“Two Linen Handkerchiefs” by Jane Hirshfield

 

How can you have been dead twelve years
and these still

 

***

The poem is broken off in exactly the way a life is broken off, in exactly the way grief breaks off, takes us beyond any possible capacity for words to speak. And yet it also, short as it is, holds all of our bewilderment in the face of death. How is it that these inanimate handkerchiefs — which did belong to my father and are still in a drawer of mine, and which I did accidentally come across — how can they still be so pristinely ironed and clean and existent when the person who chose them and used them and wore them is gone? … – Jane Hirshfield via NPR

 

 

“Sorrowful Ode” by Richard Jackson

I’m sorry for still loving you this way. I’m sorry for letting these
words
lunge between us the way the wind does through a tiny knot of
flame.
I’m sorry for letting them ferment the way the sun does each
night.
There’s no excuse, and yet, maybe I am not so sorry for still loving
you
this way. I don’t pay any attention to the way the filament in the
bulb
glows for only a few seconds when the light goes out. It doesn’t
matter to me that the river stores the city’s lights only to sweep them
downstream.

Sorry or not, I don’t think there is anyone left in my soul.
Therefore,
I am not so sorry for still loving you this way, the way a sunken
boat
recalls its sail. Sometimes I think the heart is a beehive someone
has
turned over. Sometimes it is a silkworm building its obscure
cocoon.
There must be a few derelict constellations with no light to show
us yet.
I’m sorry, but sometimes I also think you have created the night.
Other times I think you must have inhaled the breath of stars.

I’m sorry for loving you this way, for loving you still. Each
memory
hollowed out the way water drips for centuries through a sandstone cave.

The ambulance siren slithering away through the streets but
lingering on.
The wood frogs freezing themselves dry all winter to revive in
spring.
I’m sorry, but maybe the truest love is the most desperate. I’m
sorry.
I’m not sorry. Sometimes I think these words rot like fallen fruit,
and
sometimes I think you are the smell of rain that inhabits the air
before a storm

Richard Jackson, Prairie Schooner (Volume 81, Number 2, Summer 2007)

“Ex-Boyfriends” by Kim Addonizio

They hang around, hitting on your friends
or else you never hear from them again.
They call when they’re drunk, or finally get sober,

they’re passing through town and want dinner,
they take your hand across the table, kiss you
when you come back from the bathroom.

They were your loves, your victims,
your good dogs or bad boys, and they’re over
you now. One writes a book in which a woman

who sounds suspiciously like you
is the first to be sadistically dismembered
by a serial killer. They’re getting married

and want you to be the first to know,
or they’ve been fired and need a loan,
their new girlfriend hates you,

they say they don’t miss you but show up
in your dreams, calling to you from the shoeboxes
where they’re buried in rows in your basement.

Some nights you find one floating into bed with you,
propped on an elbow, giving you a look
of fascination, a look that says I can’t believe

I’ve found you. It’s the same way
your current boyfriend gazed at you last night,
before he pulled the plug on the tiny white lights

above the bed, and moved against you in the dark
broken occasionally by the faint restless arcs
of headlights from the freeway’s passing trucks,

the big rigs that travel and travel,
hauling their loads between cities, warehouses,
following the familiar routes of their loneliness.

“Ex-Boyfriends” by Kim Addonizio, from What Is This Thing Called Love. © W.W. Norton, 2004.

 

“Ex’s & Oh’s” by Elle King

“Speech to the Young: Speech to the Progress-Toward” by Gwendolyn Brooks

Say to them,
say to the down-keepers,
the sun-slappers,
the self-soilers,
the harmony-hushers,
“even if you are not ready for day
it cannot always be night.”
You will be right.
For that is the hard home-run.

Live not for battles won.
Live not for the-end-of-the-song.
Live in the along.

“Speech to the Young” by Gwendolyn Brooks, from BLACKS
(Chicago, IL: Third World Press, 1991). Copyright © 1991 by Gwendolyn Brooks Blakely.

“Hooters” by Jackleen Holton

I’m at Hooters, you tell me when I call, and I make you repeat it because I’m sure that I misheard. But on your third attempt, I catch the word. Oh, Hooters, I say, and wonder if this is the beginning of the end. And the waitress is there, trying to take your order. Can I call you back? Sure, I say and hang up. Go ahead, ogle her, in her little orange shorts and white tank, pulled tight, those owl eyes bulging. She’s probably flirting with you now, the way they’re trained to do, commenting on your accent, asking you where you’re from. And I know she’s not pretty or even beautiful, but gorgeous, because I knew a guy who worked construction at the franchise before it opened, who watched as the girls came in for their interviews, and there was this one who smiled at him, and he remarked to a co-worker,she’s hot, but the other guy shook his head and said maybe, but she wasn’t Hooters-quality gorgeous. And just after college I met a Hooters girl named Stephanie who was a few years younger than me. And as we sat in the Italian restaurant with our mutual friends, an older man stopped by our table to call her that very word: gorgeous. Envy prickled in me, not because I wanted to work at Hooters, but because I probably wouldn’t make the cut, what with the little bump in the center of my nose, my eyes set a bit too close together, not to mention my cup size too small for their requirements. But that was nearly twenty years ago. Even Stephanie the Hooters girl is now past forty, as are you, sitting there waiting for some terrible food to be delivered as you watch the parade. What’s next, I wonder, strip clubs and lap dances? My old boyfriend Dave had a drawer full of other women’s numbers. Is that where we’re headed? The phone rings. You should come here, you say. It’s such a typical American spectacle. I laugh. I’m good. While shopping at Target, you got hungry. Outside, the first thing you saw was Hooters. Of course, I reply, those big eyes. In college, the opening of the restaurant sparked many a debate in my women’s studies classes about the objectification of the female body. But now I’ve accepted the fact that women will continue to objectify themselves. If anything pisses me off about it anymore, it’s that they’ve co-opted the owl. You tell me you’ll try to come by later. But later you call again, your stomach aching. Too much salt on that chicken breast sandwich. You’re going to bed early. Poor baby. I hope you feel better, I say, and mostly I mean it. I look out the window, thinking of owls, the real kind, like the one I saw last week flying from a dark eucalyptus, over my balcony into the canyon; the sound it made, less of a hoot than a harrowing shriek as it flashed a momentary silver then disappeared into a copse of black trees.

from Rattle #43, Spring 2014
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