“When I Am Asked” by Lisel Mueller

When I am asked
how I began writing poems,
I talk about the indifference of nature.

It was soon after my mother died,
a brilliant June day,
everything blooming.

I sat on a gray stone bench
in a lovingly planted garden,
but the day lilies were as deaf
as the ears of drunken sleepers
and the roses curved inward.
Nothing was black or broken
and not a leaf fell
and the sun blared endless commercials
for summer holidays.

I sat on a gray stone bench
ringed with the ingenue faces
of pink and white impatiens
and placed my grief
in the mouth of language,
the only thing that would grieve with me.

Lisel Mueller, “When I am Asked” from Alive Together: New and Selected Poems. Copyright © 1996 by Lisel Mueller.

“Waiting for My Life” by Linda Pastan

I waited for my life to start
for years, standing at bus stops
looking into the curved distance
thinking each bus was the wrong bus;
or lost in books where I would travel
without luggage from one page
to another; where the only breeze
was the rustle of pages turning,
and lives rose and set
in the violent colors of suns.

Sometimes my life coughed and coughed:
a stalled car about to catch,
and I would hold someone in my arms,
though it was always someone else I wanted.
Or I would board any bus, jostled
by thighs and elbows that knew
where they were going; collecting scraps
of talk, setting them down like birdsong
in my notebook, where someday I would go
prospecting for my life.

Linda Pastan, Waiting for My Life

“Waiting For My Real Life to Begin” by Colin Hay

“I Said to Poetry” by Alice Walker

I said to Poetry: “I’m finished
with you.”
Having to almost die
before some weird light
comes creeping through
is no fun.
“No thank you, Creation,
no muse need apply.
I’m out for good times –
at the very least,
some painless convention.”

Poetry laid back
and played dead
until this morning.
I wasn’t sad or anything,
only restless.

Poetry said: “You remember
the desert, and how glad you were
that you have an eye
to see it with?* You remember
that, if ever so slightly?”
I said: “I didn’t hear that.
Besides, it’s five o’clock in the a.m.
I’m not getting up
in the dark
to talk to you.”

Poetry said: “But think about the time
you saw the moon
over that small canyon
that you liked so much better
than the grand one – and how suprised you were
that the moonlight was green
and you still had
one good eye
to see it with

Think of that!”

“I’ll join the church!” I said,
huffily, turning my face to the wall.
“I’ll learn how to pray again!”

“Let me ask you,” said Poetry.
“When you pray, what do you think
you’ll see?”

Poetry had me.

“There’s no paper
in this room,” I said.
“And that new pen I bought
makes a funny noise.”

“Bullshit,” said Poetry.
“Bullshit,” said I.

Alice Walker

“A Diary of Colors” by Kelsey Danielle

My second grade teacher liked to ask us,
“How do you feel today, on a scale of one to ten?”
Ten always meant I’m super, thank you
and one was always not today, Mrs. MacAuley, not today.
But I never liked numbers, they would always
twist and rebel against my mind so I chose
to speak in colors instead.

January third – I am the color
of mint chocolate chip ice cream
but I’ve eaten all the chocolate chips.
I am calm.

February seventh – I am a bruise of
blues and violets today. I think it would
be best if I sat by the window.
These are unhappy colors.

April eleventh – I am turquoise, I am magenta,
I am every color in the rainbow.

April thirtieth – I am gray, I am silent.

May first – I am orange, the color of melting
creamsicles on a beach in July.

June twelfth – I am as yellow as the school bus
that will bring me home to summer. I am free.

Twelve years later, I still use colors.
The winter makes me feel cobalt blue, the ocean
turns me a seafoam green. Violets and purples
leave me uneasy and scarlet is a fever of fury.
Some nights I drown in shades of navy, denim,
and cornflower but other nights I meditate in forests of
harlequin and shamrock.

But you,
you leave me a blinding white followed by a soft yellow:
the color of sunlight after a period of darkness.

Kelsey Danielle, “A Diary of Colors” 

“The truth is you already know what it’s like… (DFW)

“The truth is you already know what it’s like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes.

But it does have a knob, the door can open. But not in the way you think. The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul.”

 – David Foster Wallace, Oblivion