Author: Christina's Words

“The darkness around us is deep.” ~ William Stafford

“The intellect is a great danger to creativity … (Bradbury)

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“The intellect is a great danger to creativity because you begin to rationalize and make up reasons for things instead of staying with your own basic truth –  who you are, what you are, what you wanna be.

The worst thing you do when you think is lie – you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself – find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself – making things that you hate and things that you love, you write about these then, intensely. When it’s over, then you can think about it; then you can look, it works or it doesn’t work, something is missing here. And, if something is missing, then you go back and reemotionalize that part, so it’s all of a piece.

But thinking is to be a corrective in our life. It’s not supposed to be a center of our life. Living is supposed to be the center of our life, being is supposed to be the center, with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life. The way of living is the blood pumping through our veins, the ability to sense and to feel and to know, and the intellect doesn’t help you very much there.

You should get on with the business of living.”

– Ray Bradbury (via Brainpickings)

“Elegy for a Walnut Tree” by W. S. Merwin

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The largest known living black walnut tree is on Sauvie Island, Oregon. Image via Wiki, CC BY-SA 3.0.
The largest known living black walnut tree is on Sauvie Island, Oregon. Image via Wiki, CC BY-SA 3.0.

 

Old friend now there is no one alive
who remembers when you were young
it was high summer when I first saw you
in the blaze of day most of my life ago
with the dry grass whispering in your shade
and already you had lived through wars
and echoes of wars around your silence
through days of parting and seasons of absence
with the house emptying as the years went their way
until it was home to bats and swallows
and still when spring climbed toward summer
you opened once more the curled sleeping fingers
of newborn leaves as though nothing had happened
you and the seasons spoke the same language
and all these years I have looked through your limbs
to the river below and the roofs and the night
and you were the way I saw the world

“Elegy for a Walnut Tree” by W.S. Merwin, from The Moon Before Morning. © Copper Canyon Press, 2014.

“Living Tree” by Robert Morgan

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It’s said they planted trees by graves
to soak up spirits of the dead
through roots into the growing wood.
The favorite in the burial yards
I knew was common juniper.
One could do worse than pass into
such a species. I like to think
that when I’m gone the chemicals
and yes the spirit that was me
might be searched out by subtle roots
and raised with sap through capillaries
into an upright, fragrant trunk,
and aromatic twigs and bark,
through needles bright as hoarfrost to
the sunlight for a century
or more, in wood repelling rot
and standing tall with monuments
and statues there on the far hill,
erect as truth, a testimony,
in ground that’s dignified by loss,
around a melancholy tree
that’s pointing toward infinity.

~ Robert Morgan, via PoetryFoundation.org

“The Day You Looked upon Me as a Stranger,” by Jeffrey Harrison

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I had left you at the gate to buy a newspaper
and on my way back stopped at a bank of monitors
to check the status of our flight to London.

That was when you noticed a middle-aged man
in a brown jacket and the green short-brimmed cap
I’d bought for the trip. It wasn’t until I turned

and walked toward you that you saw him as me.
What a nice-looking man, you told me you’d thought–
maybe European, with that unusual cap …

somebody, you said, you might want to meet.
We both laughed. And it aroused my vanity
that you had been attracted to me afresh,

with no baggage. A kind of affirmation.
But doubt seeped into that crevice of time
when you had looked upon me as a stranger,

and I wondered if you’d pictured him
as someone more intriguing than I could be
after decades of marriage, all my foibles known.

Did you have one of those under-the-radar daydreams
of meeting him, hitting it off, and getting
on a plane together? In those few moments,

did you imagine a whole life with him?
And were you disappointed, or glad, to find
it was only the life you already had?

“The Day You Looked upon Me as a Stranger,” by Jeffrey Harrison from Into Daylight. © Tupelo Press, 2014.

“And then as the little plane climbed higher and Olive saw spread out below them… (Strout)

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“And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats–then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water–seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.”

― Elizabeth Strout, Olive Kitteridge