The Persistence of Memory by Salvador Dali

The Persistence of Memory. Salvador Dali. Via Wiki Paintings.
The Persistence of Memory. Salvador Dali. Via Wiki Paintings.

“The Sun” by Mary Oliver

Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?

~ Mary Oliver, (New and Selected Poems)

“You are beautiful like demolition. …

“You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.”

Henry Rollins

“Learning Italian Slowly” by David Shumate

I learn three words each day. It’s been seven months now and
perhaps I could carry on a conversation with a Sicilian child. If she
spoke slowly. In present tense. And only about pencils and dogs
and cheese. Sometimes I feel my new Italian self growing inside
me. He’s a little man who gesticulates as he speaks. He rides his
bicycle to the market to buy eggplant, anise, and porcini. Then
delivers them to his elderly mother. In the afternoon he plays
bocce with the older men. The children mimic the way he
whispers to himself. The grimaces he makes with his face. When
the moon comes out he slicks back his hair and sings beneath the
window of the woman he loves. What a sight he is. Down on one
knee. His arms outstretched. So willing to make a fool of himself.
Over and over again.

“Learning Italian Slowly” by David Shumate, from The Floating Bridge. © University of Pittsburgh Press, 2008

“What Do Women Want?” by Kim Addonizio

I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I’m the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I’ll pull that garment
from its hanger like I’m choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I’ll wear it like bones, like skin,
it’ll be the goddamned
dress they bury me in.

“What Do Women Want?” by Kim Addonizio from Tell Me