuf’s (Cat Steven’s), “The Wind.” (Open in YouTube; Lyrics.)

“Breathless” by Billy Collins

"Cemetary City" by Mary Pierce from her post Jux Mary blogs
Cemetary City by Mary Pierce from her post “Juxtaposition.”
The multi-talented Mary blogs at A Wilderness of Words.

Some like the mountains, some like the seashore,
Jean-Paul Belmondo says
to the camera in the opening scene.

Some like to sleep face up,
some like to sleep on their stomachs,
I am thinking here in bed–

some take the shape of murder victims
flat on their backs all night,
others float face down on the dark waters.

Then there are those like me
who prefer to sleep on their sides,
knees brought up to the chest,

head resting on a crooked arm
and a soft fist touching the chin,
which is the way I would like to be buried,

curled up in a coffin
in a fresh pair of cotton pajamas,
a down pillow under my weighty head.

After a lifetime of watchfulness
and nervous vigilance,
I will be more than ready for sleep,

so never mind the dark suit,
the ridiculous tie
and the pale limp hands crossed on the chest.

Lower me down in my slumber,
tucked into myself
like the oldest fetus on earth,

and while the cows look over the stone wall
of the cemetery, let me rest here
in my earthy little bedroom,

my lashes glazed with ice,
the roots of trees inching nearer,
and no dreams to frighten me anymore.

“Breathless” by Billy Collins from The Trouble With Poetry and Other Poems (Random House, 2005)

* For Mary who takes my breath away, in the very best of ways. Thank you for the inspiration Mary!