“We Were Emergencies” by Buddy Wakefield

We Were Emergencies

We can stick anything into the fog
and make it look like a ghost
but tonight
let us not become tragedies.
We are not funeral homes
with propane tanks in our windows,
lookin’ like cemeteries.
Cemeteries are just the Earth’s way of not letting go.
Let go.

Tonight
let’s turn our silly wrists so far backwards
the razor blades in our pencil tips
can’t get a good angle on all that beauty inside.
Step into this
with your airplane parts.
Move forward
and repeat after me with your heart:

“I no longer need you to fuck me as hard as I hated myself.”

Make love to me
like you know I am better
than the worst thing I ever did.
Go slow.
I’m new to this.
But I have seen nearly every city from a rooftop
without jumping.
I have realized

that the moon
did not have to be full for us to love it,
that we are not tragedies
stranded here beneath it,
that if my heart
really broke
every time I fell from love
I’d be able to offer you confetti by now.

But hearts don’t break,
y’all,
they bruise and get better.
We were never tragedies.
We were emergencies.
You call 9 – 1 – 1.
Tell them I’m having a fantastic time.

 

~ Buddy Wakefield, Gentleman Practice

 

this will give you chills – cw

“The Reverse Side” by Stephen Dunn

The reverse side also has a reverse side – Japanese proverb

It’s why when we speak a truth
some of us instantly feel foolish
as if a deck inside us has been shuffled
and there it is – the opposite
of what we said.

And perhaps why as we fall in love
we’re already falling out of it.

It’s why the terrified and the simple
latch onto one story,
just one version of the great mystery.

Image & afterimage, oh even
the open-minded yearn for a fiction
to reign things in –
the snapshot, the lie of the frame.

How do we not go crazy,
we who have found ourselves compelled
to live with the circle, the ellipsis, the word
not yet written.

– Stephen Dunn
What Goes On: New & Selected Poems

“I write to make peace with the things I cannot control…

“I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forget.

I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darkness.

I write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagine.

I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.”

– Terry Tempest Williams
Red: Passion and Patience in the Desert

“Variation On The Word Sleep” by Margaret Atwood

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and as you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.

~ Margaret Atwood

“Sometimes an old photograph, an old friend…

“Sometimes an old photograph, an old friend, an old letter will remind you that you are not who you once were, for the person who dwelt among them, valued this, chose that, wrote thus, no longer exists. Without noticing it you have traversed a great distance; the strange has become familiar and the familiar if not strange at least awkward or uncomfortable, an outgrown garment. And some people travel far more than others. There are those who receive as birthright an adequate or at least unquestioned sense of self and those who set out to reinvent themselves, for survival or for satisfaction, and travel far. Some people inherit values and practices as a house they inhabit; some of us have to burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.”
– Rebecca Solnit
A Field Guide to Getting Lost