“Abandoned Farmhouse” by Ted Kooser

He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm-a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

“Abandoned Farmhouse” by Ted Kooser from Flying at Night. © University of Pittsburgh Press, 1985.

“Kissing as a Religion” by Susan Doble Kaluza

In 19th century Rome it was said that the monks
kissed the backs of their hands as a sign of repentance.
Oh, how I repented as a Catholic girl, even as I kissed you—

kissing and repenting, kissing and repenting—as I pulled your top lip
with my teeth, biting ever so gently. How absurd to think
kissing gets any better than the first time you leaned over me,

breath thick with Jack and Coke, that rogue teenage elixir,
and whatever warp speed hormone instigates back seat sex
and what is now considered nothing but a little teasing

in the area of petting. Sounds like a zoo, kissing does, back then
travelling north on the county road just after dusk, after the cattle
lumbered off on their arthritic hocks, kicking up dust that smelled

like manure and left us alone in your idling car in the middle of the pasture.
I’ve fought the urge for years to write a poem about your lips, for which
I can only think in terms of “exquisite” and other adjectives strictly forbidden

in poetry classes—your perfectly aligned teeth, your soft boyish whispers.
Sometimes I think I was never actually there in the afterlife of your words,
those jerry-rigged one-liners bolstering my heart, stopping, not stopping

in my ear as you pulled back my hair. Now I think there was nothing to repent for,
nothing to confess. If ever there was a sin for which penance was required
it would be for never kissing like this not once since.

Susan Doble Kaluza

via Rattle #43, Love Poems

“The Stars Are Words” by Jack Kerouac

Thinking of the stars night after night I begin to realize

“The stars are words”

and all the innumerable worlds in the Milky Way are words,
and so is this world too.

And I realize that no matter where I am,
whether in a little room full of thought,

or in this endless universe of stars and mountains,
it’s all in my mind.

– Jack Kerouac, Lonesome Traveler

“We are not figuratively, but literally stardust.” (Tyson)

“Recognize that the very molecules that make up your body, the atoms that construct the molecules, are traceable to the crucibles that were once the centers of high mass stars that exploded their chemically rich guts into the galaxy, enriching pristine gas clouds with the chemistry of life. So that we are all connected to each other biologically, to the earth chemically and to the rest of the universe atomically. That’s kinda cool! That makes me smile and I actually feel quite large at the end of that. It’s not that we are better than the universe, we are part of the universe. We are in the universe and the universe is in us.”
Neil deGrasse Tyson
(from Time Magazine’s 10 Questions for Neil deGrasse Tyson)

 

***

“We Are All Made of Stars (Live)” by Moby

“Dinosaurs in the Hood” by Danez Smith

Let’s make a movie called Dinosaurs in the Hood.
Jurassic Park meets Friday meets The Pursuit of Happyness.
There should be a scene where a little black boy is playing
with a toy dinosaur on the bus, then looks out the window
& sees the T. Rex, because there has to be a T. Rex.

Don’t let Tarantino direct this. In his version, the boy plays
with a gun, the metaphor: black boys toy with their own lives,
the foreshadow to his end, the spitting image of his father.
Fuck that, the kid has a plastic Brontosaurus or Triceratops
& this is his proof of magic or God or Santa. I want a scene

where a cop car gets pooped on by a pterodactyl, a scene
where the corner store turns into a battle ground. Don’t let
the Wayans brothers in this movie. I don’t want any racist shit
about Asian people or overused Latino stereotypes.
This movie is about a neighborhood of royal folks —

children of slaves & immigrants & addicts & exiles — saving their town
from real-ass dinosaurs. I don’t want some cheesy yet progressive
Hmong sexy hot dude hero with a funny yet strong commanding
black girl buddy-cop film. This is not a vehicle for Will Smith
& Sofia Vergara. I want grandmas on the front porch taking out raptors

with guns they hid in walls & under mattresses. I want those little spitty,
screamy dinosaurs. I want Cicely Tyson to make a speech, maybe two.
I want Viola Davis to save the city in the last scene with a black fist afro pick
through the last dinosaur’s long, cold-blood neck. But this can’t be
a black movie. This can’t be a black movie. This movie can’t be dismissed

because of its cast or its audience. This movie can’t be a metaphor
for black people & extinction. This movie can’t be about race.
This movie can’t be about black pain or cause black people pain.
This movie can’t be about a long history of having a long history with hurt.
This movie can’t be about race. Nobody can say nigga in this movie

who can’t say it to my face in public. No chicken jokes in this movie.
No bullets in the heroes. & no one kills the black boy. & no one kills
the black boy. & no one kills the black boy. Besides, the only reason
I want to make this is for that first scene anyway: the little black boy
on the bus with a toy dinosaur, his eyes wide & endless

his dreams possible, pulsing, & right there.

 

Danez Smith performs “Dinosaurs in the Hood”