“If I Leave You Then Maybe I Won’t Have to Miss You So Much” by Ali Shapiro

Lately I keep things
just to throw them away: practice,
practice. What I mean is, I’ve had enough
longing, enough of nothing
ever being enough. Look how the earth
shrugs its mountainous shoulders, how the cows don’t blink
unless there’s a fly, how the pavement quits
to dirt without warning, how the river can’t tell
itself from the rain. Since when can I not
get over anything? Just watch me go
to this town’s lone bar, which is open and chock-full
of blondes, blondes, blondes. The jukebox plays country
for free, which leaves me
with my ballast of quarters and cornered
by a woman who tells me she breaks things: horses
n’ hearts.
 I wish she would take
my heart out back and shoot it, lame
as it is, run as it’s been
by you into the ground, but she’d rather teach me
to two-step, which it turns out
I’m born for, having indecisively shuffled back and forth
through your door all these years. But from here
you’re a myth, tiny
jockey, impossible as Brooklyn,
elevators, it not being summer anymore.
Look, even the shades
are half-drawn and drooping
like eyelids, the walls
like the patrons, sloppy
and slouched. I promise I’ll love you forever
if you please just don’t make me
start now, in the brief dumb calm
of the just-fine, with this cowgirl pressing
her big stone-washed hips into mine. I want to take her home
but to someone else’s home, or perhaps just send her home
with someone else. What I mean is, I’m tired
of everything gorgeous. Of the burden
of burning. Of wondering
when. What I mean is, on some nights I miss you so much
that I never want to see you again.

“If I Leave You Then Maybe I Won’t Have to Miss You So Much” by Ali Shapiro

“Writing is something that you don’t know how to do. … (Bukowski)

“Writing is something that you don’t know how to do. You sit down and it’s something that happens, or it may not happen. So, how can you teach anybody how to write? It’s beyond me, because you yourself don’t even know if you’re going to be able to. I’m always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I’ll sit at that typewriter for fifteen minutes, you know. I don’t go up there to write. The typewriter’s up there. If it doesn’t start moving, I say, well this could be the night that I hit the dust.”

– Charles Bukowski

“That quotation about not having time to stand and stare …

“That quotation about not having time to stand and stare has never applied to me. I seem to have spent a good part of my life – probably too much – in just standing and staring and I was at it again this morning.”

― James HerriotIt Shouldn’t Happen to a Vet

“Writing as an act of optimism? Maybe that’s true. …

“Writing as an act of optimism? Maybe that’s true. I mean, why bother if you have no hope, even a very small hope, for our species. Maybe, as artists, we think that if we stop and look closely, or if we look closely enough, something good could come of that gaze, something apprehended. O’Keefe seemed actually to do the opposite, bring us close to see the pain in the beauty, or as Rilke would say, the terror of beauty. Kahlo took her physical pain and yes, made it oddly beautiful. Did it take courage for them to do that? I don’t think they had a choice. Artists seem to be compelled to do what they do, obsessed, preternaturally alert to the world, not just to pain and beauty, but as you say, the existence of each within the other. And for some reason, they feel compelled to make something of that, write it down, make a painting of it, a sculpture, a song.

Dorianne Laux

In parallel with Words for the Weekend: Write Every Single Day – Vol. 27

“The Blind Leading the Blind” by Lisel Mueller

Take my hand. There are two of us in this cave.
The sound you hear is water; you will hear it forever.
The ground you walk on is rock. I have been here before.
People come here to be born, to discover, to kiss,
to dream, and to dig and to kill. Watch for the mud.
Summer blows in with scent of horses and roses;
fall with the sound of sound breaking; winter shoves
its empty sleeve down the dark of your throat.
You will learn toads from diamonds, the fist from palm,
love from the sweat of love, falling from flying.
There are a thousand turnoffs. I have been here before.
Once I fell off a precipice. Once I found gold.
Once I stumbled on murder, the thin parts of a girl.
Walk on, keep walking, there are axes above us.
Watch for the occasional bits and bubbles of light —
Birthdays for you, recognitions: yourself, another.
Watch for the mud. Listen for bells, for beggars.
Something with wings went crazy against my chest once.
There are two of us here. Touch me.

“The Blind Leading the Blind” by Lisel Mueller, from Alive Together: New and Selected Poems. © Louisiana State University Press.