“The Promise” by Jane Hirshfield

Mysteriously they entered, those few minutes.
Mysteriously, they left.
As if the great dog of confusion guarding my heart,
who is always sleepless, suddenly slept.
It was not any awakening of the large, not so much as that,
only a stepping back from the petty.
I gazed at the range of blue mountains,
I drank for the stream. Tossed in a small stone from the bank.
Whatever direction the fates of my life might travel, I trusted.
Even the greedy direction, even the grieving, trusted.
There was nothing left to be saved from, bliss nor danger.
The dog’s tail wagged a little in his dream.

“The Promise” by Jane Hirshfield, from After: Poems. © HarperCollins Publishers, 2005.

“It’s easy to convince men to love you, …

“It’s easy to convince men to love you, Puck. All you have to do is be a mountain they have to climb or a poem they don’t understand. Something that makes them feel strong or clever. It’s why they love the ocean.” ~ Maggie Stiefvater, The Scorpio Races

“Dust” by Dorianne Laux

Someone spoke to me last night,
told me the truth. Just a few words,
but I recognized it.
I knew I should make myself get up,
write it down, but it was late,
and I was exhausted from working
all day in the garden, moving rocks.
Now, I remember only the flavor —
not like food, sweet or sharp.
More like a fine powder, like dust.
And I wasn’t elated or frightened,
but simply rapt, aware.
That’s how it is sometimes —
God comes to your window,
all bright light and black wings,
and you’re just too tired to open it.

 

Dorianne Laux, “Dust” from What We Carry. Copyright © 1994 by Dorianne Laux.

 

“Still, love is the impulse from which poetry springs. … (Mueller)

“Still, love is the impulse from which poetry springs. Even dark poems, Especially dark poems. To know the worst and write in spite of that, that must be love. To celebrate what’s on the other side of the darkness. Truly great poetry always sprung from love-in-spite-of, like love for a deeply flawed person.

And if it’s true as [William Carlos] WIlliams wrote, that people die from lack of what is found in poems, then poetry must not be trivial, peripheral, ivory-towerism as it is often accused of being; then we have a responsibility to speak to and for others. Certainly that means acknowledging suffering. But it also means to heal, to bring delight and hope; It implies consolation. How to console without being false, shallow or sentimental. I find that the hardest challenge.

– Lisel Mueller

“A Hundred Years from Now” by David Shumate

I’m sorry I won’t be around a hundred years from now. I’d like to
see how it all turns out. What language most of you are speaking.
What country is swaggering across the globe. I’m curious to know
if your medicines cure what ails us now. And how intelligent your
children are as they parachute down through the womb. Have
you invented new vegetables? Have you trained spiders to do your
bidding?
Have baseball and opera merged into one melodic sport?
A hundred years….My grandfather lived almost that long. The
doctor who came to the farmhouse to deliver him arrived in a
horse-drawn carriage. Do you still have horses?

“A Hundred Years from Now” by David Shumate from Kimonos in the Closet. © University of Pittsburg Press, 2013.