“The Poem Is a Love Story and Also a Lover and Takes its Last Line Straight from the Wikipedia Entry on Cardinals” by Christina Olson

So one day you’re in the yard,
and this poem pulls up at the curb.
This poem wants to do you in the backseat
of the first car you ever owned,
which it just happens to be driving.
This poem will stick its tongue in your ear,
call you baby. In its backseat, you’ll twist
like a white snake, aroused by the sight
of your own pale calves, when did they get
that muscle tone, you’ve still got it, oh yes
you do. Later, you smoke a cigarette
while the poem names all the North
American ducks it can.

Or you’re on the front porch
of your house, your fingers sucked dry
by cotton and tobacco, and here comes
this poem up the red road, holding a cigar box
guitar. It has a treasure map of Greenwood,
a dotted line to Robert Johnson’s real grave
and X marks the spot. Do you wanna come,
asks the poem. (This poem is full of cheap
tricks and gimmicks. You laugh anyway.)
Or here’s another one: This poem is first,
because if you’re not first, you’re last.
This poem knows that real cornbread
is not sweet and a real guitar is a bloody box
that just happens to make sound. Later,
the poem lists constellations as the rain
drums on the metal roof of the trailer
and you fall asleep like falling off a cliff.

But there’s pain in this poem, too:
long after the slip-sliding in the backseat
and summer nights drowsy with heat.
The years are measured in tax returns
and complimentary toothbrushes. The kids
have been put to bed. Friday night is one
cold beer after a day of wrestling schedule Cs.
Now it’s dark on your mortgaged porch
and the poem is sleeping upstairs. Anyway, it
can’t remember any of its old bird calls.
Damn this poem. Damn this life.
You’re at another crossroads, only this one
has nothing to do with music. Everything
is the blues now.

But then there are more years,
and you’re glad the poem came to you
all those decades ago. It’s a nice life,
and anyway, what else were you expecting?
You think too much. It can’t be all
spray-painted overpasses and playing
the penis game in staff meetings. Sometimes,
the poem tells you, people grow up.
Its hands are busy in the sink, cleaning
a mandoline. You get it binoculars
for Christmas, promise that next year
this time, you’ll go birding in Banff.
When the poem kisses you, you feel
something.

But you don’t make it to Canada.
The poem slinks off and finds a forest
to die in, and you’re the only one who cries.
You used to like the woods, but after that,
you think all trees are bullshit. Your children
grow up and move out. You’re back
in the yard but this time nothing’s coming
up the road to save you. Except this.
Somewhere, a cardinal alights on a branch
and opens its throat: cheer, cheer,
cheer.  What, what, what, what.

Christina Olson

“How to Regain Your Soul” by William Stafford

Come down Canyon Creek trail on a summer afternoon
that one place where the valley floor opens out. You will see
the white butterflies. Because of the way shadows
come off those vertical rocks in the west, there are
shafts of sunlight hitting the river and a deep
long purple gorge straight ahead. Put down your pack.

Above, air sighs the pines. It was this way
when Rome was clanging, when Troy was being built,
when campfires lighted caves. The white butterflies dance
by the thousands in the still sunshine. Suddenly, anything
could happen to you. Your soul pulls toward the canyon
and then shines back through the white wings to be you
again.

“How to Regain Your Soul” by William Stafford from The Darkness Around Us is Deep. © Harper Perennial, 1994.

“Wait” by Galway Kinnell

Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.

Wait.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear
the flute of your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.

“Wait” by Galway Kinnell, from Selected Poems. © Houghton Mifflin, 1983.

“Notice What This Poem Is Not Doing” by William Stafford

The light along the hills in the morning
comes down slowly, naming the trees
white, then coasting the ground for stones to nominate.

Notice what this poem is not doing.

A house, a house, a barn, the old
quarry, where the river shrugs—
how much of this place is yours?

Notice what this poem is not doing.

Every person gone has taken a stone
to hold, and catch the sun. The carving
says, “Not here, but called away.”

Notice what this poem is not doing.

The sun, the earth, the sky, all wait.
The crowns and redbirds talk. The light
along the hills has come, has found you.

Notice what this poem has not done.

William Stafford

 

“Walking Down Blanco Road at Midnight” by Naomi Shihab Nye

There is a folding into the self which occurs
when the lights are small on the horizon
and no light is shining into the face.

It happens in a quiet place.
It is a quiet unfolding,
like going to sleep in
the comfortable family home.
When everyone else goes to sleep
the house folds up
The windows shut their eyes.
If you are inside you are automatically folded.
If you are outside walking by the folded house
you feel so lonesome you think you are going crazy.

You are not going crazy.
You are beginning to fold up in your own single way.
You feel your edges move toward center,
your heart like a folded blanket unfolding
and folding in with everything contained.
You feel like you do not need anyone to love you anymore
because you already feel everything.
you feel it, you fold it, and for awhile now,
it will quietly rest.

– Naomi Shihab Nye, from “Walking Down Blanco Road at Midnight” in Words Under the Words (Eighth Mountain Press, 1995)
“Walking After Midnight” covered by Cowboy Junkies