“The Green of Sunset” by John Brantingham

I saw your sonogram this morning, heard your heartbeat for the first time, and it got me thinking about life, how long it is, how much happens to one person. I wished you health and happiness, of course, but thinking about you fifty years from now, I mostly hoped the world would not make you disappointed and bitter. If life does beat you down, I hope you realize bitterness comes only from moments that stick out in our minds like pustules on a tongue. We chew on them, give them an importance they don’t have to have, forget that anything else exists. I hope you remember that there are good times too, beautiful times, and more importantly there are all those moments in between the good and the bad. That’s what life is, those moments in between—like when a sunset goes from orange to green. People forget the green of sunset because it’s not as dramatic as the orange burst at the end of the day or the void of black at the beginning of the evening, but it’s there for a second we all ignore. If you find you have become bitter on your fiftieth birthday, I want you to dwell not so much on the great loves and graduations as on the trip to the supermarket when you had a craving for a kiwi fruit or the long walk home from school when you just thought about your day. I hope you remember that there are so many green moments you will have forgotten, as you will most certainly forget what happened today, for these moments inside your mother, these moments you will not be able to remember, are just as important and just as real as any other moment. Today, you danced inside your mother because she drank orange juice. If you ever become bitter, remember that there was a moment today when we all watched you dance your orange juice dance and listened to your orange juice heart and though you cannot remember it, you heard your father’s voice through the thin flap of your mother’s stomach as he said, “My beautiful child, I love you, I love you, I love you.”

“The Green of Sunset” by John Brantingham, from The Green of Sunset (Moon Tide Press, 2013). 

“Saint Francis and the Sow” by Galway Kinnell

The bud
stands for all things,
even for those things that don’t flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as Saint Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the sheer blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking and blowing beneath them:
the long, perfect loveliness of sow.

 

Galway Kinnell, “Saint Francis and the Sow” from Three Books. Copyright © 2002 by Galway Kinnell.

“I Don’t Have a Pill for That” by Deborah Landau

It scares me to watch
a woman hobble along
the sidewalk, hunched adagio

leaning on —
there’s so much fear
I could draw you a diagram

of the great reduction
all of us will soon
be way-back-when.

The wedding is over.
Summer is over.
Life please explain.

This book is nearly halfway read.
I don’t have a pill for that,
the doctor said.

Deborah Landau, via Poetry (January 2015).

“The Resemblance Between Your Life and a Dog” by Robert Bly

I never intended to have this life, believe me—
It just happened. You know how dogs turn up
At a farm, and they wag but can’t explain.

It’s good if you can accept your life—you’ll notice
Your face has become deranged trying to adjust
To it. Your face thought your life would look

Like your bedroom mirror when you were ten.
That was a clear river touched by mountain wind.
Even your parents can’t believe how much you’ve changed.

Sparrows in winter, if you’ve ever held one, all feathers,
Burst out of your hand with a fiery glee.
You see them later in hedges. Teachers praise you,

But you can’t quite get back to the winter sparrow.
Your life is a dog. He’s been hungry for miles,
Doesn’t particularly like you, but gives up, and comes in.

Robert Bly, from Eating the Honey of Words (Perennial)

“The Summer Day” by Mary Oliver

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

 

from New and Selected Poems, 1992
Beacon Press, Boston, MA

Copyright 1992 by Mary Oliver

“Summer Breeze” by Seals and Croft