“Bird-Understander” by Craig Arnold

Of many reasons I love you here is one

 

the way you write me from the gate at the airport
so I can tell you everything will be alright

 

so you can tell me there is a bird
trapped in the terminal      all the people
ignoring it       because they do not know
what to do with it       except to leave it alone
until it scares itself to death

 

it makes you terribly terribly sad

 

You wish you could take the bird outside
and set it free or       (failing that)
call a bird-understander
to come help the bird

 

All you can do is notice the bird
and feel for the bird       and write
to tell me how language feels
impossibly useless

 

but you are wrong

 

You are a bird-understander
better than I could ever be
who make so many noises
and call them song

 

These are your own words
your way of noticing
and saying plainly
of not turning away
from hurt

 

you have offered them
to me       I am only
giving them back

 

if only I could show you
how very useless
they are not

 

Craig Arnold, “Bird-Understander”. Copyright 2009 by Craig Arnold, via Poetryfoundation.org.

“To My Hair” by Alvin Lau

 

i.

I never admired how you grew into thick, resilient strands black as India ink: I used to bleach you so frail or shave you clean under the harsh summer sun. Once in high school I didn’t wash you for ten straight weeks because I thought it would’ve been so cool to be the only Chinese kid in Chicago with dreadlocks. When you started to recede, my worries flew up the Lau family history of hair, recalling grandpa’s pattern baldness, how mom’s whole head turned white like a curtain of ivory needles before she was twenty, and how Uncle Etienne nicknamed Dad Silvermane for the bolt of white streaking across the back of his head, which he always boasted was a sign of his brilliance.

ii.

Though I knew one day I’d have to say goodbye to you, I pictured you slowly retreating over decades like a wounded beach, never thought I’d see you vanish completely in the flashfires of chemotherapy. After the first week, I stood in the bathtub pulling out tiny clumps of you like unraveling the string my head was stitched from. Wiping off half an eyebrow was like holding a handful of bloody teeth, wiping off the other half like looking back at the car crash wondering if I really survived it. It never was the foreshadowing x-rays, or negative blood tests, or sinister words likemalignant that broke me. It was when I saw you blanketing my bathroom floor like bodies strewn across a battlefield that I thought If I am to be devoured, then please, God, Night, Mouth in the Darkness, swallow me faster than one hair at a time.

iii.

I would like you to know that every day, I would still shampoo my naked scalp out of habit in memorial for your shortened life; my fingers would pay respects to a thousand of your gravestones every morning. Maybe this was my ritual to call you back: on my knees, white as the sheet I feared they’d lay over me, an atheist praying for regeneration in cupfuls of hair. How many nights did I run my finger along the rim of my head searching for your return? How many deserts did I cross in my mind?

iv.

Years after, I still catch myself carelessly running my fingers through your nest to see if you’ve held against the wind, promise to never shave you clean, remembering every comb that resembled a baptism. Your patchwork emergence was a flight of blackbirds returning home in the spring; I tattooed a black star on my wrist to remind myself of the beauty of what was barren and reclaimed. I am sorry for never appreciating how stoically you fit to my scalp or how neatly you’d tuck under a baseball cap. Penance comes with every instance my heart surrenders to the commonplace, like how I imagine every brush as silver-plated, think of donating hair for wigs as acts of extraordinary mercy, fall in love with Rogaine commercials, melt when my girl runs her fingers over your tips like grass, break down when I catch your reflection in the mirror and can’t help but mouth the words Welcome Back.

from Rattle #27, Summer 2007
Tribute to Slam Poetry

 

“In Spite of Everything, the Stars” by Edward Hirsch

Like a stunned piano, like a bucket
of fresh milk flung into the air
or a dozen fists of confetti
thrown hard at a bride
stepping down from the altar,
the stars surprise the sky.
Think of dazed stones
floating overhead, or an ocean
of starfish hung up to dry. Yes,
like a conductor’s expectant arm
about to lift toward the chorus,
or a juggler’s plates defying gravity,
or a hundred fastballs fired at once
and freezing in midair, the stars
startle the sky over the city.

And that’s why drunks leaning up
against abandoned buildings, women
hurrying home on deserted side streets,
policemen turning blind corners, and
even thieves stepping from alleys
all stare up at once. Why else do
sleepwalkers move toward the windows,
or old men drag flimsy lawn chairs
onto fire escapes, or hardened criminals
press sad foreheads to steel bars?
Because the night is alive with lamps!
That’s why in dark houses all over the city
dreams stir in the pillows, a million
plumes of breath rise into the sky.

Edward Hirsch

 

“Stars Fell on Alabama” by Ella Fitzgerald and Louis Armstrong

“Dancing” by Margaret Atwood

It was my father taught my mother
how to dance.
I never knew that.
I thought it was the other way.
Ballroom was their style,
a graceful twirling,
curved arms and fancy footwork,
a green-eyed radio.

There is always more than you know.
There are always boxes
put away in the cellar,
worn shoes and cherished pictures,
notes you find later,
sheet music you can’t play.

A woman came on Wednesdays
with tapes of waltzes.
She tried to make him shuffle
around the floor with her.
She said it would be good for him.
He didn’t want to.

“Dancing” by Margaret Atwood from Morning in the Burned House. © Houghton Mifflin, 1995.

“I wonder what it would be like to live in a world where it was always June (Montgomery)

“I wonder what it would be like to live in a world where it was always June.”

L.M. Montgomery, Anne of the Island