"I am offering this poem to you, since I have nothing else to give." ~Jimmy Santiago Baca
The needle lowers into the groove
and I’m home. It could be any record
I’ve lived with and loved a long time: Springsteen
or Rodrigo, Ray Charles or Emmylou
Harris: Not only the music, but
the whirlpool shimmering on the turntable
funneling blackly down into the ocean
of the ear—even the background
pops and hisses a worn record
wraps the music in, creaturely
imperfections so hospitable to our own.
Since those first Beatles and Stones LPs
plopped down spindles on record players
we opened like tiny suitcases at sweaty
junior high parties while parents were out,
how many nights I’ve pulled around
my desires a vinyl record’s cloak
of flaws and found it a perfect fit,
the crackling unclarity and turbulence
of the country’s lo-fi basement heart
madly spinning, making its big dark sound.
“Ode to the Vinyl Record” by Thomas R. Smith, from The Foot of the Rainbow. © Red Dragonfly Press, 2010.
“Put Your Records On” by Corinne Bailey Rae
The dead are always looking down on us, they say,
while we are putting on our shoes or making a sandwich,
they are looking down through the glass-bottom boats of heaven
as they row themselves slowly through eternity.
They watch the tops of our heads moving below on earth,
and when we lie down in a field or on a couch,
drugged perhaps by the hum of a warm afternoon,
they think we are looking back at them,
which makes them lift their oars and fall silent
and wait, like parents, for us to close our eyes.
— Billy Collins, from Sailing Alone Around the Room, Random House, 2001.
***
Words for the Weekend is back this weekend with another installment in our Apocalypse series. I’m excited because I wrote a piece (as Christy Anna Beguins) just for the series titled, “Just Another Day: Signs, Memories, and Bob Marleys.”
From my intro:
This is a story of survival: how memory and music can sustain us, nourish us, and keep us alive; how undying love can light up the darkness. All you have to do is believe. Do you believe like I believe in magic?
For friends and readers here who may not follow that site (it has been quiet for a while), please drop by to visit. I’d love your thoughts and feedback on my story. Look around and hit the follow button while you’re over there; we’ll have another installment very (very very) soon. Thanks! ~ Christy
It’s not a sheltered world. The noise begins over there, on the other side of the wall
where the alehouse is
with its laughter and quarrels, its rows of teeth, its tears, its chiming of clocks,
and the psychotic brother-in-law, the murderer, in whose presence
everyone feels fear.
The huge explosion and the emergency crew arriving late,
boats showing off on the canals, money slipping down into pockets
— the wrong man’s —
ultimatum piled on the ultimatum,
widemouthed red flowers who sweat reminds us of approaching war.
And then straight through the wall — from there — straight into the airy studio
in the seconds that have got permission to live for centuries.
Paintings that choose the name: “The Music Lesson”
or ” A Woman in Blue Reading a Letter.”
She is eight months pregnant, two hearts beating inside her.
The wall behind her holds a crinkly map of Terra Incognita.
Just breathe. An unidentifiable blue fabric has been tacked to the chairs.
Gold-headed tacks flew in with astronomical speed
and stopped smack there
as if there had always been stillness and nothing else.
The ears experience a buzz, perhaps it’s depth or perhaps height.
It’s the pressure from the other side of the wall,
the pressure that makes each fact float
and makes the brushstroke firm.
Passing through walls hurts human beings, they get sick from it,
but we have no choice.
It’s all one world. Now to the walls.
The walls are a part of you.
One either knows that, or one doesn’t; but it’s the same for everyone
except for small children. There aren’t any walls for them.
The airy sky has taken its place leaning against the wall.
It is like a prayer to what is empty.
And what is empty turns its face to us
and whispers:
“I am not empty, I am open.”
Tomas Tranströmer
trans. by Robert Bly
in The Winged Energy of Desire (2004)